5 Questions with Rags #78 - Kytami + Phonik Ops

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There's something about the presence of a live instrument (beyond turntables, which are 100% an instrument and I'll fight you if you say otherwise) in electronic music that immediately grabs the attention of hardcore bass-heads and the uninitiated alike. Undoubtedly there are a few acts on the west coast combining live instrumentation and next-level bass with the ferocity and craft than Kytami + Phonik Ops. Since connecting at a festival here in British Columbia, the duo has become one of the most intriguing acts, standing out in an already saturated musical landscape. I got a chance to talk with the two from their studio, where they've been holed up – in heavy creation mode – during this whole quarantine thing.

“Phonik Ops reached out to me when were both playing Centre of Gravity in Kelowna. We were both playing at the hip-hop stage. He had reached out to me and posted one of my videos, so I looked him up and started listening to all his mixes,” Kytami says, recalling their beginnings as a duo. “At the time he was working with a rapper – Mishap – and I got them to open up for me on a winter tour. We started talking about working on a mix together and then we did it. That led to an EP. When we started working on actual music, we became partners in shows. It only made sense.” Phonik Ops elaborates with a laugh, “I started DJing for her is what she's trying to say.”

While both artists had their own things established, they meshed well right away and began tackling the big work – creating a truly unique sound that is instantly recognizable as their own. Listening to the duo talk about their music, it's clear why they work so well to this shared, and gloriously defined goal. “What these last few years has been about is getting the sound I want, getting it dialed in and getting the catalogue behind us. Really finding the space for my melodic lines against really heavy, fucking badass basslines. Trying to get those two working together, that's been the work. That's what we're really striving for,” says Kytami. “Not just liquid, or pretty, or easy-listening electronic music, we want it to be really badass, dirty but still have these soaring lines that I'm playing or shredding. But I don't want it be an afterthought.” Phonik Ops elaborates on the duo's process, “Part two to that is us figuring out how to write better together. Bass sounds and violin, how we can stack and move together and also what we can get away with frequency range-wise. Taking away frequency so there's that much room for her, versus if there's a more noisy part and balancing it out more. We're stoked with everything we're making right now.”

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1. When's the last time you did something for the first time?

Phonik Ops: First time I've been quarantined. Sorry, that's boring.

Nah, that's a very timely answer! Relatable as fuck.

Kytami: This is weird. I've been in this electronic world for so long. I actually rented a CD-J setup over the holidays, around Christmas, and I started trying to actually DJ. I DJed at a little clothing store. I found all my tracks, I DJed and played the violin over it. You think I would have done it by then. It was just for myself.

PO: She headlined her own birthday party! The dope part about that was that I saw it start to make her think about our sets differently. She's always pretty good at coming up with ideas but she's all stoked getting her own tracks and piecing together other tracks now.

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Jimi Needles - Of synths, sounds and Jungle Strikes.

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“I recently came to the realization that I've been Djing half of my life,” Jimi Needles – world-class DJ, producer and drummer for knock-out soul band Ephemerals – recalls, talking to me from home, shortly before leaving on a well-deserved holiday. “I had my CD decks first when I was 14. I bought really cheap CD decks and hated it, then got vinyl decks when I was 15 and restarted again. Not many people did that back then. You didn't touch Cds like that. It was all vinyl and then suddenly it was all Cds and I did the opposite. I've been djing full-time about half of my djing life. And only about the last four have been giving a real shit.” Four years is probably about the length of time that Needles has been on the radar of an ever-growing contingent of bassheads here on the Canadian west coast. His Needlewurk mixes are some of the most reliable I've found, able to keep all the members of the crew happy – no matter where they lay on the spectrum of bass music enjoyment. The good homie combines his incredible arsenal of sounds, tempos and feelings, with great taste in music and a penchant for juggling the best parts from an unyielding scope of genres.

It's been a year and half since the last time I've talked to Needles. It's been a fruitful time that has seen him touring relentlessly on his own and as the drummer for Ephemerals, the creation of the Jimi Needles Band and the beginning of the final stretch toward his long-awaited debut album. “I think I've become a worse DJ and a better producer since we last talked. I've sacrificed a bit of the Djing. In the past 18 months I've really collected a bunch of sounds that I will use for all of my tracks. Every producer has their signature thing, like Stickybuds has his signature bass. 'Oh yeah, that's a Stickybuds tune there.' Featurecast has got his signature boom-bap-shuffle-drums. You can't miss those. A. Skillz has own kits and stuff. I've done a lot of tracks that share the same synth,” says Needles. “The whole album is going to speak to that synth. It'll be the “Jimi Needles Sound.” Really moving away from bootleg stuff on the album to more original stuff. It's exciting. I've really learned to create space in tracks. When I was just bootlegging I would just go, “Let's just feature loads of stuff!” Never give it a breather. You kind of learn to add those spaces in.”

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#festivalseason - Once again, Tall Tree was a cornucopia of sonic delights and beautiful people.

