The Trash Gentlemen List - Vol. 4 - SummerJam

August 23, 2026 by Blake Morneau in Trash Gentlemen List

Sure, all seasons have music that fits them best, but we don't think any season has such a specific feel to the music that defines it like summer. And even though the feel of summer is specific, the sounds of summer are varied and expansive. Often connected to core sense memories, summer music is at once highly personal and widely communal, connecting us to ourselves and other people through sonic rapprochement. There's airy sense of fun, well-being and comfort that connects all our favourite summertime essentials we've included on this list and we hope that listening to this list brings you all of those feelings and more. Hopefully something on here connects and finds its way to your own summer playlists.

Sublime – Garden Grove

As an elder millennial male on the west coast, Sublime is just a part of my DNA, for better or worse. (I maintain that Sublime would be much less easy to make fun of if it wasn’t for the existence of ‘Date Rape’ and ‘Wrong Way.’ Ehhhh, maybe ‘Caress Me Down’ too. Okay, I may need to re-evaluate this theory after I finish writing this piece. But I digress…) I’m onboard for Sublime jokes all year around. They’re an incredibly fun, and easy, band to make fun of. The great Josh Gondelman once called Sublime a “Blacklight Che Guevara poster that you listen to.” But their importance in the millennial music pantheon is real. They exposed a lot of people to music they wouldn’t have otherwise heard. For all his faults, Nowell was an incredible songwriter, able to mine his personal depths and sing his findings in his unmistakably passionate voice. All this (possibly ill-conceived) Sublime-apologism aside, that held-string opening and simple drum beat into that unmistakable bass line usually signals the start of summer to me. This is not music I listen if the sun is not out. “Garden Grove,” like the self-titled album it comes from, has been a part of my lazy summers for close to three decades now and I don’t think it’s going to stop being part of the season any year soon.

Jerry Champion - It’s Summertime

There was a video series on a channel that shall no longer be named, where they would invite artists to play music from their vinyl collective. One of these episodes featured DāM FunK, and while every selection he made ended up being Shazam’d and saved, this song was an easy choice for this playlist topic. Originally released by Jerry & The Champions in 1984, only to later be re-released by Jerry Champion in 2000, It’s Summertime has a mesmerizing groove that draws listeners in. The guitar solo that comes in from time to time is next level and it’s a perfect way to break up the track's repetitive aspects. It pains me to know we can’t go back in time, but the 80s had the summer season on lock when it came to music.

Chali 2na & The House of Vibe, The Gaff - 09.02.19 - Capital Ballroom, Victoria, BC

February 11, 2019 by Blake Morneau in Reviews

Chali 2na & The House of Vibe, The Gaff – 09.02.19 – Capital Ballroom, Victoria, BC

Yo, Canada, can we just give Chali 2na honorary citizenship already? The hip-hop legend (Both with a spray can and on the mic) is basically family now here on the Canadian West Coast and Saturday night at Capital Ballroom in Victoria, Chali 2na and his incredible band, The House of Vibe, showed yet again why he's a mainstay in people listening diets...and judging from the reception he and the band received for 2+ hours, a mainstay in peoples' hearts.

The band, one of the tightest (But somehow ephemerally loose at the same time) bands around, The House of Vibe held things down with ease as they helped 2na run through a career-spanning set that touched on two-plus decades of Chali's world class hip-hop. Loose and relaxed, the band was smiling as much as the man himself (Which is A LOT) during the set as they flexed their considerably funky muscles from beginning to end. Every time I see these cats play (I've seen them more than a dozen times now), I always think at least once in the night, “Man, Anthony (Brewster) is fucking sick. I know he gets some spotlight every set, but I really wanna see him do an opening set or something one of these times.” And then, this past Saturday, as I'm thinking that very thought, the band launches into an extended medley with Anthony front and centre rocking “Get Up, Stand Up” and “Smoke Two Joints.” Note to the House of Vibe for next time: Loved that, more of that please. As great of a band as the House of Vibe is, Chali 2na is the guy that makes the motor move.

