#festivalseason - Once again, Tall Tree was a cornucopia of sonic delights and beautiful people.

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In the eight years since its inception, Tall Tree Music Festival has built itself as paragon of musical diversity, bringing in acts spanning across genres and helping reinforce the sometimes shaky bridge between DJs/rave culture and live bands/rock festivals. Way up high in clouds on Brown's Mountain in Port Renfrew, BC, the people of Tall Tree have created a place where musical cultures stand proudly side by side, interacting with each other in a way that is wholly inspiring. Every year I make the trek up and down the mountain and every year I am refilled with musical Love and this year was no different. The entire three days up high was jam-packed with incredible music and grooves, a near-endless aural smorgasbord. Here are half a dozen (+1) acts, ranging an incredible sonic spectrum, that blew my overly critical ass away and left a dent on my eardrums.

Note: I think it's time that Tall Tree made Murge's “Tiny Dancer” rework the official festival anthem. It kind of already is, but let's make that official, okay everyone?

ASTROCOLOR

Astrocolor's latest EP Astrocolor II – with its silky, smoky and incredibly smooth sound – has been indispensable listening since its release earlier this year. As I marched up to the top of the mountain at midnight on Saturday night, I wasn't sure exactly what to expect, apart from some smooth beats. What I and the rest of the packed Stump & Stone Stage got went way beyond just smooth beats. We were treated to a ridiculously fun, engaging and endlessly musical set a group guys clearly doing what they love. Playing cuts from both Eps (Including standouts from II “Push Too Hard” <feat. Fox Glove> and “Figure It Out) and stuff I haven't heard before, the group dazzled everyone in hearing radius with their uber-colourful dreamscape funk. The love that Astrocolor radiated from the stage was quickly absorbed by the crowd – like the music was water and the audience was a jubilant ShamWow – and blasted back at the group with incredible force. As I wandered back and forth through the crowd I overhead such comments as “This is incredible.” “What is this?!” “This isn't what I expected.” And every one of those statements I overheard was delivered with palpable joy and wonder. If you like any or all of the following: dancing, fun, colours, smooth funk, disco, house or jazz, you should 100% be trying to track down the next Astrocolor show near you.

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5 Questions with Rags #52a - Illvis Freshly (Phil and Doyle)

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If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally takes hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we enter Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness, including summer kick-off shows at two of BC's premier festivals, Victoria Ska & Reggae Fest and Tall Tree. We got a lot to cover here, in fact so much to cover that this interview is TWO PARTS, so let's get after it and get this thing started. In part one of this monstrous 5 Questions we get down with Phil and Doyle, the non-verbal duo that gives Illvis Freshly their distinct live-electronic hip-hop sound.

1. Do you remember the first album you bought with your own money?

Doyle: Oh yeah, Bush – Sixteen Stone.

Favourite song?

D: “Come Down.”

When's the last time you listened to the album?

D: I heard “Machinehead” on the radio the other day and thought, “This is the first fucking CD I ever bought.” Apparently it was a hit 20 years ago, like '96. Gavin Rossdale, he's a handsome man.

Phil: My first album was Sum 41 – All Killer No Filler.

And the last time you listened to it?

P: I listen to it once a week. It's on my phone.

What's your favourite track?

P: “Handle This.” I'm younger than these guys so when I was 10 buying my first album, that was the album for a kid like me.

D: That was a little later than Bush, yeah.

P: They had to change their name to Bush X after awhile right?

D: It was Bush X actually when I bought it.

(Danimal): There was another band called Bush so they had to add the X. The other band stopped being a band so they got to drop the X then. They were still called Bush overseas.

I think I remember listening to Bush with you in Grade 7, Doyle. Didn't you do a project on one of those songs?

D: Yeah, I did “Glycerine.”

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#festivalseason - Once again, Tall Tree is coming at your ears hard.

Over the past 7 years, Tall Tree has risen to the top of BC's endlessly growing list of bloody awesome music festivals. Over here on Vancouver Island, up on Brown's Mountain in Port Renfrew, in the clouds, overlooking the world below like the gods themselves, Tall Tree has split the difference between laid back alt-rock festival and balls-to-the-wall rave, creating one of the most unique festival experiences around. Vancouver Island runs at a different pace than anywhere else in the province, nay, the country, and Tall Tree exemplifies all the facets of what makes being a music fan here on the Island so fucking great. Be as normal, as weird, as chill, as wild as you want...ON A MOUTAIN.

On a lineup as deep as ever with local favourites (And past 5 Questions guests) like Mat the Alien, SkiiTour, and Pigeon Hole, Tall Tree has expanded their reach further than usual to pack their roster more full than ever. Here are the first six acts that jumped out to my eyes on my first look through the lineup. Get after it, good people.

Shapeshifter NZ

As I struggle to find myself a solid foothold on the vast mountain that is drum 'n' bass, Shapeshifter has found their way into my life like some kind of blessing from the headphone gods. The New Zealand 5-piece play relentlessly pretty liquid drum 'n' bass, throwing in heavy dollops of soul and dub reggae. Their live shows have garnered them sell-out, large-scale tours around their home country and spots at legendary festivals like Glastonbury. Highlighted by the ethereal but earthy vocals of P. Digsss, Shapeshifter's engaging live DnB opens up the genre to a whole new level of accessibility. It's important work, helping new aural seekers uncover the intense mysteries of this powerful form of music.

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