#festivalseason - Rifflandia returns to lay its genre-less assault on Victoria.

Rifflandia (This year keeping Victoria up from Sept. 13-16) is a multi-headed beast that comes at you hard. There's a lot of stuff to sort through because there's a shit-ton of music to see at a glut of stages and too many good times to be had. Every year on these lists we lay down what we're looking forward to seeing, the gems we recommend, with little regard as to where they're playing. But when we thought about it for this year...why would we include anything at Royal Athletic Park (Rifflandia's main stages, running throughout the day Fri-Sun)? There's only one stage running at a time, so if you're there just go see the music that's on. There is some incredible stuff there this year like Beardyman (Seriously, Beardyman is a beast and a true creative force), Daniel Caesar, SonReal, Metz, Jessie Reyez, etc. Don't be a moron. If you're at R.A.P., just see the damned music. This year we bring you a list of recommendations that only looks to the night, to the times when the mass of humanity fractures into mini-parties all over downtown Victoria. Bass, hip-hop, soul, funk...you know what we do over here at Rags Music – grooves. Hit anything on this list and you're guaranteed to get your hips swaying and feet moving. Remember kids: Rifflandia is a marathon, not a sprint. We got a long way to go. Pace yourselves and take care of each other.

JF Killah (Saturday, 9:30-11:30pm, Lucky Bar)

So, this year at Bass Coast during the Radio Stage takeover by the legendary Vancouver drum 'n' bass masters Shah DJs, my friend and drum 'n' bass expert, Jerrrrrf, planted himself for the entire length of the marathon set. Three and half hours, to be exact. As I've stated before, I don't know a whole lot about drum 'n' bass, but I trust my friends so I made sure to keep going back and checking in with my homie throughout the afternoon. The set that kept me the longest and really had me going was courtesy of J.F. Killah. The big doses of grime and heaviness – without the overwhelming aggression I feel from a lot of heavier drum 'n' bass – was just what I needed. My path into learning about drum 'n' bass has been long and windy, but masters like J.F. Killah who incorporate such a wide variety of sounds into their repertoire are the ones who have helped my own development as a listener. Her work as one half of Levrige, whom admittedly I had heard before hearing J.F. Killah on her own, shows off an even grimier side, going deep into that extra-deep, slow-burning bass shit. With two hours to lay it down in an intimate place like Lucky Bar, this is the perfect time to get properly acquainted with one of the west coasts foremost purveyors of accessible drum 'n' bass with nasty bite.

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5 Questions with Rags #64 - The Leg-Up Program

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This is a long one, because this is a genuinely huge band (In number and sound), so I'm going to try to keep this intro thing short. If you aren't lucky enough to live on Vancouver Island, maybe you haven't heard of the Leg-Up Program. And if you are on the Island and still haven't heard The Leg-Up Program, what are you doing with your life? And lastly, if you have heard or seen The Leg-Up Program, good work. For real though, The Leg-Up Program is one of the raddest bands rocking these parts right now. With a staggering number of musicians at any given show (I think I've seen them with up to 16 people, in various configurations) the music they make – soul, funk, hip-hop, gospel, jazz – hits with an incredible energy. Watching such a large group of people up on a stage, all working together towards that common goal, is really something to behold. Every time I see them perform I am filled with the kind of joy that reminds me of what starting making me love music in the first place. It's warm, fun, communal. I hear that there's an album in the works somewhere, due at some time in the future, but until then you have to venture out into the world and find them. But at the end of your journey, rich aural gifts await! Nailing such a large band down all at once is, for all intents and purposes in regards to interviewing, impossible, but I was lucky enough to catch 10 of them in a room at once, so 10 members is what you get for the biggest round of the 5 Questions yet. (On the docket, David – Trombone, Nick – Trumpet, Ashley – Drums, Greg – Guitar/making the trains run on time a day late, Daniela – Vocals, Kady – Vocals, Fred – Bass, Stevie – Raps, Sean – Keyboard, Simon - Percussion)

1. Do you remember the first album you bought with your own money?

David: Oh yeah. It was “Geist” by Smashing Pumpkins. I got it at a Walmart in California. I still dig it a lot.

Nick: I think it might have been Five Alarm Funk's first album. It was very informative to see that kind of music rather than what was on the radio. Instrumental music.

Daniela: Yes. I bought two at the same time. One was Boys II Men and the other was...uuhhh...Two boys and two girls from Sweden...What were they called?
Random voice from somewhere in the room: ABBA?

Rags: Ace of Bass?

Daniela: Ace of Bass! Yes!

Kady: Mine's not nearly as cool. <Don't know where Kady got the idea that Boys II Men or Ace of Bass is cool> I bought Backstreet Boys, because that was the thing back then. It was Backstreet Boys or the Spice Girls. Then also, Loretta Lynn. I saw “Coal Miner's Daughter” when I was about 6 and that's one of the things that made me want to start singing.

