#festivalseason - Bass Coast celebrates 10 years of immense taste and endless style.

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2018 marked the 10th birthday of Bass Coast and also Rags Music's first in-person experience with the legendary BC festival. After years of whispers of the wonders inside and pleas to attend from musical and non-musical-friends alike, Bass Coast had reached near-mythic status and much to my delight, did not disappoint. In fact, even with my expectations at an all-time high, Bass Coast blew away my ideas of what a festival of its kind can be, do and inspire. After three full days of music, art and colour on a river just outside of Merritt, BC, it is evident that Bass Coast is the result of an incredible group of people – artists, organizers, light/sound people, builders, etc – at the top of their fields, working together to create an experience unlike anything else in the adjacent space around it. There's something immeasurably beautiful about so many talented people working in conjunction to expand, tantalize and delight the senses of not just their friends, but of complete strangers.

Interactive art installations abound throughout the festival grounds, encouraging attendees to interact with not just the art but with their fellow festival goers. Most entertaining among these were the telephone booths. The sparkly phones on opposite sides of the “downtown” area of the festival were hooked up to each other, ringing when the other was picking up and throwing both caller and answerer into the fires of impromptu conversation. Rags Music contributor Shawn McNicoll spent an inordinate amount of time taking pizza orders and pushing car insurance on people, to his own delight and, presumably, the confused delight of the folks on the other end.

The majority of festivals I've been to feature hoards of unwashed/disheveled masses zombie-ing about until the sun starts it descent back under the sky line. But not at Bass Coast. The lovely people of Bass Coast, if not stripped down and cooling in the river, were dressed in their finest and most colourful ridiculously early in the day. From around lunchtime on, wherever you looked, Bass Coast was all-out fashion show and I was more than impressed. Some peoples' dedication to their costumes, to the weirdness, was flat-out awe-inspiring as the heat generally led me to basketball shorts and a t-shirt. If you were one of the people who managed to stay costumed-up in the sweltering heat and swirling winds, I commend you! SALUT!

While incredible lights and art installations, beautiful humanity wherever the eyes laid and breathtaking landscape views all abounded, it was the music that truly brought me there and the music that really made this one of the best full weekends of dancing I've personally had in a long time. The women behind the organization of Bass Coast, particularly the booking of music, have done a fucking incredible job of putting together a diverse lineup that thankfully all shares the same important thread... QUALITY. I admittedly didn't know a large portion of the lineup and I was either pleasantly surprised or straight-up astonished as I made my between stages taking in act after act I'd never heard of. Bass Coast might genuinely be the most musically well-curated festival I've ever attended. These are some serious music nerds putting together this line up and everywhere a brother turned, there was world-class groove to be had.

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5 Questions with Rags #64 - The Leg-Up Program

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This is a long one, because this is a genuinely huge band (In number and sound), so I'm going to try to keep this intro thing short. If you aren't lucky enough to live on Vancouver Island, maybe you haven't heard of the Leg-Up Program. And if you are on the Island and still haven't heard The Leg-Up Program, what are you doing with your life? And lastly, if you have heard or seen The Leg-Up Program, good work. For real though, The Leg-Up Program is one of the raddest bands rocking these parts right now. With a staggering number of musicians at any given show (I think I've seen them with up to 16 people, in various configurations) the music they make – soul, funk, hip-hop, gospel, jazz – hits with an incredible energy. Watching such a large group of people up on a stage, all working together towards that common goal, is really something to behold. Every time I see them perform I am filled with the kind of joy that reminds me of what starting making me love music in the first place. It's warm, fun, communal. I hear that there's an album in the works somewhere, due at some time in the future, but until then you have to venture out into the world and find them. But at the end of your journey, rich aural gifts await! Nailing such a large band down all at once is, for all intents and purposes in regards to interviewing, impossible, but I was lucky enough to catch 10 of them in a room at once, so 10 members is what you get for the biggest round of the 5 Questions yet. (On the docket, David – Trombone, Nick – Trumpet, Ashley – Drums, Greg – Guitar/making the trains run on time a day late, Daniela – Vocals, Kady – Vocals, Fred – Bass, Stevie – Raps, Sean – Keyboard, Simon - Percussion)

1. Do you remember the first album you bought with your own money?

David: Oh yeah. It was “Geist” by Smashing Pumpkins. I got it at a Walmart in California. I still dig it a lot.

Nick: I think it might have been Five Alarm Funk's first album. It was very informative to see that kind of music rather than what was on the radio. Instrumental music.

Daniela: Yes. I bought two at the same time. One was Boys II Men and the other was...uuhhh...Two boys and two girls from Sweden...What were they called?
Random voice from somewhere in the room: ABBA?

Rags: Ace of Bass?

Daniela: Ace of Bass! Yes!

Kady: Mine's not nearly as cool. <Don't know where Kady got the idea that Boys II Men or Ace of Bass is cool> I bought Backstreet Boys, because that was the thing back then. It was Backstreet Boys or the Spice Girls. Then also, Loretta Lynn. I saw “Coal Miner's Daughter” when I was about 6 and that's one of the things that made me want to start singing.

