The People's Champ - Krofton - on a great year and the rise of 365 Pro Wrestling

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For almost as long as I can remember, music was the thing – my love for it was the thing that drove me. But I say “almost” because before that, there was professional wrestling. Some of my earliest memories are watching wrestling with my grandfather and my uncle (Not together though, because, from what I can remember, they were very different wrestling fans). By the time I left high school, wrestling started to fade from my vision and that's when music took hold. But over the last five or six years, wrestling has taken its place back at the forefront of my mind. Wrestling is what gives me the feeling that music used to. Wrestling is what gets me out of my house. Wrestling is where I've found new community. Wrestling is what makes me feel like a kid again. And it's 365 Pro Wrestling has been the key to regaining that feeling. And there is no one that represents 365 like the Peoples Champ, the man known as KROFTON. I’ve interviewed hundreds of musicians but I’ve never interviewed a wrestler, or even written about wrestling. There is no one I could imagine starting this new wrestling-based phase of my writing with than the very tall man, Krofton. Luckily, he was more than game to dish about this insane thing he loves and when it finally happened, after weeks of planning, he answered the phone ready to go.

He may not the champ of 365 anymore, but he’s the champ of our hearts. Photo by Darren Ho Media.

It genuinely warms my heart to hear Krofton, a 20+ year veteran of the west coast indie wrestling scene, echo the feelings I have as an outsider, a fan. “We are a family, honestly. All the way from Garrett to Eddie and everyone in between, even outside of wrestling, if something's going on or someone needs something, we all know we can reach out and talk to each other. We all go out and support each other for different things. We all just want to see each other get better. Nobody's negative, we just want to do the best we can in the ring and we're always trying to help each other get better. There's really nothing better than 365.”

A clear fan-favourite, evident by the number of Krofton shirts often worn by children at 365 shows – perhaps the greatest marker of a professional wrestler's popularity – Krofton is there before and after the shows, interacting with fans. His in-ring cohorts speak of him with high praise. There's a reason he's been a mainstay on the scene for as long as he has. And, even after all the time he's spent between the ropes, the legend of Krofton continues to grow, with 2023 being a banner year for the man himself. “Last year I had a really good year. God...I wrestled Sebastian Wolfe not even 24 hours after he made his AEW (All Elite Wrestling) debut. I felt it. I felt that energy from him. I was in the ring with Max (Benson) and Travis (Williams) when Legacy came back. That match was – there was a point in that match where we were screaming at each other and we couldn't hear anything in the ring because you guys were so loud. That won match of the year for 365 and it's a high placement.”

Krofton & the mighty Eddie Osborne (pre-recent hair cut) - Guilty By Association. Photo by Darren Ho Media.

When I pressed him to narrow it down, it turns out his high point last year didn't even come in the familiar confines of his home 365 crowd. “I gotta say, it was going to Ontario and wrestling Joey Allen. Going in to a building where I've never been, not knowing if anyone there even knew who I was or the history of what was going on – we went out there and we beat the shit out of each other. And then not even 20 minutes later I was out there in a 3-way hardcore match getting skewers stabbed into my head and getting superplexed through a table. And the greatest thing, I never even expected, I got a “Please come back!” chant at the end of the match. That will always mean something to me and I'm going to go back for sure.”

And in case you are wondering what's worse – skewers to the dome or taking a superplex through a table – you can put those worries to rest. “Skewers are worse. It was a 'Oh my god, they're stuck in my head!' and then seeing the horror on everybody's faces as I'm staring at them in the crowd. Looking at the four little kids staring back at me with the same look I know I had on my face. Going through a table? Whatever. I used to jump off fences to impress people in high school and go through particle board stacked on those little blue rubber chairs. I busted my tailbone a few times as a teenager doing that stuff. It's not so bad.”

Yeah, okay, I buy that the skewers are worse. Photo by Steve Skullmaster.

