A Year In West Coast Bass with Jim Vanderhorst.

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2017 is the year I really felt like a legit part of the bass community here on the Canadian west coast. I've met and talked with an astonishing breadth of people with fantastical levels of skill and love for their respective crafts. Djs and producers, photographers, dancers, visual effects and lighting people, sound engineers, visual artists and writers – all working to help this music and culture we all love to thrive. One of the people who I've come to respect deeply both on a personal level and artistic level, is Jim Vanderhorst, the man behind Rebel Cause Films – the company behind some of the most unique and definitely most watchable festival and artist recaps films. His eye for his the medium and his never-ending push to show the most human parts of the culture give his videos an unparalleled warmth and sense of community. His compassion, thoughtfulness and willingness to speak up for what he believes when filming, discussing or just participating in the culture is a powerful and valuable trait. As someone who has made his name observing bass culture and translating what he sees for further consumption, I couldn't think of anyone more appropriate to help me take a look back at some of the things that made 2017 such a big year for bass music here on the best coast. As we enter a new year in bass and whatever weird-ass shit the party brings, we take a final look back at a pretty incredible 2017 with the incomparable leader of Rebel Cause Films, Jim Vanderhost.

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What's something that you've noticed in the bass community that you would like to see changed in the upcoming year or trends you'd like to see end?

There needs to be more awareness of just how bad women have it in this scene. There's a big discussion about it right now but a lot of things aren't being talked about. Like, go-go dancers are lucky to get paid enough to pay for there outfits...but they're usually not. They're getting in for free. People walk around thinking they're getting paid a bunch and treating them like shit. Like, 1% of Djs are girls. It's not promoted much and when they do get to play in this area it's an all-girls night, it's pandering and that's not helping the cause either. There are places like Calgary that have some great female acts that are starting to grow but out on the West Coast I'm not seeing it. I think a lot of shit that happens is just not fair. I think men need to really take a second and understand it's not fair. Women are organizing these entire things. Shambhala and Bass Coast are fucking run by women. And yet the talent buyers and everything are all hiring predominantly male acts. The women that are organizing everything are so busy making shit happen for us idiot men they sometimes don't notice the disservices being done. We have a huge long way to go before things are actually fair and I think we need to start taking better care of women who wanna get involved in performance, whether they're go-go dancers or Djs. Guys who want to do it should not complain about things being unfair for guys. So many male stage performers I've seen talk about how hard it is to be a man in this scene.

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Forged in Fire - Fresh Memories of Shambhala's 20th Birthday

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Hard to believe it's only been a few months since Shambhala's 20th Birthday. Like every year, it went by too quickly and like every year, it left far more than four days worth of memories. After the festival I wrote about how impressed I was with how everyone around me handled the nearby, threatening forest fires. And of all the stories I've been told since leaving the Farm, my favourites continue to be the stories of how people dealt with the entirely bizarre situation they found themselves in while simultaneously sucking every bit of joy and glory out of it. Over the last month a couple of acts who graced the Shambhala stages have been kind enough to share their time and stories of how they dealt with fire in their own way. Shambhala veteran and world-famous party rocker Z-TRIP used every trick he could think of on Saturday to get through to his second set on Sunday. While exploding-like-a-super-nova-right-now 'lean bass' duo CHUURCH had their Sunday set cancelled and rescheduled at the last minute to Saturday – a set that will go down as legendary for all those that were there to commune. As the cold begins to creep back in, it seems like a perfect time to take a look back at a couple magical summer moments from the Salmo River Ranch. 

Z-Trip

Photo courtesy Sound Flash Photography.

Photo courtesy Sound Flash Photography.

Shambhala was fucking amazing. I did two sets. I did the Forest and the Village. It was fucked up because of all the fires there. The night I was playing in Forest they were like, “Yeah, it doesn't look like tomorrow is gonna happen.” Fuck. I had sort of crafted sets there that were based around spirit animals. My spirit animal was the Elephant in Fractal and in the Village was the Wolf – wolfpack, bass. As I was doing my Elephant set in the Forest, we got to the end of the set and I said, “We're gonna have a rain dance. We need rain, so tonight's the rain dance.” Basically we did the set and I had this song that I played, I had everyone sit down – which was maybe the first time anyone had done that – not have everyone jump up but just sit down and listen to a song. That was heavy. That was really incredible. We were bummed because I really wanted to that next set. We woke up the next morning and they said, “It rained last night! You brought the rain!” So we went and set up to do the next day. Maybe a quarter of the people had left. It kind of felt like the way-back Shambhala vibe, when there weren't as many people and you had room to dance, from maybe 10 years ago. It had that vibe – the diehards were there. I played my set and did my thing. At the end of my set I played a song called “Feel the Love.” I said, “Can you feel the love out there? We almost didn't have today! Where are my wolves at?” “Ooowwwwwooooo!” Everyone's fucking howling and the rain starts coming down! Right at the very end of the set. It rained so quickly and it was done. It was one of the best sets of all time for me. That place is so fucking magical. That was heavy. I love those guys, I love that place, I love PK Sound. The whole organization, I back it 100%.

Watching you up during the Fractal Jam reminds me of why I like music so much. I go into media areas and backstage areas sometimes as I writer and I get bummed because I see so many people in work mode forgetting how amazing it is to be so close to the music. I see DJs like that sometimes, all serious and shit, and you just look like you're having the most fun ever.

Oh man, thank you so much. That was the best. That was my first Fractal Jam. I've wanted to do it every single time but every time I've had to go somewhere and do some shit. It took me this long. I was so fucking excited, are you kidding me? I finally get to hang with the cool kids! <laugh>

It was awesome, it made me so happy. And the year before when you found your spirit animal, the elephant, I was there alone. I had lost my friends and I was just by myself rocking to your set.