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5 Questions with Rags #63 - Qdup

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The funky groovemeister Qdup has been startlingly important in my development as a fan of electronic music. The first time I ventured out on my own, without the anchor of a knowledgable friend, at an electronic festival was some years ago at Shambhala, where I stumbled upon his set at the dusty, ol' AMP. His super bouncy and accessible breaksy-funk treats delighted me instantly and I gave way to the overwhelming desire to dance without my friends for the first time. I clutched that Qdup sticker I got that day like a kid with a carnival prize, ran back to camp and told everyone of this rad DJ I just saw, like I'd just discovered something no one ever knew about. (That sticker remains on my friends' camper-van and Qdup, if you're reading this, really needs to be replaced. It's taken quite a beating in six years.) Then, a couple of years later, Qdup got behind the decks in Fractal Forest with Steve of the mighty Fort Knox Five to lay down one of the most powerful sets of funk music I've seen to this day. Dancing with all the friends, as the face of the funk-legend Jon H. adorned the screens around the Forest, I was moved in a way that I never expected from electronic music. It was a turning point in my life as a music fan, as I realized that even amongst the bounce and fun and colours, deep-rooted emotional impact was possible. Qdup is still out in these streets doing the Big Work, keeping the funk vibrant and alive wherever he goes. His latest single “Sonic Drop” featuring San Fransisco MC Awoke, is an old-school breaks/hip-hop delight that's been on repeat since I got my grubby mitts on it. When I got him on the phone from his new homebase in LA for our little chat, he assured me that he's been staying close to home, hard at work building up his funky arsenal with new tracks and sounds, regathering strength for another summer of laying it down hard. But luckily for me, the good homie set aside some of his valuable time to get down with the 5 Questions!

FKX116 - Qdup - Sonic Drop ft. Awoke Qdup returns to Fort Knox Recordings with a new single first imagined on the Playa at Burning Man. During his first trip to Black Rock City Qdup performed a special hip-hop showcase at Funky Town and invited MC’s to rock his set and bring the cypher to the desert. San Francisco b-girl and Hip-Hop aficionado Awoke was one of the MC’s that appeared out of the dust and blessed the mic that afternoon and caught the ears of the crowd, inspiring this collaboration. “Sonic Drop” captures the fun of that impromptu Hip-Hop jam in the desert. This tune pops and locks from start to finish, with an infectious vibe that invites the party to get down on the dancefloor like Awoke and Qdup did that day! The track is all about Awoke’s flow as she says “Feel it deep inside and when the DJ starts to vibe, I’ll be the first one in line, straight Salt-N-Pepa pushin’.” It’s time to push it real good, so get on the dancefloor and push it when the DJ drops this cut! Qdup’s tight beats, 808 boom and bass-laden production set the tone as Awoke’s concise party raps direct the dancefloor to drop it like it’s hot. Put this on as a sure-fire way to get booties moving and create a Sonic Drop on the dance floor.

1. Do you remember the first album that you bought with your own money?

Run-DMC – Raising Hell, I saved up my allowance and got it on tape. My parents were really supportive of me wanting to buy and listen to music.

I'd ask if you still like Run-DMC but everyone still likes Run-DMC, right?

Classic.

2. What's your best memory of an elementary or high school teacher?

Mr. K, my high-school shop teacher. He really had a way of communicating with kids of all kinds, like he was on their level. I know was shop class and it wasn't “intellectual” or anything, but it didn't matter. It wasn't what we were learning but the way he communicated with us that really left an impact on me.

3. What's your favourite household chore?

Picking the music to listen to while I do the chores. <laughs> I know that's not really a chore but as a producer I'm constantly searching for new music and listening to new masters of my own tracks and stuff. Even in the car, I'm listening to stuff for work. So a lot of the time when I'm doing chores is the only time I really get to listen to music for pleasure. I get to just put on music to really enjoy.

4. If you could spend the day with anyone living or dead, who would it be and what would you do?

I'd get my brother Jon H, and we'd go have a night at Shambhala.

5. When's the last time you did something for the first time?

I went to Six Flags for the first time for my birthday. It had been years since I'd be on a roller coaster. After 5 or 6 coasters I thought maybe I had a filling loose or something from all the Gs.

6. Your Guest Question comes from the homie Handsome Tiger, who's currently lighting up Vancouver something fierce... If there's one place in the world you could play a show, where would it be?

Probably somewhere remote, small and tropical that I've never heard of or ever seen. Maybe Brazil or Thailand or something far away like that.

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And while you've probably listened to “Sonic Drop” while you read this (And if you didn't, you blew it. Scroll up and sort it out.) you should probably put this mix on before you continue your day and listen to a master at work for a proper amount of time. It's real good.

This weeks RIPEcast features a very special guest mix from Fort Knox Recording Artist Qdup. A Space Cowboy favorite, he has been making dance floors groove and butts move worldwide for a decade. Over the years, Qdup has released top selling tunes and remixes on many well received labels including Bombstrikes, Fort Knox Recordings, Bombastic Jam, Goodgroove, Air, ESL Music, Royal Soul, Boxon Records, MustBeat and his own Qdup Records imprint. Don't miss Qdub headlining at the upcoming LOVEBOAT HALLOWEEN event on Friday October 27th at Pier 70 in San Francisco. Event info and tickets are here: bit.ly/LBH17sc