Krofton may be the man, but he's just a cog in the beautiful machine that is 365 Pro Wrestling. It's a machine that's only been gaining momentum in Victoria over the past few years and is ready to hit the next level this Friday, February 2, with Capital Combat. Running at the First Met Church (Corner of Quadra and Balmoral) for the first time, the venue will be their biggest to date in the city and they've got a card to match. The excitement in Krofton's voice is palpable when I ask him about this momentous night. “Talk about a show. 11 matches. The best of the best. Judas Icarus and Travis Williams. You got Evan Rivers making his debut out here. Those three alone are crazy. I've never met Evan, I've watched all his stuff. I'm looking forward to him and Legacy – that match is...I don't think the ceiling is going to be high enough for them. Artemis Spencer and Devon Shooter – talk about a 10-Star match. Becky Beech & Josh Caldwell, the Yacht Club – I love them. They're going to die but I love them. I'm 6'5 and I'm about to wrestle a 20-year midget wrestling superstar. I don't know his exact height, but I've seen videos of him and it is going to be something. I don't know what the hell I'm going to do but I plan on bringing it all.”

“It's 365. $5 beers. It's great entertainment. If you got nothing to do February 2nd, that is the place to be. Some of the best wrestlers in Canada, including some that are not going to be around much longer, so you gotta come see them before they're gone.”

An absolutely insane of PROFESSIONAL GODDAMN WRESTLING. I can’t stress how great this night will be.

PS. I didn’t really have anywhere to put this, but the world really needs to know how good of a wrestler Devon Shooter is. Every time my friends and I go to a 365 show, we walk out talking about Devon Shooter. He is so good at seemingly every aspect of wrestling, I had to ask Krofton if it was true. “Devon Shooter is so underrated. People don't even know. He's the man. Anyone who's in the ring with him learns something. Even guys who have been in the business for 20 years. He is such a humble, good person, I don't think any of deserve the right to know him. I'm so happy he's in our lives in 365 but I'm so grateful to call him a friend. In that ring, he can go. He's probably forgot things most of us couldn't figure out how to do in the first place. “

Yeah, Devon Shooter is awesome - but I’ll still root for Krofton if/when they share a ring again.

5 Questions with Rags #80 - Kandle

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Sometimes things happen around me and I miss them completely. Then I get blindsided by the existence of said thing. This happened last fall when I was writing for the Rifflandia festival guide and was assigned to write a bio for Kandle. I went in not knowing anything about her and was astonished at her immense musical talents when I put on her first independent release Set The Fire. (What. An. Album.) How I had completely missed nearly a decade of this incredible musician who was from my hometown?! How the fuck did I manage this? And she's the daughter of west coast music legend, 54·40 frontman Neil Osbourne? Truly this was a tremendous blunder by me. Luckily she was easy to track down so I could find out more.

Though she grew up in and around it, music wasn't always the end goal. “My whole life I think I was doomed and destined to be an artist,” Kandle says with a laugh. “I am kind of into everything. I went to school for photography in Victoria. I do a lot of drawing and painting. I started writing poems and then I started playing guitar. I kind of started doing music by accident.” It's a good thing for music lovers that accident occurred because Kandle has been consistently untouchable - delicately balancing modern sounds with big nods to crooners of the past – without ever sounding like a pale imitation of that past. “I've definitely always been a sucker for all of the classic crooners. I learned to sing by copying Billie Holiday when I was teenager. Growing up in the 90s with a rock dad I was really into alternative stuff, every “head” band – Radiohead, Portishead.” Even though you can hear the influences throughout her music, Kandle is most definitely not doing an homage – her music is entirely her own and all of our ears are better for it. I'm so glad I got the opportunity to not only write about this amazing artist for one of my city's biggest festivals, but also that she was so easy to track down and so effervescent when I did! Enjoy this wonderful instalment of 5 Questions with Rags featuring the powerful KANDLE.

1. What is the first album you remember buying with your own money?
It was Our Lady Peace, Clumsy. I was a diehard fan when I was like 6. I may have peed myself when I met them. <laughs> My dad never full got my obsession with them. I think they were opening for him around the time I got obsessed and he was just like, “ooookay.” I was just screaming “Superman's Dead” in my little overalls. It gets me every time.