The whole spirit animal thing came from the time before I was there. I played the Forest and somebody handed me this big crafted leather owl mask. I was with Gaff and he said, “Yo, that's your spirit animal, the owl.” I thought, “Uhhhhhh okay? I don't really connect with it at all.” The mask is amazing! It's incredible and I'm super grateful to have it. It sits in my house. That got me thinking about what would my spirit animal would be. That's how that whole thing started. My idea now is to play every stage and do a different animal on every stage.

Chuurch (As told by Makemdef)

Photo courtesy BEEDEE.

Photo courtesy BEEDEE.

I was sitting in a hammock somewhere when I got the news that our set [On Sunday] was cancelled. I immediately shot up out of the hammock, “Well, I'm going to reschedule this thing, right now.” It was really awesome because a lot of the artists...Lazy Syrup Orchestra, that's Dunks from the Funk Hunters and Soren, they cut their time in half on their set to give 45 minutes to someone else. There was a real vibe there. I shouldn't have freaked out so much because everyone there is the most professional in the industry and I should have known they were going to make it work in the face of crisis. It was our second year, this was a big year for us and I wanted to make sure we did it right, twice as good. I got the news about an hour before we actually performed, it was a long day.

So, our show is cancelled and I just wanted to try to make it happen with all my heart. I took all my food vouchers, like $45 worth of vouchers, and bought mini-donuts. And me and my girlfriend walked around handing out mini-donuts trying to raise the spirits. I handed out three buckets of donuts and got my set back. It was magic. People really like donuts. They make people super happy. When it was finally game-time, I went kind of cuckoo. There had been a lot riding on that whole Monday set. We were supposed to debut this new song we'd done with Rezz, right after her set. That would have been cool. But it was such a meant-to-be kind of thing. It was an amazing learning experience. It changed people. I learned a lot about myself through that performance.

The best part of that whole thing, is after that was all said and done, my girlfriend and I walked through Fractal Forest and the first song I hear after my set was Jazzy Jeff playing “Fresh Prince of Bel-Air.” It was a surreal moment. It was amazing. Definitely, looking back, Shambhala handled that situation pretty good. We brought the rain that night.

5 Questions with Rags #55 - Z-Trip

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One of the most recognizable names in Djing, Z-Trip's hunger for all of the best music, no matter where it comes from, has made him one of the most accessible Djs around, acting as common ground for all varieties of music fans. The person who has deep respect from serious hip-hop heads and major ravers alike is a rare and wonderful thing and there might be no one who strides through the deep streets those two worlds with such ease as Z-Trip. In the vast career of Z-Trip, bookending a decade of Rifflandia might seem like a small thing. But to me, Z-Trip's name being high up on lineup of this massive festival in my hometown is representative of both the genreless taste of the festival and my own natural disdain of genre labels. I was honoured to get the opportunity to talk to an OG and ask him my silly questions before he lay down the days most exciting and unpredictable set. Despite hearing nothing but stories about how nice and welcoming the homie was, I was understandably nervous coming to the meeting, but within moments we were into the goods, nerding out on music. Once he had his phone out, showing me video of him rocking the night before with A Tribe Called Quest, LL Cool J, Melle Mel and Scoprio of the Furious Five, I knew everything was going to be a-okay. 
1. Do you remember the first album you bought with your own money?
It was the Story of Star Wars. It was a narration, long play. Basically it was the movie on an album with a booklet with pictures and shit in it. And I memorized the shit out of it. 
Did you buy it thinking it was the music?
I didn't know what the fuck it was. I was just a kid and was like, “Star Wars! Yeah! I'm gonna get it!” I still have that record.
Do you still listen to it?
I've sampled it in things. I haven't sat down and listened to the record in a very long time...but I don't need to because I know it all. I know the sound effects and shit because I listened to it religiously. Back in the day you grabbed whatever media you could that had a connection to the movie or whatever. You couldn't just get Star Wars, you had to go the theatre to see it and that was it. Now everything's just out there. But I had a piece of this movie on that record that I could listen to, close my eyes and envision it. See the movie all over again. It was dope. 
2. When's the last time you did something for the first time?
It's probably some stupid, mundane thing like, “Oh, I tired this mushroom or something.” Not mushrooms! I don't like the taste of mushrooms, I'm not talking about hallucinogenics. <laugh> These days, I try to do these cleanses. I'm not 18 years old anymore, just raging and going nuts. Whenever you do anything – I run a lot, and if I'm running and hurt my ankle it takes three weeks instead of three days to heal. So I've been trying a lot of different things. Right now is my first time trying to go vegan. I've been vegetarian in the past. I'm about two weeks into being a vegan. 
How do you feel?
I love it. I actually don't miss it. It's harder on the road though. Travelling fucking sucks for food anyway, but try adding these levels of not eating dairy or meat or anything. Oh yeah, good luck, you're just eating french fries. Fucking veggie burgers and french fries. Trying to find the good vegan spots is the thing that's on my list now.

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#festivalseason - An in-depth musical review by a Groove Rider at Shambhala.

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There is no experience like Shambhala. The mountain setting, the Life-giving river, the PK Sound, the hoards of beautiful people, the ridiculous stage designs, the colours, the art...all of it combines for one of the most unique experiences any of us are likely to find on this planet. But all of this pivots on the music. The best Djs, spanning nearly every genre of dance music you can imagine, provide the soundtrack for all the ridiculousness and that soundtrack is the thing is thing that keeps me coming back year in and year out. There are many places to read about the people and the culture of Shambhala, albums of photos by people far more qualified than me documenting the bliss (Check the Shambhala FB page for a cornucopia of said photo albums). So with that, here is my overly long, in-depth look at the way I spent my musical time on the Farm this year.

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