Sometime in the last couple of months of 2018, the great YouTube algorithm smiled upon me and sent me a downright infectious tune called “Ric Flair,” by Tom McGuire & The Brassholes, a band I had definitely never heard of before. Instantly enamoured with the incredibly catchy single, the song quickly found its way into my daily listening diet. You know that feeling where you find a band but then there's only a few songs/videos to help satiate that sonic lust? Well, that's the feeling I was engulfed with when I started digging a bit more but thankfully for myself, and the rest of the unsuspecting world, Tom McGuire & The Brassholes were mere months away from releasing their self-titled debut album. “We started the record through a crowdfunding campaign last December (2017), which was ultimately successful. We recorded over January and February, and a bit of March too. It's been ready since then and we've been dying to have people have access to it. Nobody knew who were though so we had to kind of build it up to get the point where there would be interest in the album. It's been around about a year we've been waiting to show this to the world,” McGuire says, speaking to me from his home in Glasgow, as he prepares vinyl copies of the album to send to those ahead-of-the-curve listeners who preordered the album. And finally the time has come.

Released into the world January 18, Tom McGuire & The Brassholes is already starting to dazzle listeners with its scope, intimacy, storytelling and straight-ahead musical force. While the album is deep and rich, brimming flourishes and fresh ideas – a clearly thought-out and dense peice of sonic art – “Ric Flair,” that first single that hooked me and apparently a whole gaggle of other people, was created in nearly complete spontaneity. “Me and some of the guys in the band used to host jam sessions in town. Where there would be no one to play I would sometimes just make up songs on the spot to keep myself on my toes. One night I asked 'What's the next song gonna be?' And someone piped out 'Ric Flair!' Ooookay, here we go and I just spat out the chorus line and we spontaneously played the song and it was pretty sick. I held onto it...thankfully I remembered it. I went home and wrote it more fully and I'm very glad I did because it's the reason so many people are caring, having an idea of who we are.” He's right. Because as more people find that song and the album, more people are going to bring Tom McGuire & The Brassholes into their lives. And that means more people dancing, more people experiencing the sonic joy that this incredible band can deliver. And that can only be a good thing. Rags Music is proud to have Tom McGuire as a guest for this instalment of 5 Questions with Rags, as The Brassholes set off on what is sure to be a massive year for this phenomenal band.

—————————————————

1. Do you remember the first album you bought with your own money?

First album I bought with my own money was...I used to be into punk rock. I still am actually, I love punk rock. My first record I got was a compilation from Nitro Records called Deep Thoughts and it was a killer. And I got Green Day Dookie on cassette tape. That's my roots. I remember that well. My first CD was punk rock and not some shite pop.

Yeah, I've asked that question a lot and there are some pretty regrettable answers.

I'm proud of me. There's nothing to be ashamed of for me.

2. When's the last time you did something for the first time?

Right now there's a lot of firsts happening for me. Being on national radio was a pretty big deal. We were on BBC Scotland when 'Ric Flair' was coming out. We went on BBC Scotland and played a session.

Earlier this year a friend sent me a message that said “Check out this new, dope Neon Steve mix.” I put it on and it was decidedly awesome. But something didn't sound right. Turns out the fantastical futurefunkydisco mix was the work of one Jennay Badger, the release of her set from the first instalment of the quarterly party “Neon Steve & Friends.” A glaring example of my surprising musical ignorance, I've come to find out that Badger is a fixture in the Vancouver Island bass scene. Her masterful Djing skills have kept her appearing all over the place to deliver her tasty, funky delights and her even more masterful (?) dancing abilities led her to founding INFLUX Dance Troupe, the finest of dance troupes I've come across. “I created Influx after I had tried out for a couple of different dance troupes. I was, reading in between the lines, being called overweight. That really hurt me, really hit home. I decided that that wasn't going to stop me,” says Badger of the formation of my favourite dance crew. “I don't believe that a person's weight really identifies how strong of a dancer they are. I didn't want to sit there and do nothing about it. Jamie Gib and I got to talking, he's also on the bigger spectrum himself and tried dancing with a bunch of different groups himself. I've also noticed that almost no groups at all have taken on any men full time. We got to talking and while Influx started as my vision, Jamie helped me bring it to life.” Influx is the next step in the natural evolution of Badger's ever-growing prominence in the West Coast bass community. With that in mind I decided to eschew our traditional opening question and to just jump right into the heavy stuff.

1. If you could only choose Djing or dancing for the rest of your life, which would you hang onto?

Fuck you. <laughs> Some people might say, “First and foremost, you're a DJ,” but that's just because they don't know my dancing background. I've been dancing ever since I was a child. My mom used to take me to music festivals when I was literally 2 years old. She used to drive me all across Canada in a school bus that she made into a kitchen. So, it was a kitchen, my bedroom and my home, all in one. We did that until I was about 6. I'd go missing and I'd sneak up onto the stage and she'd turn around and I'd be up there. I remember one time I was about 6, I was up there with some big black Louisiana woman and her band. They were holding me in their arms while they were performing. So, I've always been into dancing. I couldn't afford to do dance class, but there was dance teacher in Campbell River who saw that I was really good at dancing, so she offered to have me come to the studio and do hip-hop classes every Sunday for free, which was fucking amazing. I'm super grateful for that.

Around 2007, my mom actually took me to my first rave, in Cowichan. My mom and my uncle lived on this property in Cowichan Bay. It was near a place called The Barn, it was really well-known in the scene here. That's where I started going when I was 11. My mom would keep an eye on me. I had to be home and in bed by 10, but my mom brought me because I loved dancing so much. I was just going for the dancing and eventually, when I was around 14 or 15, I started Djing. I was just around it all the time. I love Djing so much, but I love dancing so much. Through Djing, I get to express my more masculine side. I feel like I'm The Man up there. Dancing brings out a little more femininity in me. I don't love either Djing or dancing more than the other, they're both one for me.

5 Questions with Rags #73 - Tom McGuire (Tom McGuire & The Brassholes)

5 Questions with Rags #59 - Jennay Badger