2. What's the best memory you have of a teacher or mentor growing up?
This is going to be a shoutout to my Oak Bay art teacher. Mr McGulky. (Note: I cannot confirm the spelling on this. Please forgive me if it's wrong!) It was my, I dunno, sixth high school at that point? I'd kind of given up on making friends and fitting in after that many. For the first little while there, even now we're still friends, but he was my only friend there for awhile. I had pretty crippling anxiety about getting bullied, not fitting in, not doing well in school. Everyone knew I was a bad seed. He would lie for me. He would write notes for me to get out of science class. If I was freaking out about something, he would have my back. He would always roll his eyes and complain about it but he looked after me and I always really appreciated him. He's always proud of me.

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5 Questions with Rags #72 - SIDEWAY

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I first found out about SIDEWAY (formerly Sidewaysounds) a couple summers ago when he laid down tunes on a old school bus that was transporting people from downtown Victoria to the top of Brown's Mountain for Tall Tree Music Festival. (Note: That old school bus is known as The Community Action Bus and it's usually doing more important things than transporting festival goers.)`I knew literally zero things about him or what kind of music I would hear on this journey, but I was quickly pulled out of my comfortable anti-social bubble at the back of the bus, into the midst of people, closer to the speakers. Dude had the two most important things I look for in a DJ - instantly recognizable taste and no genre allegiance. Turns out, on top of being a solid DJ he's also a damned-fine producer, creating some pretty smashing, forward-thinking bass music. “For me the tune has reach up and grab your attention, that's when you know you're onto something,” Sideway told me, talking about what in music is grabbing at him these days. “I like to browse SoundCloud for hours and just have it on in the background, and when a song grabs my attention I know its worth taking a closer look at which often leads me to brand new artist discoveries. Same goes for when I’m making music… I’m very hands on, just creating until something sounds interesting and grabs my attention and then building around that as inspiration. But it's all a very fluid process for me, my tastes have evolved many times over the years and I expect that will continue.” Probably get on the train now, because if current Sideway trends continue, whoa! You're gonna be glad you got on these sounds early!

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1. What was the first album you bought with your own money?

Haha, okay this is going to sound super lame, but music was never really a big thing in our house growing up. Like, my parents didn’t really listen to anything except the odd ABBA album. Exposure for me was through friends and so the first impression made on me was Stan by Eminem. I think I was 12. I couldn't buy the album but my friends did and we had that shit on repeat just like every other kid. Another early favourite was Coolio – Gangsters Paradise. The last album I can remember buying on CD was Kid Kudi - Man on the Moon, used to rinse that out a bunch as well.

But when my cousin snuck me into my first club at 16, I fell in love with electronic music, or techno as it was referred to back then, and have really appreciated everything from minimal to trance to glitch hop to electro and dubstep. These days I favour a pretty bass-heavy, eclectic mix of tunes, basically anything that fits goes in my book.

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#festivalseason - Rifflandia 11 rounds out the season in musically diverse style.

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Another year of Rifflandia and another year of a densely diverse musical memories to help get us through the cold winter months. Unbound by any genre allegiances, Rifflandia is free to mine any part of the modern musical map they deem worthy and to their credit, each year they dig hard to bring something unique to the city of Victoria. Something different than the swaths of other catch-all festivals that flood the market each and every festival season. And in their 11th year, Rifflandia did not disappoint. With 150+ acts over three days, four nights and 14 stages, there was more than ever to take in. We didn't stop for the duration of the weekend and in amongst the chaos, these were the acts that left the biggest imprints on our ears over the four relentless days.