Just know Chali from Jurassic 5? Well, he's gonna play a few songs to cover you. Know him from his more recent work with The Funk Hunters and Westwood Recordings (Like his recently released beast of an EP Instrumentality)? He's got you covered. Know Chali from his (I'm calling it here) timeless hip-hop masterpiece, Fish Outta Water? He's got you covered there as well. In fact, no matter how many times I've seen the songs from F.O.W. I'm still amazed at how big they hit in the live setting. Whether it's the hard-hitting “Guns Up” or the tender, contemplative “Righteous Way,” or the downright grimy “So Crazy,” the songs on that landmark album are captivating. They are a part of my musical make-up now. I could honestly watch Chali and the House of Vibe just play that album once a year for the rest of my life and I'd be a happy human. Thankfully though, Chali is straight-up relentless in his output and is always creating new music and new art. The thoughtful and sublime “Blue Marble” from Instrumentality was a track that I originally glossed over, but in a live setting, whooooa boy, that struck deep. As 2na continues to add music to his repertoire, his sets just get longer, adding new stuff into the mix while not taking old staples out. It's a good choice because honestly, is there such a thing as too much Chali 2na? After more than two hours of grooving and smiling, I think a packed Capital Ballroom would answer that with a resounding “No. No, there is never too much 2na.” Another west-coast success for the immortal 2na fish.

Alright, I'd be remiss in writing this little review without mentioning the groovy stylings of one of the smoothers operators in the DJ game, The Gaff. Getting things started on a rare snowy night in Victoria is never an easy thing and I was one of only a handful of people there when Gaff took his place behind the decks, but he did the thing and gave zero fucks how many people were there, going in straight away with the goods. At one point my brother asked me, “So, Gaff is a scratch guy right?” A moment later Gaff was scratching up a storm, as he does, and my brother was in. That's a win on a dude notoriously iffy on the whole DJ thing. And apparently, his main turntable (The left, because he's a lefty) stopped reading Serato 10 minutes into his set so he had to dig into his apparently vast improvisation skills to make that shit go- The mark of a true master. By the time he finished his set the room was packed and sweaty, all lubed up and ready for Chali & The House of Vibe to do their thing. Good snap.

#festivalseason - Ragslandia: Rifflandia gets groovier than ever.

September 27, 2016 by Blake Morneau

Every year in Victoria, Rifflandia is the highlight of the music calendar. Bringing hundreds of artists from different genres and aesthetics, Rifflandia has established itself as a celebration of music like nothing else in the area. This year's Rifflandia had me excited like past years haven't. I'm all about groove and this year the pool was deep, overflowing with hip-hop and electronic tastiness I'm constantly on the lookout for. Here are just a few of the highlights I was lucky enough to get into my ears this year.

Jurassic 5, De La Soul and the importance of world-class Djs.

Part of the delay on the release of this piece has been the need to let things lay fallow in my mind for a bit, to see how they stick with me when I’m no longer a prisoner of the moment. Since some of the Rifflandia smoke has cleared from my mind, I can still say that Jurassic 5’s Rifflandia set was one of the finest sets of music I’ve ever seen. I assume this is the standard festival set they’ve been playing since their reunion a couple of summers ago, and why would it be anything different? Everything the group did was so well-done, so on point. “Concrete Schoolyard” (Complete with kazoo interlude), “Freedom,” “Jurass Finish First,” “Quality Control,” the whole set was hit after hit. Their Four-MCs-As-One, synchronized rap thing was as fresh as ever – as lively and crisp as any of the songs’ recorded counterparts.

Even more impressive than the four MCs and their interchangeable raps were the beats, the music, delivered with the utmost imagination and dexterity by two of the great DJs in hip-hop, DJ Nu-Mark and Cut Chemist. DJ desk, turntable-guitar, vest of music (I don’t know a better way to describe this)...This wasn’t just two DJs laying beats for rappers. The show wouldn’t have worked the same without them.

