#festivalseason - Victoria Ska & Reggae Fest, bringing together musical worlds.

Full disclosure – I'm highly involved with the Victoria Ska & Reggae Society and Festival. The people who are part of it, who help put it on, have become like an extended family. I don't see them all the time but when we do it's always lovely and once a year we all get together downtown and throw a big party for the city. As such, I'm around this stuff so much, around the band and artist bios constantly for months on months. Their music becomes the soundtrack to so much of my working day. I know this lineup inside and out. But favourites always crop up. This is just a list of the first five that came to my head. I'm writing this intro after the body of the article was written and I regret not being able to put Kingston Rudieska on this list. That's going to be really special. Giant Panda Guerilla Dub Squad is going to be wild, I mean as “wild” as a roots reggae show can get, I suppose. Anyways, if you like the idea of concerts as places for people from different communities and age groups and such, to gather and dance off the Weight of Life together, then you should probably come to Victoria and dance in a couple of weeks.

Yellowsky

Wednesday, June 20 – Lucky Bar w/ Bousada (Full band)

Each and every year, without fail, Victoria Ska & Reggae Fest leaves me with at least one artist that sticks with me, that I know I'm going to be a fan of for a long time. Last year that artist was Yellowsky. A captivating performer, Yellowsky is one of the finest examples of the hip-hop and reggae coming together I've heard in years. Of Plains Cree First Nation and South American bloodlines, Yellowsky is coming at this with a completely unique perspective. Since opening for the mighty Mike Love at last years festival, Yellowsky released his debut album Mixed Medicine. The album is probably the best melding of gritty hip-hop and that good street reggae that I've encountered this side of Jamrock. This is saying a lot. But this dude is legit. Inside the brick embrace of Lucky Bar, this is going to be a helluva set from Da Lion. (I'd also like to put this wish out into the world: Yellowsky rapping over some beats from Bousada and his band late in the evening. Fingers crossed, friends!)

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Illvis Freshly - Bombshells (Review)

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Illvis Freshly - “Bombshells”

If you’re reading this from the West Coast of Canada, you may already be familiar with Victoria’s Illvis Freshly. If not, well then…you have some explaining to do. BC’s Freshest Exports have been making dance floors pop off for over 4 years – and with 2 albums firmly in the rear view mirror, the award winning group is hitting new highs with their third album Certified Fresh, dropping this Friday (June 1).

Straight out of the studio and into your earholes, the boys of Illvis are back with a brand new collection of tracks to bob your head to, and the album's first single, “Bombshells,” is everything you’ve grown to love about an Illvis Freshly track. Funky, crisp, clean…call it what you want, because when you know, you know. “Bombshells” is a certified head nodder. Click play and see for yourself!

This is the first track from our new album ‘Certified Fresh’. The full album will be available June 1st on all major platforms. As a thank you to our fans, we are making it available for FREE download. Like. Follow. Enjoi. ☺ For all inquires: illvisfreshly@gmail.com

Doesn’t the entire crew just sound better? Not that they ever slouched or sounded anything close to bad but the Illvis boys have taken their latest work to a whole new level. The funky guitar from the homie Phil in the back works so well with the powerful horn-stabs courtesy of Andrew Greenwood – there’s no denying the flow. And while Phil & Mt. Doyle bring the beats, Danimal & Doc Zoo’s vocals are as tight as they’ve ever been.

Thankfully the warm weather is finally showing its face – because “Bombshells” deserves its time with the windows down, and the volume up. I mean, it’s only the first track and I’m over here gushing like those fruit snacks we obsessed over as kids; you know…grapes.

Just when you thought Illvis couldn’t get any fresher, they go and add an extra cup of Downy and come out fresh as fuck. If you like the way “Bombshells” makes you feel all tingly inside, just wait til you hear Certified Fresh in its entirety! Stay woke and be ready for when this thing drops on Friday!           

                                                      - Shawn McNicoll

If you're in Victoria this Friday, celebrate the release of Certified Fresh at their Album Release Pizza Party at Lucky Bar! Or catch them later this month (Thurs. June 21) at Victoria Ska & Reggae Festival XIX.

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A Year In West Coast Bass with Jim Vanderhorst.