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5 Questions with Rags #58 - Stevie Wise (The New Groovement, The Big Feelings)

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If you are around the Canadian west coast pay any attention to the music scene around you, you've seen or heard the New Groovement around. The funk/jazz/soul/hip-hop is established a go-to for good time, big-sound live music 'round these parts. As a person who sees these sorts of things, I had seen TNG many times and then I showed up to White Eagle Hall here in Victoria one night and there was a new lady singing! The fuck was going on? Any fears I had of this new person screwing up the chemistry of this band I dig were quickly assuaged when I heard this new voice and saw her quietly commanding stage presence. I also came to learn the person behind this powerhouse voice was Steph Wisla. Since then that stage presence has gone from quietly commanding to powerfully radiant.

Joining an already established band was easier than one might have expected and Wisla just dropped right into the role. “I didn't have to do any of the grunt work from the beginning. They already had an award-winning album and stuff. It was great. I had been such a fan of the band too so it wasn't a completely new band to me. It was like, 'I'm finally living my dream of being in an awesome band.' It was a natural progression,” says Wisla of her easy transition into her role. The partnership seems to have been almost immediately beneficial as both Wisla and TNG seem to have a hard groove in 2017, both as powerful as ever. I sat down with the magnetic Wisla for a chat about the paranormal, people sharing names and that corrupter of youth – Hillary Duff.

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1. What was the first album you bought with your own money?

I was kind of spoiled. I don't know when I really bought something with my own money. <laugh> My first go-to is Avril Lavigne Let Go. That shit was ace.

Was or is?

Is. Always is. The next one, Hillary Duff, Metamorphosis, I think it was called. My parents went through it and listened to it before we were allowed to listen to it so they could censor it. And I clearly remember we weren't allowed to listen to 7 or 11, because they talked about partying. Which, now, 'Sorry mom, do here what I sing about on stage now?! Hillary Duff ain't got nothing on me!”

How did they even enforce that?

I don't know. We were all just scarred shitless to do anything wrong. We all had very guilty consciences. I have an older sister and a younger brother. We were all kind of like, “I don't wanna do anything wrong because I'll feel bad about it forever.” I remember they used a sharpie to scratch out the titles of 7 and 11 so we couldn't even know the names of them.

2. When's the last time you did something for the first time?

Atmosphere Gathering. And I wanna leave the rest blank. Sorry, mom.

What a great festival.

It was insane. I only went up for a day and a half and I don't regret it.

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5 Questions with Rags #46 - Moontricks

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If you've been around dance music in Western Canada in the last year at all, you've probably come across Moontricks. The duo, Nog and Sean, are out in these mountains and streets, making downright sexy bass music. They've become festival favourites, pleasing audiences of all stripes. (Anyone else get trapped in the line outside of Lucky Bar during Rifflandia? Goodness gracious.) It's not hard to figure out why their appeal seems so universal - the combination of deep, ultra-silky basslines and live instrumentation (Guitars, banjo, harmonica) is both new and familiar, futuristic and rustic. The fact that this all brought to our ears by two super-nice dudes is just a goddamned treat, really. It took me awhile to get these deservedly busy cats on the phone for a little chat, but I finally managed to do it, as they prepare to hit the road to help the masses thaw out from the winter and start getting ready for the warmer, sexier summer nights ahead. Go out there, see Moontricks on the road and wind up your waists.

1. Do you guys remember the first album you bought with your own money?

Sean: It was probably one of those order 10-CD club things, probably. I just remember some of the early stuff was Green Day, Sublime, Rage Against the Machine.

Nog: I tended to have mixtapes for the most parts that were just raided from my parents' collection. I don't think it was any album in particular.

Any particular song on those mixtapes that made you wanna get after it more?

N: Marvin Gaye. There was a tape that had Marvin Gaye's “Heard It Through the Grapevine.” That was a good roadtrip tune.

S: Classic.

2. When is the last time you did something for the first time?

S: That's a really good question. Ummm, we played Canmore. <laughs>

N: Yesterday I was out hiking and came across a cougar that had crawled up and died in this cave and was frozen solid in the back of this cave. It has icicles coming from the ceiling of the cave down over it. There's been a cold-snap for the last month and so there's this rock-solid cougar in a cave that we came across. That's the first time I've done that.

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5 Questions with Rags #40 - BOUSADA

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If you've been taking in music on and around Vancouver Island in the last year you've probably encountered the smooth tsunami that is BOUSADA. Homie has been near-inescapable over the last little while, hitting festivals, supporting huge acts like Katchafire and headlining his own shows. Dude's brand of silky-smooth grooves, thoughtful and warmly delivered lyrics, and an unyieldingly positive stage presence is an addictive formula that keeps ears peaked and waiting for more. His shows are seriously joyful dance parties, built to help the audience forget everything but the groove. If you haven't got Bousada into your regularly listening diet yet, you might want to start rethinking some of your decisions.

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1. Do you remember the first album you bought with your own money?

I think that it may have been Blink-182 Enema of the State. It might have been a different album but that's the first one I remember getting into.

When's the last time you listened to Enema of the State. What songs were even on there?

I have no idea. “What's My Age Again?” “Adam's Song.” I do go back and listen to some Blink-182 because they just got back together to play some shows and...uhhh...<laughs> Their live sound is terrible too. Their such terrible singers, but that album was pretty good.

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