5 Questions with Rags #78 - Kytami + Phonik Ops

There's something about the presence of a live instrument (beyond turntables, which are 100% an instrument and I'll fight you if you say otherwise) in electronic music that immediately grabs the attention of hardcore bass-heads and the uninitiated alike. Undoubtedly there are a few acts on the west coast combining live instrumentation and next-level bass with the ferocity and craft than Kytami + Phonik Ops. Since connecting at a festival here in British Columbia, the duo has become one of the most intriguing acts, standing out in an already saturated musical landscape. I got a chance to talk with the two from their studio, where they've been holed up – in heavy creation mode – during this whole quarantine thing.

“Phonik Ops reached out to me when were both playing Centre of Gravity in Kelowna. We were both playing at the hip-hop stage. He had reached out to me and posted one of my videos, so I looked him up and started listening to all his mixes,” Kytami says, recalling their beginnings as a duo. “At the time he was working with a rapper – Mishap – and I got them to open up for me on a winter tour. We started talking about working on a mix together and then we did it. That led to an EP. When we started working on actual music, we became partners in shows. It only made sense.” Phonik Ops elaborates with a laugh, “I started DJing for her is what she's trying to say.”

While both artists had their own things established, they meshed well right away and began tackling the big work – creating a truly unique sound that is instantly recognizable as their own. Listening to the duo talk about their music, it's clear why they work so well to this shared, and gloriously defined goal. “What these last few years has been about is getting the sound I want, getting it dialed in and getting the catalogue behind us. Really finding the space for my melodic lines against really heavy, fucking badass basslines. Trying to get those two working together, that's been the work. That's what we're really striving for,” says Kytami. “Not just liquid, or pretty, or easy-listening electronic music, we want it to be really badass, dirty but still have these soaring lines that I'm playing or shredding. But I don't want it be an afterthought.” Phonik Ops elaborates on the duo's process, “Part two to that is us figuring out how to write better together. Bass sounds and violin, how we can stack and move together and also what we can get away with frequency range-wise. Taking away frequency so there's that much room for her, versus if there's a more noisy part and balancing it out more. We're stoked with everything we're making right now.”

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1. When's the last time you did something for the first time?

Phonik Ops: First time I've been quarantined. Sorry, that's boring.

Nah, that's a very timely answer! Relatable as fuck.

Kytami: This is weird. I've been in this electronic world for so long. I actually rented a CD-J setup over the holidays, around Christmas, and I started trying to actually DJ. I DJed at a little clothing store. I found all my tracks, I DJed and played the violin over it. You think I would have done it by then. It was just for myself.

PO: She headlined her own birthday party! The dope part about that was that I saw it start to make her think about our sets differently. She's always pretty good at coming up with ideas but she's all stoked getting her own tracks and piecing together other tracks now.

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#festivalseason - Five Acts You Gotta See at Tall Tree 2016

Celebrating its 7th birthday this year, Tall Tree has become one of the highlights of the West Coast festival calendar, bringing together the best musical offerings from the Coast and beyond, giving equal highlight to live instrumentation and DJ music. Their set-up of two stages at each performance area – so a DJ can start right away in a proper booth as soon as the live band has finished and vice versa – is a perfect way to keep the celebration going non-stop, and frankly something I’m surprised I haven’t seen more often. Nestled up on the top of Brown's Mountain in Port Renfrew, BC, Tall Tree caters to those festival goers looking for the huge party vibes of the biggest festivals but don't want to have to deal with the crushing onslaught of huge crowds. The smaller-than-usual head count makes sure that if you do things right, there will be almost no strangers left around you by the end of the weekend. I’m here to help you find the best grooves while you're up there, partying in the clouds.

Grab tickets and check day-by-day performance schedule over at the Tall Tree site!

jackLNDN. Photo courtesy of Nate Vogel Photography.

jackLNDN. Photo courtesy of Nate Vogel Photography.

