#festivalseason - Once again, Tall Tree was a cornucopia of sonic delights and beautiful people.

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In the eight years since its inception, Tall Tree Music Festival has built itself as paragon of musical diversity, bringing in acts spanning across genres and helping reinforce the sometimes shaky bridge between DJs/rave culture and live bands/rock festivals. Way up high in clouds on Brown's Mountain in Port Renfrew, BC, the people of Tall Tree have created a place where musical cultures stand proudly side by side, interacting with each other in a way that is wholly inspiring. Every year I make the trek up and down the mountain and every year I am refilled with musical Love and this year was no different. The entire three days up high was jam-packed with incredible music and grooves, a near-endless aural smorgasbord. Here are half a dozen (+1) acts, ranging an incredible sonic spectrum, that blew my overly critical ass away and left a dent on my eardrums.

Note: I think it's time that Tall Tree made Murge's “Tiny Dancer” rework the official festival anthem. It kind of already is, but let's make that official, okay everyone?

ASTROCOLOR

Astrocolor's latest EP Astrocolor II – with its silky, smoky and incredibly smooth sound – has been indispensable listening since its release earlier this year. As I marched up to the top of the mountain at midnight on Saturday night, I wasn't sure exactly what to expect, apart from some smooth beats. What I and the rest of the packed Stump & Stone Stage got went way beyond just smooth beats. We were treated to a ridiculously fun, engaging and endlessly musical set a group guys clearly doing what they love. Playing cuts from both Eps (Including standouts from II “Push Too Hard” <feat. Fox Glove> and “Figure It Out) and stuff I haven't heard before, the group dazzled everyone in hearing radius with their uber-colourful dreamscape funk. The love that Astrocolor radiated from the stage was quickly absorbed by the crowd – like the music was water and the audience was a jubilant ShamWow – and blasted back at the group with incredible force. As I wandered back and forth through the crowd I overhead such comments as “This is incredible.” “What is this?!” “This isn't what I expected.” And every one of those statements I overheard was delivered with palpable joy and wonder. If you like any or all of the following: dancing, fun, colours, smooth funk, disco, house or jazz, you should 100% be trying to track down the next Astrocolor show near you.

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5 Questions with Rags #47 - B.A. Johnston

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B.A. Johnston is apparently some kind of Canadian folk hero. Every time I mention him, to people across various culture and genre affiliations, there is some kind of recognition. I've been criminally unaware of his presence until just recently, with the release of his fucking glorious new album Gremlins 3. The album is full of fascinatingly obtuse songs about doing whippits whilst working a grocery store, getting drunk on Sourpuss (That awful, awful “liquor” we all drank in our early 20s), getting drunk in a canoe, getting drunk on cheap beer, and slowly turning into his grandmother. The song that really grabbed me ears on the record was “No Wanna Shambhala,” a song about the confusing, wrecked feeling that comes at the end of a multi-day festival. It could be about any festival, really, as Mr. Johnston was so kind to offer up.

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1. What's the first album you bought with your own money?

The first album I bought with my own money was The English Beat – I Just Can't Stop It. I don't listen to it all the time, but I still have it. I listen to it maybe twice a year or something. It's kind of weird to listen to records you knew 20 years ago and you still know it perfectly.

2. When's the last time you did something for the first time?

I don't know. I'm very old. Hmmm...nothing's coming up...Cleaning a toilet a year ago. That might be the last new thing I did. It's not very pleasant. I always assumed they were just clean but then I looked at them more closely and there's stuff inside. I realized I have to clean them.

Wait, wait, wait. How did you get this far in life without having to ever clean a toilet? What kind of blessed life have you lived?

Roommates. Also, I pee perfectly into the centre so I never leave a mess, so I never thought it was my problem.

