#festivalseason - Ragslandia: Rifflandia gets groovier than ever.

Every year in Victoria, Rifflandia is the highlight of the music calendar. Bringing hundreds of artists from different genres and aesthetics, Rifflandia has established itself as a celebration of music like nothing else in the area. This year's Rifflandia had me excited like past years haven't. I'm all about groove and this year the pool was deep, overflowing with hip-hop and electronic tastiness I'm constantly on the lookout for. Here are just a few of the highlights I was lucky enough to get into my ears this year.

Jurassic 5, De La Soul and the importance of world-class Djs.

Part of the delay on the release of this piece has been the need to let things lay fallow in my mind for a bit, to see how they stick with me when I’m no longer a prisoner of the moment. Since some of the Rifflandia smoke has cleared from my mind, I can still say that Jurassic 5’s Rifflandia set was one of the finest sets of music I’ve ever seen. I assume this is the standard festival set they’ve been playing since their reunion a couple of summers ago, and why would it be anything different? Everything the group did was so well-done, so on point. “Concrete Schoolyard” (Complete with kazoo interlude), “Freedom,” “Jurass Finish First,” “Quality Control,” the whole set was hit after hit. Their Four-MCs-As-One, synchronized rap thing was as fresh as ever – as lively and crisp as any of the songs’ recorded counterparts.

Even more impressive than the four MCs and their interchangeable raps were the beats, the music, delivered with the utmost imagination and dexterity by two of the great DJs in hip-hop, DJ Nu-Mark and Cut Chemist. DJ desk, turntable-guitar, vest of music (I don’t know a better way to describe this)...This wasn’t just two DJs laying beats for rappers. The show wouldn’t have worked the same without them.

A similar thing happened a couple of nights before when De La Soul took the stage at the Phillips Backyard stage. Pos and Dave could get an crowd amped on their own, for sure, but the amount of attention Maseo commands behind the decks while his cohorts are doing their thing out front is kind of staggering. Throughout the trio’s stellar set, Maseo proved once again that he’s a real director of the party, the man all the energy flows through. Dude can rap something nice too. I was more than thrilled when he stepped out from behind the wheels to take Redman’s place during “Oooh,” a personal favourite of mine. It’s just further proof as to how important the DJ is the landscape of hip-hop, even when you have world class MCs there rock the party.

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#festivalseason - An in-depth musical review by a Groove Rider at Shambhala.

There is no experience like Shambhala. The mountain setting, the Life-giving river, the PK Sound, the hoards of beautiful people, the ridiculous stage designs, the colours, the art...all of it combines for one of the most unique experiences any of us are likely to find on this planet. But all of this pivots on the music. The best Djs, spanning nearly every genre of dance music you can imagine, provide the soundtrack for all the ridiculousness and that soundtrack is the thing is thing that keeps me coming back year in and year out. There are many places to read about the people and the culture of Shambhala, albums of photos by people far more qualified than me documenting the bliss (Check the Shambhala FB page for a cornucopia of said photo albums). So with that, here is my overly long, in-depth look at the way I spent my musical time on the Farm this year.

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#festivalseason - Memories of Shambhala, unearthed.

It's hard not get personal when I'm writing about Shambhala. It set off such a chain reaction in my life, in so many areas, that it's mark is just burned into me. It might even be annoying to read or hear about, but I don't really care. You're free to stop reading at any time. The really great thing about this is how other Shambhalovers brighten up and beam when you bring it up to them. I've made a point to ask a lot of the Djs and personalities I've interviewed in the years since my first visit to Salmo River Ranch about their memories of the festival and what it means to them. I've gathered up some of the best quotes to get you all either psyched up for the trip back Home, or get you dripping with jealousy that you won't be there this year.

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DJ Nu-Mark (Jurassic 5), on why he keeps coming back to Shambhala

I keep coming back because it seems as if I'm the only not playing electronic music? The first time I played, I thought I was at the wrong festival. I saw the line-up and was a bit freaked out because everyone was playing dub-step...Hey, remember that? Dub-step? Anyway, I enjoy playing a variety of genres – Soul, Funk, Reggae, Hip-Hop, Oldies, etc... They give me room to express myself and I rarely get the hippie chick yelling, “Hey! Can you play some Persian Anthem Trance?!”

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5 Questions with Rags #13 - DJ Nu-Mark

It’s kind of amazing how much DJ Nu-Mark has permeated the world inside my ears throughout the majority of my life. Jurassic 5 was one of my big four of hip-hop that made me truly love the genre. “I Know, Didn’t I” from his amazing album with Pharcyde’s Slimkid3 last year, immediately found a special place in my heart, finding me at a particular time in my life. Most importantly, last year at Shambhala he gave my brother and I our “bonding set.” That one special set that both of us were looking forward to more than anything else. Holy shit, it was amazing. The guy put on a damned class in the History of Groove. While the set was criminally under-attended, my brother and I danced our faces off in front of those speakers, loving every single choice the good Uncle Nu made. I was lucky enough to get to talk to him before that set for the Martlet and even luckier to get some of his time here for y’all. Big props to one of the greats in the world of DJs and just an all-around cool cat, DJ Nu-Mark.

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1. Do you remember the first album you bought with your own money? What medium was it? Do you still have it? Does it still hold up for you?

Yeah, the first album I bought was U.T.F.O.'s first self titled LP.  I still have it although it's pretty beaten up from multiple 80's house parties.  Can't really play it out now but it is for sure a Hip Hop classic.  Roxanne Roxanne was the big hit.

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Top Songs of 2014 (Subconciously ranked.)

I guess I’m supposed to do some sort of year-end round-up thing. These things always feel kind of forced and I really, really loathe pitting art against art in some kind of relative combat. This isn’t a competition. So, in the spirit of that, he is a short list of songs from this year that had a lasting effect on me. They are in no order except the order that they appeared in my head. I suppose that might be a gauge of how much I loved them, so maybe that’s my subconscious ranking them as such. There you go.

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Sturgill Simpson – Turtles All The Way Down

Remember when the Highwaymen released “The Highwayman?” That was some real bad-ass mystical reincarnation shit. Maybe the titular Highwayman has found his way back in the form of Sturgill Simpson. It’s entirely possible, right? Who else has the balls to making such traditional country music singing about the positive elements of psychedelics? This isn’t about drinking beer down at the fishin’ hole shit, this is some serious expand-your-mind-and-learn-yourself-and-you’ll-love-your-brothersandsisters stuff here. Obviously all of this is just shtick if it’s not being delivered by an incredibly talented performer and writer, both of which Simpson most assuredly is. (Listen to “Just Let Go.” Fuck) His album Metamodern Sounds in Country Music is pretty much great across the board and worth your $10 on bandcamp. It’s amazing watching this guy gain so much steam with no radio support whatsoever. Thanks Joe Rogan for using your mighty reach to bring the good Sturgill to the people. (Props to Rob Porter for the cover photo.)

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