Moontricks & BOUSADA @ Capital Ballroom (14.04.18)

Sometimes you go to a show expecting to chill hard. You go see an artist because it's going to be a cool night out and an opportunity to go dance and have a good time, but not necessarily rage. And sometimes you get to that show and it's just as chill as you expected but then, you get some a few unexpected tastes of the bass that makes you rage and it's extra-awesome because you didn't expect it. This past Saturday (April 14) at Capital Ballroom in Victoria, Moontricks delivered exactly that – an expectedly sultry, smooth and sexy set of bass and banjo (And guitar and harmonica) punctuated by forays into deep funk and beyond. Moontricks laid down a tremendous set of new and old tracks, to a packed house of seriously delighted people moving together, smiles plastered across every face in the room. This was (and is) serious bass without aggression – perfect for keeping the pulsing sea of humanity moving and in a good, chilled out mood. For such a large crowd in the Ballroom, this was a legit well-behaved crowd and it's a testament to the performers that everyone was bouncing so respectfully.

The old stuff (Like the sublime “Home,” which garnered the biggest pop of the night) was as warm and comforting as ever but it was the unexpected twists of new tracks that seemed to get the most bounce out of the sea of people. Most surprisingly, we were even treated to a little drum n' bass. Drum n' bass consistently challenges me and a Moontricks show was one of the last places I would expect to hear it, but oh man, that was some good, fun drum n' bass. Maybe it's old-hand to them, but I haven't seen it from these cats in the many, many times I've seen them play. Go see them live and experience this goodness. Please, for your ears' sake.

Things got going early with some luscious house-y beats from the homie Xavier, one of the pillars of Victoria's electronic community and BOUSADA, who is establishing himself as one of the city's musical pillars, able to move between genres and crowds with ease. Flanked by a guitar player, BOUSADA was as animated as ever, in all his shirtless glory, punctuating his beat-making and singing with loud cries of joy. A musical facilitator of the highest order, the last portion of his set saw BOUSADA giving the spotlight to a stream of some of Victoria's finest vocalists (Including Doc Zoo and Danimal House of Illvis Freshly, Kady and Stevie from Leg-Up Program and the mighty Orilla) taking turns rapping and singing over his tunes. It feels like BOUSADA has been building something special in Victoria and Saturday night was a reminder of why this guy is such a Force of Musical Community. A spectacular night of groove and bass. Well-done everyone.

I see BOUSADA yet again. Have you seen Bousada play? You should really see Bousada.

There's an epidemic breaking out around Vancouver Island right now. An organic dance virus is sweeping around stages everywhere, taking hold of everything in its path. But this is a different kind of virus. Instead of depleting and weakening its host, the virus soaks its way into the bloodstream of its victim, filling it with spirit and moving the host to uncontrollable, soul-lifting dancing. Fuck The Walking Dead, this is The Dancing Living. Patient Zero, the source of the infection is called BOUSADA. (Just look at these groovy victims, succumbing to the infectious virus, bravely documented by Front Range Films.)

A short video made by Front Range Films capturing BOUSADA's show at Logan's Pub July 15th

I see a lot of live music in and around Victoria. In these musical journeys it is common for me to run into a hot act over and over again often to the point of staleness. I've seen Bousada perform five times in the past few months (Including killer sets at Tall Tree and Victoria Ska & Reggae Fest) and not once have I picked up even the slightest whiff of I'm-bored-I've-seen-this-before. In fact, it's the exact opposite. Each time I see the good homie do his work, shimmying behind his gear as he builds his ridiculously smooth beats from scratch and layers his soulful vocals over top, I'm more impressed and more drawn to the infectious groove. To keep me coming back for more so often is a feat that I cannot overstate.

Seeing him at Logan's last week (Friday, July 15) was further proof that each and every time Bousada takes the stage, he's stronger than the last. From the moment he took the stage hips on the floor started moving and there was no let up for an hour straight. Right in front of the stage to the back room, it didn't seem like people really had a choice: their bodies were going to move, no matter what.

When he plays Bousada is a human energy conductor, feeding energy into the crowd, taking it back in and pushing it back through his equipment. His voice is silky and warm, singing uplifting, positive lyrics, often in a calmingly repetitive way, as if he's saying, “This is it. Here is what you need to let your mind rest.” And every once in awhile, the energy builds up so much that Bousada jumps back from his equipment and lets out a deep, visceral YAWP! It is the most gloriously human, wholly cathartic sound and by the end of the set a swath of the packed house was yelling right with him. I don't know the song titles, there aren't traditional song breaks and sometimes the music takes me to such a relaxed, trance-like state that I forget to even hear the words – it's frankly an experience that is hard to describe with words, try as I may. I've encountered nothing quite like Bousada. He's making deeply soulful, highly positive and intensely soothing music that gets into your blood and demands your dancing sacrifice. If you haven't seen Bousada, go see him - your soul will thank you for the nourishment. If you've seen him, go see him again - because, well, you know. 