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In the eight years since its inception, Tall Tree Music Festival has built itself as paragon of musical diversity, bringing in acts spanning across genres and helping reinforce the sometimes shaky bridge between DJs/rave culture and live bands/rock festivals. Way up high in clouds on Brown's Mountain in Port Renfrew, BC, the people of Tall Tree have created a place where musical cultures stand proudly side by side, interacting with each other in a way that is wholly inspiring. Every year I make the trek up and down the mountain and every year I am refilled with musical Love and this year was no different. The entire three days up high was jam-packed with incredible music and grooves, a near-endless aural smorgasbord. Here are half a dozen (+1) acts, ranging an incredible sonic spectrum, that blew my overly critical ass away and left a dent on my eardrums.

Note: I think it's time that Tall Tree made Murge's “Tiny Dancer” rework the official festival anthem. It kind of already is, but let's make that official, okay everyone?

ASTROCOLOR

Astrocolor's latest EP Astrocolor II – with its silky, smoky and incredibly smooth sound – has been indispensable listening since its release earlier this year. As I marched up to the top of the mountain at midnight on Saturday night, I wasn't sure exactly what to expect, apart from some smooth beats. What I and the rest of the packed Stump & Stone Stage got went way beyond just smooth beats. We were treated to a ridiculously fun, engaging and endlessly musical set a group guys clearly doing what they love. Playing cuts from both Eps (Including standouts from II “Push Too Hard” <feat. Fox Glove> and “Figure It Out) and stuff I haven't heard before, the group dazzled everyone in hearing radius with their uber-colourful dreamscape funk. The love that Astrocolor radiated from the stage was quickly absorbed by the crowd – like the music was water and the audience was a jubilant ShamWow – and blasted back at the group with incredible force. As I wandered back and forth through the crowd I overhead such comments as “This is incredible.” “What is this?!” “This isn't what I expected.” And every one of those statements I overheard was delivered with palpable joy and wonder. If you like any or all of the following: dancing, fun, colours, smooth funk, disco, house or jazz, you should 100% be trying to track down the next Astrocolor show near you.

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5 Questions with Rags #41 - Stickybuds

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A master of all things funky and groovy, Stickybuds has that thing that I value most in a great DJ - the ability to do all of the things well. Straight-ahead funky breaks, drum ‘n’ bass, glitch-hop, big reggae vibes – Sticky’s got you covered. And it’s all delivered with such blatant skill and love for the craft that it’s pretty impossible to ignore. The legendary Shambhala Music Festival is a good barometer for where your talents are as a DJ. It’s a festival of incredibly discerning ears and Stickybuds has been front and centre for 12 years and counting. Rarely does my crew plan to be at Stickybuds annual destruction of Fractal Forest, but every year, there we are, getting our ears dominated by the mighty dude. If you started your electronic listening diet anywhere around the Canadian west coast, you probably have had Stickybuds as part of your listening diet, and your musical taste is probably healthier for it.

If you haven’t had the pleasure of seeing the homey live, Hallowe’en weekend is a good time to get your funky spook on. I can attest to the absolute delightfulness that was last year’s "Breaks-O-Ween" in Vancouver.

As always, keep up with all the good sounds over at ye olde Soundcloud and all other things Stickybuds at the Facebook.