JackLNDN

Tall Tree is a music festival dedicated to the best music the West Coast has to offer, but the self-described “electric disco man” is from half way around the world, hailing from the city that gave him his name. Any fans of dancing should be thrilled that the folks at Tall Tree made an exception for the reigning champion of happy house music. I stumbled into his set at last year's Shambhala Music Festival and fell instantly in love. It's nigh impossible to listen to the sweet disco that JackLNDN plays and remain in a bad mood. He gets the body and soul moving.

SNE005 - Out now on Ultra! Vocals: JackLNDN www.facebook.com/jackLNDN www.twitter.com/jackLNDN @jackLNDN MMXV

Shad

When talking about this lineup after it was first announced and mentioning Shad, I had two different people respond with, “The guy from CBC?!” This is unacceptable. Shad is an affable, competent radio host but brother might be one of the finest rappers Canada has ever produced. With each subsequent album, EP or guest appearance, Shad further cements his place among not only our most important rappers, but as one one of our country's most important and accessible artists. If this was a just world, we'd all be bumping Shad's deeply thoughtful, fun, positive raps from every speaker available. At a festival that doesn't feature a large amount of hip-hop, the chance to see such a top-flight talent can't be missed.

Shad: http://www.shadk.com DJ T.LO: http://www.soundcloud.com/tlomusic Download (MP3): http://bit.ly/1nenkGT

Kytami. Photo by Cassie O'Neil.

Kytami. Photo by Cassie O'Neil.

Kytami

If you're like me – living on the west coast, consuming an endless diet of live music – you've probably seen Kytami more than once. I've lost count of the number of times I've seen the violin phenom and I've also lost count of the number of times I've been impressed with her mastery of that strange, scary instrument. And if you haven't had the privilege of seeing her high energy, violin-laced EDM barrage, you're in for a real treat. In the last couple of years Kytami has ascended to seemingly peak power, delivering drum 'n' bass ('n' violin) so tasty and powerful that even I, famous non-lover of drum 'n' bass, can't help but dance my face off to.

Single from album to be released early 2016 www.kytami.com www.facebook.com/kytami Produced by Phonik Ops and Beatsmith www.facebook.com/phonikops www.facebook.com/djbeatsmith

Bousada

Whether he's pounding beats or growing beets, Bousada is all about using the energy around him to create strong communal vibes and go-for-broke dance parties. A current activist and former farmer, Victoria transplant Graeme Bousada has carved a place for himself in the West Coast music scene in a very short amount of time. His performances are joyous dance parties that get grooves pounding deeply and asses shaking furiously. Bousada himself dances with impressive vigour as he pounds out his organic electronic beats manually, bridging the gap between performer and audience, fostering the sense of community that comes with the best live music.

www.bousadamusic.com

Moontricks

The idea of sex at a music festival makes me cringe. The heat, the sweat, the dirt...I could go on. But, my weird neurosis aside, you can't go wrong with music built for sex at a music festival and if there's an act at this year's Tall Tree making sexier music than Moontricks, I have failed to see it on the lineup. The duo's ultra groovy funk-for-romantics beats are melded together with live guitars and harmonica that help ground the music and give the proceedings a real organic feeling that makes Moontricks accessible to both electronic fans and those who are still in the Realm of the Live Band. Find your lover, platonic life partner or even a willing stranger to share in the hip-winding joy that Moontricks is sure to deliver.

BANDCAMP: bit.ly/homebcamp BEATPORT: bit.ly/homebpt iTUNES: bit.ly/homepitunes SPOTIFY: bit.ly/homespfy --------- Westwood Recordings is proud to present the debut release from Moontricks. Having taken the westcoast festival circuit by storm this summer, the duo comprised of producer NOG and guitarist/banjo player Sean Rodman, have redefined the link between live and electronic music. Their patented Moontrickery is a welcome addition to the Westwood roster and we couldn’t be more excited to bring their signature sound to the masses. Soulful instrumentation, effortless grooves, and deep basslines have become a Moontricks trademark across their debut 5-track “Home EP". Special guests MC Dash and producer Metaphoracle also join the record for two special collabs and guaranteed maximum vibes.