#festivalseason - Five Acts You Gotta See at Tall Tree 2016

Celebrating its 7th birthday this year, Tall Tree has become one of the highlights of the West Coast festival calendar, bringing together the best musical offerings from the Coast and beyond, giving equal highlight to live instrumentation and DJ music. Their set-up of two stages at each performance area – so a DJ can start right away in a proper booth as soon as the live band has finished and vice versa – is a perfect way to keep the celebration going non-stop, and frankly something I’m surprised I haven’t seen more often. Nestled up on the top of Brown's Mountain in Port Renfrew, BC, Tall Tree caters to those festival goers looking for the huge party vibes of the biggest festivals but don't want to have to deal with the crushing onslaught of huge crowds. The smaller-than-usual head count makes sure that if you do things right, there will be almost no strangers left around you by the end of the weekend. I’m here to help you find the best grooves while you're up there, partying in the clouds.

Grab tickets and check day-by-day performance schedule over at the Tall Tree site!

jackLNDN. Photo courtesy of Nate Vogel Photography.

JackLNDN

Tall Tree is a music festival dedicated to the best music the West Coast has to offer, but the self-described “electric disco man” is from half way around the world, hailing from the city that gave him his name. Any fans of dancing should be thrilled that the folks at Tall Tree made an exception for the reigning champion of happy house music. I stumbled into his set at last year's Shambhala Music Festival and fell instantly in love. It's nigh impossible to listen to the sweet disco that JackLNDN plays and remain in a bad mood. He gets the body and soul moving.

SNE005 - Out now on Ultra! Vocals: JackLNDN www.facebook.com/jackLNDN www.twitter.com/jackLNDN @jackLNDN MMXV

Shad

When talking about this lineup after it was first announced and mentioning Shad, I had two different people respond with, “The guy from CBC?!” This is unacceptable. Shad is an affable, competent radio host but brother might be one of the finest rappers Canada has ever produced. With each subsequent album, EP or guest appearance, Shad further cements his place among not only our most important rappers, but as one one of our country's most important and accessible artists. If this was a just world, we'd all be bumping Shad's deeply thoughtful, fun, positive raps from every speaker available. At a festival that doesn't feature a large amount of hip-hop, the chance to see such a top-flight talent can't be missed.

Shad: http://www.shadk.com DJ T.LO: http://www.soundcloud.com/tlomusic Download (MP3): http://bit.ly/1nenkGT

Kytami. Photo by Cassie O'Neil.

Kytami

If you're like me – living on the west coast, consuming an endless diet of live music – you've probably seen Kytami more than once. I've lost count of the number of times I've seen the violin phenom and I've also lost count of the number of times I've been impressed with her mastery of that strange, scary instrument. And if you haven't had the privilege of seeing her high energy, violin-laced EDM barrage, you're in for a real treat. In the last couple of years Kytami has ascended to seemingly peak power, delivering drum 'n' bass ('n' violin) so tasty and powerful that even I, famous non-lover of drum 'n' bass, can't help but dance my face off to.

Single from album to be released early 2016 www.kytami.com www.facebook.com/kytami Produced by Phonik Ops and Beatsmith www.facebook.com/phonikops www.facebook.com/djbeatsmith

Bousada

Whether he's pounding beats or growing beets, Bousada is all about using the energy around him to create strong communal vibes and go-for-broke dance parties. A current activist and former farmer, Victoria transplant Graeme Bousada has carved a place for himself in the West Coast music scene in a very short amount of time. His performances are joyous dance parties that get grooves pounding deeply and asses shaking furiously. Bousada himself dances with impressive vigour as he pounds out his organic electronic beats manually, bridging the gap between performer and audience, fostering the sense of community that comes with the best live music.

www.bousadamusic.com

Moontricks

The idea of sex at a music festival makes me cringe. The heat, the sweat, the dirt...I could go on. But, my weird neurosis aside, you can't go wrong with music built for sex at a music festival and if there's an act at this year's Tall Tree making sexier music than Moontricks, I have failed to see it on the lineup. The duo's ultra groovy funk-for-romantics beats are melded together with live guitars and harmonica that help ground the music and give the proceedings a real organic feeling that makes Moontricks accessible to both electronic fans and those who are still in the Realm of the Live Band. Find your lover, platonic life partner or even a willing stranger to share in the hip-winding joy that Moontricks is sure to deliver.

BANDCAMP: bit.ly/homebcamp BEATPORT: bit.ly/homebpt iTUNES: bit.ly/homepitunes SPOTIFY: bit.ly/homespfy --------- Westwood Recordings is proud to present the debut release from Moontricks. Having taken the westcoast festival circuit by storm this summer, the duo comprised of producer NOG and guitarist/banjo player Sean Rodman, have redefined the link between live and electronic music. Their patented Moontrickery is a welcome addition to the Westwood roster and we couldn’t be more excited to bring their signature sound to the masses. Soulful instrumentation, effortless grooves, and deep basslines have become a Moontricks trademark across their debut 5-track “Home EP". Special guests MC Dash and producer Metaphoracle also join the record for two special collabs and guaranteed maximum vibes.