The Trash Gentlemen List - Vol. 1

Everyone has a line, a breaking point, that, when reached makes them rethink certain things. I continued to use Spotify for far longer than I should have, in addition to my regular support of the music I love. (I mean, really, we should all be augmenting our streaming services with buying records, concert tickets, merch, etc, whenever we can.) But a few months ago, former Spotify CEO (and current executive chair) Daniel Ek pledged €600 million of his vast, ill-gotten fortune to Helsing, a German firm specializing in AI military technology. This was my line. It was time to ditch Spotify for a different evil steaming overlord – Apple Music. I wanted to do something to “celebrate” this change. A new playlist series seemed like a good idea. Something to help me familiarize myself with a new platform, but also to combat the rise of insipid AI-created playlists. I'm (not actually) sorry, but an algorithm cannot make a mixtape with any kind of feeling or purpose. A good mix is something you sit down, think about, select carefully. I should know, I've been making tapes and playlists for my friends for almost three decades now. (Shout out Blake Shiny Tunes. IYKYK)

But just making a playlist didn't seem particularly fun or exciting, so I sat and I thought, long and hard. Who do I know that uses Apple Music that can help put something together? And it occurred to me, one of coolest dudes I know, and one of my most-trusted music allies uses Apple Music, the big homie Joshua Szirmay-Corrales. From the moment I met Josh in the middle of Rifflandia festival, discussing the great Reggie Watts, he has become one of my most trusted musical taste-havers. The man's ear is impeccable. In a world where everyone seemingly has something to recommend for my ears, Josh is one of the only people who gets their recommendations to the front of my queue. In recent years he's taken up as the main writing contributor with Rocktographers, our hometown Victoria's most-trusted source for live music coverage, and our local scene is absolutely better for it.

And now we're here, celebrating the very first Trash Gentlemen List. This recurring playlist will be a place to celebrate all the different bits of music that make us love it so much. This is a place for you, dear reader/listener, to come find something new, maybe reconnect with something old and most hopefully, to help you think about music in some of the ways you used to, before an algorithm started to take everything over. Each one of these lists is going to be built around a unifying theme or idea, not just a collection of dope songs (Though each list certainly will be that!). To get things started we're looking at some of our favourite Track 1s. We're opening the series with a series of openers. So sit back, relax and let's get into some fucking music.

Read More

5 Questions with Rags #84 - Krafty Kuts + Jimi Needles

…Luckily for hip-hop fans everywhere that we live in the age of fast internet and these two could connect properly for this mix. I know it's not just me who had a fucking experience the first time they listened to the mix. It's a monster, for all levels of rap fan. Krafty reflects on the impact the mix made almost right out of the gate. “The mix response has been incredible, just overwhelming. I didn't think I would have been able to match the Golden Era Mixes I've released prior, but we put so much pressure on ourselves to squeeze in as many records we loved in the space of an hour, for everyone to come back and say they’re enjoying it and that they can't wait for a 4-deck show is just incredible.” If for reason, this 4-deck show doesn’t make it to the Canadian west coast, I will be overtaken by a deep, heart-wrenching emptiness.

Jimi, like myself and seemingly everyone else who's heard them, has high praise for the Golden Era Mixes Krafty mentioned. “For me, and Martin may or may not know this, but a lot of people's ''go to'' hip-hop mixtapes are definitely those Golden Era Mixes. So the bar was already set extremely high as far as I was concerned. Now that Volume One is out there and has received so much love, the door is definitely open for Volume Two; in fact we've already started making our list and trading ideas. Can't wait!” Neither can we, Jimi. Neither can we.

Read More

The Dough Boys - The Dough Boys (Album review)

The Dough Boys - The Dough Boys (Album Review)

DoughBoyscover.jpeg

The Dough Boys self-titled debut is a perfect slice of chilled-out jazz-rap swagger; a confident, hazy-blazed way to introduce themselves to the world. In the opening track “Eulogy” BRAINiac declares “I don’t need the beat, I’ll kill this a capella” and with his previously laid evidence I have no doubt this is true, but I'm glad he doesn't go a capella because the melding of the MC with The Dough Boys has created something unique, dripping with ideas and energy. The Dough Boys have some serious musical chops and obvious chemistry that raise their debut to something unique in the quickly saturated jazz-rap world. At a time when a lot of albums are seemingly created for a streaming world, with too many tracks – songs stretched to 4 minutes to maximize profits, etc, The Dough Boys have a created a sharp, focussed, well-thought out piece of art to start their journey with. The album leaves you wanting more, not thinking about where the fat could have been trimmed.

“Dogs Gotta Eat,” the albums first single and a rework of the track that appeared on BRAINiac's incredible Lunch Meat (2019), is an obvious highlight. It brings some heaviness that the original didn't have while doing the very important work of giving that incredible hook – one of the best to come out of the west coast in a long time – a new breath of life. And there is the hook for the whole album – this is serious jazz-rap ysht with a full band, immediately setting it apart from a lot of the bedroom/solo produced jazz-rap that is filtering out into the musical world these days. The Dough Boys are able to pull out a surprising number of sounds and feelings from within small, connected framework. The beautifully lilting summer love anthem “Your Man” floats down the ear canal, while “Blunt” comes in dense and heavy – much like the feeling of smoking a proper blunt. Very different songs, that both directly hit what they're trying to do while fitting incredibly nicely on the same record.

This is hip-hop and the Dough Boys make sure to allow their MC to be front and centre but the moments when they take the spotlight are arresting and impactful. Check the back half of “Collage” where BRAINiac's flow has gains big momentum just to stop dead and give way to a heart-aching saxophone solo. “Amidst Everything” floats on a cloud of spacey, drifting keys. I haven't thought of a guitar as a secret weapon in many years, but here on the Dough Boys' debut, the guitar is a shockingly effective weapon – like on “Thirst” where the guitar just gives the song such a perfect, slinky, sliding-through-the-night feeling. (Check out guitarist Ranger's generally fantastic solo output too. Especially this wonderful single.) And none of it works without a rhythm section, after all, this is hip-hop, and the rhythm section holds the proceedings together tightly.

With their smart, stoned-out, perfectly chilled debut, The Dough Boys are staking their claim as an act to watch on the west coast to watch. They've built a base for something special going forward. And even if they just stopped at this one album, they could rest easy known they've created a legit summer classic of an album.

Support the boys and pick up the album on Bandcamp (It’s also available to stream wherever you like to stream things.)