A similar thing happened a couple of nights before when De La Soul took the stage at the Phillips Backyard stage. Pos and Dave could get an crowd amped on their own, for sure, but the amount of attention Maseo commands behind the decks while his cohorts are doing their thing out front is kind of staggering. Throughout the trio’s stellar set, Maseo proved once again that he’s a real director of the party, the man all the energy flows through. Dude can rap something nice too. I was more than thrilled when he stepped out from behind the wheels to take Redman’s place during “Oooh,” a personal favourite of mine. It’s just further proof as to how important the DJ is the landscape of hip-hop, even when you have world class MCs there rock the party.

#festivalseason - Just when you think you're done, RIFFLANDIA is there to pull you back in.

September 12, 2016 by Blake Morneau

Festival season just won't end. Every year it seems a little longer and every year on the Canadian west coast, Rifflandia is there to usher out the jam-packed nights of summer with four days of ridiculously diverse musicians. This year's lineup is a feast of groovy selections spanning the rowdy (Wolf Parade, Keys & Krates), the soulful (Khari Wendell McClelland, Chance Lovett & The Broken Hearted), the weird (Prozzak, Bomba Estero), the moody (Grossbuster) and everything in between. It's an exhaustingly huge list of performers and looking at it may induce panic. To help ease the burden of research here are just a few of the many acts I'm hoping to check out over this, one of the finest weekends of music the west coast has to offer, right in the heart of my beloved hometown of Victoria, BC.

Get your single-day and full-fest passes here!

DJ Kwe

A few months ago, I didn't know a thing about DJ Kwe. I picked her name randomly off of a list of writing subjects for the Rifflandia festival guide and started my research. Immediately I was drawn to the idea of a female, aboriginal DJ (I later came to find she's half Irish, further adding to the multicultural allure), as both of those traits are something I have very little experience absorbing into my ears when it comes to my DJ music, and like any good music fan, I'm always looking for new avenues and perspectives. Turns out Kwe is doing some of the most original work around the West Coast right now. Her audio stories are unlike anything you've ever heard, built from the ground up, incorporating music, words and the sounds of nature. As she expands her repertoire into original music production and all-vinyl Djing, DJ Kwe promises to deliver something you're not going to hear anywhere else right now.

5 Questions with Rags #14 - Chali 2na

March 10, 2015 by Blake Morneau in 5 Questions With Rags

Chali 2na is a hip-hop renaissance man. His artistic output is constant and while it varies many platforms, the quality never does. When you see the 2na name attached to something you know it’s going to be honest, vital and full of passion…which is pretty much all you need from good art. With so many years in the game, the Verbal Herman Munster is a pillar of Hip-Hop culture. He has murals displayed all over the world, is a founding member of both Jurassic 5 and Ozomatli, and continues to release top-shelf hip-hop under his own moniker. Always a pleasure to talk to, full of laughs and insight, Chali was one of the reasons I started to truly love hip-hop nearly two-decades ago and I couldn’t be more stoked or feel more privileged to get some more time with the man. Enjoy our latest, and possibly greatest, chat. Props to the Verbal Dinosaur, Hip-Hop royalty, Chali 2na.

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1. Do you remember the first album you bought with you own money?

Yep. It wasn’t an album, it was a single. It was called “Hey You” by the Rocksteady Crew. I bought it not because I liked the song, Crazy Legs and them might hate me right now, but I didn’t really like the song, but I’m a graffiti artist at heart and the cover of the album was drawn by one of the Rocksteady Crew members named Doze. Doze is helluva graffiti writer and he did characters of each member on the cover. I was in love with and I was like, “Damn, I wanna learn to draw things like that!” So I bought the album and that was the first purchase I made. I had to save up to get it. Then next one I got was “Renegades of Funk.” Once again I saw the cover before I heard the song and thought, “Oooh! This is amazing, I want this!” When I heard the song I was like, “Oh yeah, I’m really getting this on. This is crazy.”