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2017 is the year I really felt like a legit part of the bass community here on the Canadian west coast. I've met and talked with an astonishing breadth of people with fantastical levels of skill and love for their respective crafts. Djs and producers, photographers, dancers, visual effects and lighting people, sound engineers, visual artists and writers – all working to help this music and culture we all love to thrive. One of the people who I've come to respect deeply both on a personal level and artistic level, is Jim Vanderhorst, the man behind Rebel Cause Films – the company behind some of the most unique and definitely most watchable festival and artist recaps films. His eye for his the medium and his never-ending push to show the most human parts of the culture give his videos an unparalleled warmth and sense of community. His compassion, thoughtfulness and willingness to speak up for what he believes when filming, discussing or just participating in the culture is a powerful and valuable trait. As someone who has made his name observing bass culture and translating what he sees for further consumption, I couldn't think of anyone more appropriate to help me take a look back at some of the things that made 2017 such a big year for bass music here on the best coast. As we enter a new year in bass and whatever weird-ass shit the party brings, we take a final look back at a pretty incredible 2017 with the incomparable leader of Rebel Cause Films, Jim Vanderhost.

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What's something that you've noticed in the bass community that you would like to see changed in the upcoming year or trends you'd like to see end?

There needs to be more awareness of just how bad women have it in this scene. There's a big discussion about it right now but a lot of things aren't being talked about. Like, go-go dancers are lucky to get paid enough to pay for there outfits...but they're usually not. They're getting in for free. People walk around thinking they're getting paid a bunch and treating them like shit. Like, 1% of Djs are girls. It's not promoted much and when they do get to play in this area it's an all-girls night, it's pandering and that's not helping the cause either. There are places like Calgary that have some great female acts that are starting to grow but out on the West Coast I'm not seeing it. I think a lot of shit that happens is just not fair. I think men need to really take a second and understand it's not fair. Women are organizing these entire things. Shambhala and Bass Coast are fucking run by women. And yet the talent buyers and everything are all hiring predominantly male acts. The women that are organizing everything are so busy making shit happen for us idiot men they sometimes don't notice the disservices being done. We have a huge long way to go before things are actually fair and I think we need to start taking better care of women who wanna get involved in performance, whether they're go-go dancers or Djs. Guys who want to do it should not complain about things being unfair for guys. So many male stage performers I've seen talk about how hard it is to be a man in this scene.

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5 Questions with Rags #52b - Illvis Freshly (Jesus and Danimal)

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If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally taken hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we are now in the midst Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness – having already smashed up audiences at Victoria Ska & Reggae Fest, Tall Tree, KAMP Festival with more to come, including a stop at Legend's Valley in August. In part B of the first ever 2-part entry into the live questions, we get down with the charismatic MC duo Danimal and Jesus.

Check Part A with Doyle and Phil here!

1. Do you remember the first album you bought with your own money?

Danimal: It was basically my own money because I facilitated it happening and got my mom to pay my friend. I got Jam by Michael Jackson. He had a Columbia House CD thing and I wanted one.

Do you still listen to it?

D: Not routinely. But there are times. You can't go out and not hear Michael Jackson, so, sort of.

Jesus: This is pretty tough because when I first started getting music I'd listen to the radio with my tape player and tape songs. I was sneaky like that. In terms of tapes, the first tape I can remember buying and having in my hand is Beastie Boys' License to Ill. It's the first one I can think of that I went out and bought because I wanted to hear all of the tracks.

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5 Questions with Rags #52a - Illvis Freshly (Phil and Doyle)

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If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally takes hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we enter Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness, including summer kick-off shows at two of BC's premier festivals, Victoria Ska & Reggae Fest and Tall Tree. We got a lot to cover here, in fact so much to cover that this interview is TWO PARTS, so let's get after it and get this thing started. In part one of this monstrous 5 Questions we get down with Phil and Doyle, the non-verbal duo that gives Illvis Freshly their distinct live-electronic hip-hop sound.

1. Do you remember the first album you bought with your own money?

Doyle: Oh yeah, Bush – Sixteen Stone.

Favourite song?

D: “Come Down.”

When's the last time you listened to the album?

D: I heard “Machinehead” on the radio the other day and thought, “This is the first fucking CD I ever bought.” Apparently it was a hit 20 years ago, like '96. Gavin Rossdale, he's a handsome man.

Phil: My first album was Sum 41 – All Killer No Filler.

And the last time you listened to it?

P: I listen to it once a week. It's on my phone.

What's your favourite track?

P: “Handle This.” I'm younger than these guys so when I was 10 buying my first album, that was the album for a kid like me.

D: That was a little later than Bush, yeah.

P: They had to change their name to Bush X after awhile right?

D: It was Bush X actually when I bought it.

(Danimal): There was another band called Bush so they had to add the X. The other band stopped being a band so they got to drop the X then. They were still called Bush overseas.

I think I remember listening to Bush with you in Grade 7, Doyle. Didn't you do a project on one of those songs?

D: Yeah, I did “Glycerine.”

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