5 Questions with Rags #76 - Keysha Freshh

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2019 has been an incredible year for hip-hop and one of the best rap releases of the year belongs to Toronto MC Keysha Freshh. If you've been paying attention, it's not really a surprise that Freshh is releasing such on-point hip-hop right now. With a slew of other releases and her incredible work with The Sorority, Freshh is a proven veteran. Field Trip is a deep blast of bangers, perfect in the car or on in your room with those good headphones. Talking to me shortly before heading out west to BC for the final tour with her comrades in The Sorority, Freshh explained the genesis of this chapter in her career. “Field Trip was basically inspired by me wanting to tell a story that I felt was necessary to tell about my life at the time and where I was. It also felt like I was going on a journey at that part of my life. Basically writing the music, putting it all together and working on the album and every part of the album really was a special moment for me and that’s what made the whole process important.” The importance of her moment is evident in music. Field Trip sounds vital, important and aware. The sound on the album is a luscious balance of warm and heavy. Freshh's MCing, the main event, is unimpeachable. Check out the bars on “Hero,” one of the most alarmingly honest tracks of the year. Or the relentless battle rap of “Blah Blah.” Even if you haven't heard anything else she's done, a couple of listens through Field Trip and you'd be convinced that Keysha Freshh on the mic is hella serious business. If there's one thing we support over here at Rags Music, it's top-shelf hip-hop. So I was more than a little bit excited when Freshh was able to throw some of her time to answer the latest round of 5 Questions with Rags.

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1. Do you remember the first album you bought with your own money?

The first album that I had was Mecca and the Soul Brother (Pete Rock & C.L. Smooth). The first album that I bought with my own money was Beware of Dogs by Bow Wow, that was on a CD. First vinyl I owned was Boogie Down Productions Criminal Minded. It was given to me by my cousin.

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#festivalseason - Rifflandia returns to lay its genre-less assault on Victoria.

Rifflandia (This year keeping Victoria up from Sept. 13-16) is a multi-headed beast that comes at you hard. There's a lot of stuff to sort through because there's a shit-ton of music to see at a glut of stages and too many good times to be had. Every year on these lists we lay down what we're looking forward to seeing, the gems we recommend, with little regard as to where they're playing. But when we thought about it for this year...why would we include anything at Royal Athletic Park (Rifflandia's main stages, running throughout the day Fri-Sun)? There's only one stage running at a time, so if you're there just go see the music that's on. There is some incredible stuff there this year like Beardyman (Seriously, Beardyman is a beast and a true creative force), Daniel Caesar, SonReal, Metz, Jessie Reyez, etc. Don't be a moron. If you're at R.A.P., just see the damned music. This year we bring you a list of recommendations that only looks to the night, to the times when the mass of humanity fractures into mini-parties all over downtown Victoria. Bass, hip-hop, soul, funk...you know what we do over here at Rags Music – grooves. Hit anything on this list and you're guaranteed to get your hips swaying and feet moving. Remember kids: Rifflandia is a marathon, not a sprint. We got a long way to go. Pace yourselves and take care of each other.

JF Killah (Saturday, 9:30-11:30pm, Lucky Bar)

So, this year at Bass Coast during the Radio Stage takeover by the legendary Vancouver drum 'n' bass masters Shah DJs, my friend and drum 'n' bass expert, Jerrrrrf, planted himself for the entire length of the marathon set. Three and half hours, to be exact. As I've stated before, I don't know a whole lot about drum 'n' bass, but I trust my friends so I made sure to keep going back and checking in with my homie throughout the afternoon. The set that kept me the longest and really had me going was courtesy of J.F. Killah. The big doses of grime and heaviness – without the overwhelming aggression I feel from a lot of heavier drum 'n' bass – was just what I needed. My path into learning about drum 'n' bass has been long and windy, but masters like J.F. Killah who incorporate such a wide variety of sounds into their repertoire are the ones who have helped my own development as a listener. Her work as one half of Levrige, whom admittedly I had heard before hearing J.F. Killah on her own, shows off an even grimier side, going deep into that extra-deep, slow-burning bass shit. With two hours to lay it down in an intimate place like Lucky Bar, this is the perfect time to get properly acquainted with one of the west coasts foremost purveyors of accessible drum 'n' bass with nasty bite.

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#festivalseason - The Phillips Backyard Weekender delivered all I expected...And then some.

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There was a ridiculous amount of great music at Phillips Brewery for the annual Backyard Weekender in Victoria this year and I could go on and on about it. I could tell you how The Revolution was better than anyone could have thought, laying down a set comprised entirely of some of Prince's best tracks – and even a couple surprises... “America,” anyone? Or how Victoria OG s, Murge and Verse – The Champion Sound, held it down between sets all damned weekend. Or I could tell you about the fiery and relentless disco assault of !!! (Chk Chk Chk) lit up a mostly unsuspecting crowd. In a weekend packed with highlights, here are the four acts that inspired my own lazy ass to get back to important work, like creating things and loving live music even of a fraction of how I used to.

Reggie Watts is so good at what he does that people now believe non-facts about Victoria.

Ask anyone who was there - apart from the two dudes I saw walk out early declaring, “This guy's a fucking weirdo.” - and they'll tell you that Reggie Watts' Saturday night performance at The Phillips Backyard Weekender was a incendiary force of creativity. It was funny, fresh and relentless. It demanded attention to mine its deep rewards. During his set, which my words will never do justice to, Watts told the potted “history” of spare ribs. We all had a good chuckle. Early the next day, whilst in the smoke-pit, I overheard a discussion about the improvised glory that Watts laid down the previous night. “He must have done a lot of serious research about Victoria. Like, he talked about the history of the spare rib and how it came from Victoria. I didn't know that!” “I'm from Victoria and I didn't know that!” These are actual things I overheard. Are there hundreds or possibly thousands of people out in Victoria now spreading the wholly false idea that Victoria is the legit home of the spare rib? God, I hope so.

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