My mix from this years Shambhala Music Festival. Huge thanks to the couple thousand of you who came out for this live, Rich-E-Rich and to all my producer homeys who send me their gems and stems! Big love to the whole Fractal Forest and Shambhala family! www.Stickybuds.com www.Shambhalamusicfestival.com Tracklist Stickybuds + K+Lab ft. Junior Owusu + Dimention - Clap yo' Hands Intro Skope + Stickybuds - Change Your Mind Ali B & Jungle Brothers - Gimme That (A-Skillz Remix Acapella) Beat Fatigue - Curly Wurly Dj Vadim - Hey Hey Hey Ft Grazilla Affinita (Acapella) Maha Quest - ID Opiuo + Shapeshifter - Slug A Bug (Instro) Dj Vadim - Originator Ft Dynamite MC + Daddy Cookiz (Acapella) Jibbs Itation ft. Talawa Reggae Army - Love is the Key (Badweed & Kursiva Remix) Opiuo + Shapeshifter - Slug A Bug (Acapella) Fabolous ft Nate Dogg-You Can't Deny it (Acapella) IQulah Rastafari - It Is I (Ed Solo Remix) Lethal B ft. Shakka - Playground (Acapella) Dub Phizix - Doberman (Instro Edit) Dj Vadim - Originator Ft Dynamite MC + Daddy Cookiz (Acapella) Supremes - My Favorite Things (Acapella) Lethal B ft Shakka - Playground (Cyantific Instro / Full) Mooncat & Karlixx - We Want No More IQulah Rastafari - It Is I (Acapella) Aries Gold Dubs & Jinx ft Eva Lazarus - Fall In Love (Acapella) Habstrakt - Echoes Flux Pavilion ft. Turin Brakes - Mountains & Molehills (sample) Dj Alias - San Fransisco Bay (Leo Remix) Stickybuds + K+Lab ft. Junior Owusu - Clap yo’ Hands (Acapella) Ali B & Jungle Brothers - Gimme That (A-Skillz Remix Instro) WBBL - Irie Ali B & Jungle Brothers - Gimme That (Acapella) Dj Vadim - Originator Ft Dynamite MC + Daddy Cookiz (Acapella) Featurecast - Take it Down Low Stickybuds vs Mista Savona ft Burro Banton - Clean Air (Acapella) Stickybuds + Skope ft. Caleb Hart - Twice to the Right Mat tha Hat - The Charlston Whomp Big L - Put it On (Acapella) Smov - Big Love K+Lab Ft Skahna SK - Erupt Numa Crew ft Robert Dallas & Petah Sunday - Impossible (Samy Nicks Remix) Ed Solo - Lemme Go Ras Demo - Sekkle Up The Score (Turntable Dubers Remix) 2Nice - Uprising (Serial Killaz Remix Acapella) Dr Kucho! & Gregor Salto ft Ane Brun - Can't Stop Playing (Cyantific Remix) Ed Solo & Deekline ft. Gala Orsborn - Hit The Road Jack (Acapella) Empresarios - Morena (Acapella) Empresarios - Morena (Lack Jemmon Rmx) Baauer & RL Grime - Infinite Daps (Featurecast Edit) A. Skillz - 7 Day Weekend Stevie Wonder - Superstition (Neighbour + U-Tern Remix) Alozade - Under Mi Sensi (Acapella) Edwin Starr - War (Acapella) Clipse - When Was The Last Time (Acapella) Stevie Wonder - Do I Do (U-Tern Edit) Stevie Wonder - Superstition (Acapella) Sean Paul Ft. Chi Ching Ching + Banx & Ranx - Crick Neck Mooqee & HerbGrinder - Sound Around Town (Funkanomics Remix) Malente - Open Secret (Acapella) Krafty Kuts + Dynamite MC - Real Big Deal MIghty Mocambos - It’s The Music (Sticky + A.Skillz Inst. Stems) Jimi Hendrix - Freedom (Fernan Dust Funky Remix) MIghty Mocambos ft. Afrika Bambaataa + DJ Snoop - It’s The Music (Acapella) Tom Booze - How We Do This Noisia & The Upbeats - Dead Limit Tom Booze - How We Do This (Acapella) ID - ID Cyantific - Hollywood TC ft. Stylo G - Storm Brew (Acapella) Coppa & Disphonia – Paranoize (AKOV Remix) Krafty Kuts + Dynamite MC - Al Pacino (Instro) Coppa & Disphonia – Paranoize (Acapella) Skope - ID Dj Vadim - They Don't Love (Acapella) Ruffhouse & Clarity - Aphasia (Redders & Sam Binga Remix Instro) Calyx & Teebee - Sawn Off Maksim, Culprate + Retrospect - Time To Waste (Acapella) Skope - ID Dj Vadim ft Courtney Melody + Taiwan MC - Ruling Sound (Acapella) Swindle - Global Dance Falcons - Flame feat. Stush Maksim, Culprate + Retrospect - Time To Waste Maksim, Culprate + Retrospect - Time To Waste (Teddy Killerz Remix) Lemaitre ft. Jennie A. - Closer (Acapella) Dj Vadim ft Courtney Melody + Taiwan MC - Ruling Sound (Instro) Stickybuds + Blackout JA - Shambhala Dub (Acapella)

1. What was the first album you remember buying with your own money?

The first albums I bought with my own money were through Colombia House CD mail service out of some magazine, I believe I was in grade 6... (1996/1997-ish) The ones I remember that stuck out were, Wu-Tang Clan - 36 Chambers, Rage Against The Machine - Evil Empire, Collective Soul - Self Titled and Offspring - Smash.

I still actually love all these albums to this day, and I think I still have them all in a CD pile in storage somewhere. They are all great songwriters and musicians in their own right. I think I connect the most with RATM's album now. When I was 14 or whatever when I bought them I liked the anger in their music, and I'd sing the words, but I didn't understand what the songs were about. Now that I'm 32, and have been around the world a few times and pay attention to the global atmosphere, police brutality and decay of our rights and freedoms through corrupt governments and those who control them, I get and connect with their songs much more.  

2. Have you ever seen or felt a ghost or ghost-like presence?

Nope.

3. Can you think of a book or movie that had a genuine effect on the way you saw the world?

I read George Orwell's "1984" when I was in High school. It kind of stuck with me, and it's a real shame that it was a fictional book that turned out to be non-fiction.

4. When was the last time you did something for the first time?

Having trouble remembering things I've done for the first time, but I went Scuba Diving for the first time on one of my Australia tours 2 years ago in Cairns, it was awesome. 

5. Immortality…Ever think about it? Do you think you’d enjoy it? What’s the one completely ridiculous project you’d complete if you had unlimited time?

I don't think I'd like to live forever, but It would be cool if I could live for a few hundred years, maybe we'll even get there the way things are going. I would try and learn how to play every instrument I could imagine. 

6. The Guest Question comes from Victoria producer/performer BOUSADA… You just found out that you have 24 hours to live starting right now. How do you spend your last day on planet earth?

I'd spend the whole day with the people I love the most, and hopefully they wouldn't know I was about to die so it wouldn't be sad.