#festivalseason - Rifflandia returns to lay its genre-less assault on Victoria.

Rifflandia (This year keeping Victoria up from Sept. 13-16) is a multi-headed beast that comes at you hard. There's a lot of stuff to sort through because there's a shit-ton of music to see at a glut of stages and too many good times to be had. Every year on these lists we lay down what we're looking forward to seeing, the gems we recommend, with little regard as to where they're playing. But when we thought about it for this year...why would we include anything at Royal Athletic Park (Rifflandia's main stages, running throughout the day Fri-Sun)? There's only one stage running at a time, so if you're there just go see the music that's on. There is some incredible stuff there this year like Beardyman (Seriously, Beardyman is a beast and a true creative force), Daniel Caesar, SonReal, Metz, Jessie Reyez, etc. Don't be a moron. If you're at R.A.P., just see the damned music. This year we bring you a list of recommendations that only looks to the night, to the times when the mass of humanity fractures into mini-parties all over downtown Victoria. Bass, hip-hop, soul, funk...you know what we do over here at Rags Music – grooves. Hit anything on this list and you're guaranteed to get your hips swaying and feet moving. Remember kids: Rifflandia is a marathon, not a sprint. We got a long way to go. Pace yourselves and take care of each other.

JF Killah (Saturday, 9:30-11:30pm, Lucky Bar)

So, this year at Bass Coast during the Radio Stage takeover by the legendary Vancouver drum 'n' bass masters Shah DJs, my friend and drum 'n' bass expert, Jerrrrrf, planted himself for the entire length of the marathon set. Three and half hours, to be exact. As I've stated before, I don't know a whole lot about drum 'n' bass, but I trust my friends so I made sure to keep going back and checking in with my homie throughout the afternoon. The set that kept me the longest and really had me going was courtesy of J.F. Killah. The big doses of grime and heaviness – without the overwhelming aggression I feel from a lot of heavier drum 'n' bass – was just what I needed. My path into learning about drum 'n' bass has been long and windy, but masters like J.F. Killah who incorporate such a wide variety of sounds into their repertoire are the ones who have helped my own development as a listener. Her work as one half of Levrige, whom admittedly I had heard before hearing J.F. Killah on her own, shows off an even grimier side, going deep into that extra-deep, slow-burning bass shit. With two hours to lay it down in an intimate place like Lucky Bar, this is the perfect time to get properly acquainted with one of the west coasts foremost purveyors of accessible drum 'n' bass with nasty bite.

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5 Questions with Rags #59 - Jennay Badger

Earlier this year a friend sent me a message that said “Check out this new, dope Neon Steve mix.” I put it on and it was decidedly awesome. But something didn't sound right. Turns out the fantastical futurefunkydisco mix was the work of one Jennay Badger, the release of her set from the first instalment of the quarterly party “Neon Steve & Friends.” A glaring example of my surprising musical ignorance, I've come to find out that Badger is a fixture in the Vancouver Island bass scene. Her masterful Djing skills have kept her appearing all over the place to deliver her tasty, funky delights and her even more masterful (?) dancing abilities led her to founding INFLUX Dance Troupe, the finest of dance troupes I've come across. “I created Influx after I had tried out for a couple of different dance troupes. I was, reading in between the lines, being called overweight. That really hurt me, really hit home. I decided that that wasn't going to stop me,” says Badger of the formation of my favourite dance crew. “I don't believe that a person's weight really identifies how strong of a dancer they are. I didn't want to sit there and do nothing about it. Jamie Gib and I got to talking, he's also on the bigger spectrum himself and tried dancing with a bunch of different groups himself. I've also noticed that almost no groups at all have taken on any men full time. We got to talking and while Influx started as my vision, Jamie helped me bring it to life.” Influx is the next step in the natural evolution of Badger's ever-growing prominence in the West Coast bass community. With that in mind I decided to eschew our traditional opening question and to just jump right into the heavy stuff.

1. If you could only choose Djing or dancing for the rest of your life, which would you hang onto?

Fuck you. <laughs> Some people might say, “First and foremost, you're a DJ,” but that's just because they don't know my dancing background. I've been dancing ever since I was a child. My mom used to take me to music festivals when I was literally 2 years old. She used to drive me all across Canada in a school bus that she made into a kitchen. So, it was a kitchen, my bedroom and my home, all in one. We did that until I was about 6. I'd go missing and I'd sneak up onto the stage and she'd turn around and I'd be up there. I remember one time I was about 6, I was up there with some big black Louisiana woman and her band. They were holding me in their arms while they were performing. So, I've always been into dancing. I couldn't afford to do dance class, but there was dance teacher in Campbell River who saw that I was really good at dancing, so she offered to have me come to the studio and do hip-hop classes every Sunday for free, which was fucking amazing. I'm super grateful for that.

Around 2007, my mom actually took me to my first rave, in Cowichan. My mom and my uncle lived on this property in Cowichan Bay. It was near a place called The Barn, it was really well-known in the scene here. That's where I started going when I was 11. My mom would keep an eye on me. I had to be home and in bed by 10, but my mom brought me because I loved dancing so much. I was just going for the dancing and eventually, when I was around 14 or 15, I started Djing. I was just around it all the time. I love Djing so much, but I love dancing so much. Through Djing, I get to express my more masculine side. I feel like I'm The Man up there. Dancing brings out a little more femininity in me. I don't love either Djing or dancing more than the other, they're both one for me.

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