Best Non-musical Thing We Saw At Riff - KARMIK

We're don't necessarily advocate drug use at Rags Music, but we damn sure as hell advocate safety and and taking care of each other. Thankfully the good people at KARMIK made their first appearance at Rifflandia. Breaking ground is nothing new to the team at Karmik, so it only made sense they were the first organization to bring a mass spectrometer to Vancouver Island, and establish a legitimate drug testing presence at Rifflandia. To give you how big of a deal that actually is, the legendary Shambhala Music Festival (Salmo, BC) took years of fundraising and donations to be able to provide attendees with the technology – at an event that arguably has more drug use than Riff. But, Victoria definitely has needed something like this for years, and even with local law enforcement pushing back, the lovely individuals of Karmik stood their ground and provided a much needed service in Victoria that has been long overdue. Hope to see them back next year!

Gentle Mind

One of the first acts of Rifflandia weekend, Gentle Mind took the stage at Phillips Front Yard Thursday night to show how to kick off a festival right. With a small crowd and a chill in the air, the Vancouver soul (Acid soul? Jazz soul? Soul pop?) group started with a small smattering of people – more photographers than festival-goers – and by the end of their set, the stage was packed and the people were eating out of the bands hands. The bands originals, including their standout “Nighttime in Crema”, popped and pulled in the listeners with their slickness, their depth and their soul. A couple of choice covers sprinkled in to their set helped give a new audience familiar touchstones: A lovely rendering of Haitus Kaiyote's sultry “Nakamarra” and a groovy as hell cover of The Weeknd's “I Can't Feel My Face,” the latter of which took me way too long to recognize. We singled out Gentle Mind as a band to watch at this year's Rifflandia and they didn't disappoint, setting the tone for another great weekend of music.

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#festivalseason - Rifflandia returns to lay its genre-less assault on Victoria.

Rifflandia (This year keeping Victoria up from Sept. 13-16) is a multi-headed beast that comes at you hard. There's a lot of stuff to sort through because there's a shit-ton of music to see at a glut of stages and too many good times to be had. Every year on these lists we lay down what we're looking forward to seeing, the gems we recommend, with little regard as to where they're playing. But when we thought about it for this year...why would we include anything at Royal Athletic Park (Rifflandia's main stages, running throughout the day Fri-Sun)? There's only one stage running at a time, so if you're there just go see the music that's on. There is some incredible stuff there this year like Beardyman (Seriously, Beardyman is a beast and a true creative force), Daniel Caesar, SonReal, Metz, Jessie Reyez, etc. Don't be a moron. If you're at R.A.P., just see the damned music. This year we bring you a list of recommendations that only looks to the night, to the times when the mass of humanity fractures into mini-parties all over downtown Victoria. Bass, hip-hop, soul, funk...you know what we do over here at Rags Music – grooves. Hit anything on this list and you're guaranteed to get your hips swaying and feet moving. Remember kids: Rifflandia is a marathon, not a sprint. We got a long way to go. Pace yourselves and take care of each other.

JF Killah (Saturday, 9:30-11:30pm, Lucky Bar)

So, this year at Bass Coast during the Radio Stage takeover by the legendary Vancouver drum 'n' bass masters Shah DJs, my friend and drum 'n' bass expert, Jerrrrrf, planted himself for the entire length of the marathon set. Three and half hours, to be exact. As I've stated before, I don't know a whole lot about drum 'n' bass, but I trust my friends so I made sure to keep going back and checking in with my homie throughout the afternoon. The set that kept me the longest and really had me going was courtesy of J.F. Killah. The big doses of grime and heaviness – without the overwhelming aggression I feel from a lot of heavier drum 'n' bass – was just what I needed. My path into learning about drum 'n' bass has been long and windy, but masters like J.F. Killah who incorporate such a wide variety of sounds into their repertoire are the ones who have helped my own development as a listener. Her work as one half of Levrige, whom admittedly I had heard before hearing J.F. Killah on her own, shows off an even grimier side, going deep into that extra-deep, slow-burning bass shit. With two hours to lay it down in an intimate place like Lucky Bar, this is the perfect time to get properly acquainted with one of the west coasts foremost purveyors of accessible drum 'n' bass with nasty bite.

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