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Ben Caplan & The Casual Smokers - Mar. 15, 2017 @ Sugar, Victoria, BC

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Passionate. Engaging. Dramatic. Interesting. I could sit here all day using adjectives to describe Ben Caplan & The Casual Smokers' performance at Sugar Nightclub the other night and they'd all be true, but no justice would be done. This was a musical masterclass from Caplan, Canada's philosopher troubadour and owner of one of music's finest beards. Caplan & Co's music is ridiculously theatrical and had me captivated more than folk music has got ahold of me in some time.

First off, and most ridiculously impressive, was the band's punctuality! This may seem like an insane thing to bring up in a review, but when a headliner at a club show is on the stage at 10, as advertised, it is a thing of goddamned beauty, especially on a weeknight. It's a small thing that shows a respect for the audience and starts things off on a nice little note. From the get-go, the sound mixing was on-point. Volume distortion is a constant battle at smaller club shows, especially with a powerful (and important) lead singer, but this was crystal clear – the Casual Smokers loud, but Caplan's voice front and centre, like it needed to be. The crispness of the mixing allowed to crowd to focus on and bond with the songs. These magnificent songs deserve to be heard as clearly possible. 

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5 Questions with Rags #44 - Ben Caplan (& The Casual Smokers)

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There isn't a voice in Canadian like music like Ben Caplan. The deep, gravel-voiced leader of Ben Caplan & The Casual Smokers is a captivating talent, writing intelligent, interesting songs and delivering them with an intense passion and formidable talent. His songs are at once modern and timeless, covering love and life, good and evil, light and dark with eloquent nimbleness. I caught up with the mysterious man from the Maritimes as he and The Casual Smokers prepare to embark on a 33-date North American tour that sees the band go coast to coast across the Great White North and dipping down over the border to help ease the minds of our southern neighbours during troubling times.

1. Do you remember the first album you bought with your own money?

I do. It was a tape, I bought Pink Floyd's Relics.

Wow, that's not usually the first Pink Floyd record people pick up.

<laughs> It was a weird one, yeah. I had an older brother who was really into Pink Floyd. I wanted to make him think I was cool by finding a tape that he didn't have.

And did it work?

I don't know. Probably not. But I got into it.

2. Speaking as an older brother, you're right, it probably didn't. When is the last time you did something for the first time?

Probably last week, but I can't tell you what it is.

A secret project?! Oooh la la.

Haha. I'll tell you what, here's another one...I went to the Banff Centre for the first time about a month ago to do some work on a theatre project that I'm building. I'm working with actors and musicians on a theatre project I'm writing and I've never done that before. That was a big first for me. I think there's eight of us in total – four musicians, two actors, a director and another writer. It's been an interesting project. 

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The Big Work - I try to explain why you should listen to Dan Bern by listening to all of the Dan Bern. Pt.1

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“When I tell you that I love you don’t test my love, accept my love, don’t test my love, ‘cause maybe I don’t love you all that much.” – from “Jerusalem” (Dog Boy Van EP, Dan Bern)

That’s a bold way to introduce oneself to the world and with both his first EP and full-length debut, Dan Bern did it twice. If you look at the words long enough or hear them sung enough times you can see it all right there, the lifeline that runs through one of the most consistently strong songwriting careers this side of <BLANK> (You can fill this in with any songwriter you like that was going before 1996). It’s a short simple string of words that is at once audacious, painfully self-aware, slightly nihilistic, dripping with feeling and most importantly (?) very Funny.

I discovered the music of Dan Bern sometime around my last couple of years in high school, when I was just starting to fumble around in the dark, attempting to carve an identity for myself. By this time, Bern had released three full-length records (Dan Bern, Fifty Eggs & Smartie Mine), so there was a lot to devour. A music nerd from my youngest days I was pretty well versed in guys with guitars, but I’d never heard anything like this. Listening to these first few Bern records broke something important in my head, set it free and permanently changed my core temperature. It’s difficult to overstate the importance this man’s music has held in my life and as such, don’t read on looking for scathing criticism (Spoiler: I'm a fan of his work across the board), but rather to remember or learn some stuff about one of the great songwriters of our time and the important connections made between people and art.

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