Moontricks & BOUSADA @ Capital Ballroom (14.04.18)

Sometimes you go to a show expecting to chill hard. You go see an artist because it's going to be a cool night out and an opportunity to go dance and have a good time, but not necessarily rage. And sometimes you get to that show and it's just as chill as you expected but then, you get some a few unexpected tastes of the bass that makes you rage and it's extra-awesome because you didn't expect it. This past Saturday (April 14) at Capital Ballroom in Victoria, Moontricks delivered exactly that – an expectedly sultry, smooth and sexy set of bass and banjo (And guitar and harmonica) punctuated by forays into deep funk and beyond. Moontricks laid down a tremendous set of new and old tracks, to a packed house of seriously delighted people moving together, smiles plastered across every face in the room. This was (and is) serious bass without aggression – perfect for keeping the pulsing sea of humanity moving and in a good, chilled out mood. For such a large crowd in the Ballroom, this was a legit well-behaved crowd and it's a testament to the performers that everyone was bouncing so respectfully.

The old stuff (Like the sublime “Home,” which garnered the biggest pop of the night) was as warm and comforting as ever but it was the unexpected twists of new tracks that seemed to get the most bounce out of the sea of people. Most surprisingly, we were even treated to a little drum n' bass. Drum n' bass consistently challenges me and a Moontricks show was one of the last places I would expect to hear it, but oh man, that was some good, fun drum n' bass. Maybe it's old-hand to them, but I haven't seen it from these cats in the many, many times I've seen them play. Go see them live and experience this goodness. Please, for your ears' sake.

Things got going early with some luscious house-y beats from the homie Xavier, one of the pillars of Victoria's electronic community and BOUSADA, who is establishing himself as one of the city's musical pillars, able to move between genres and crowds with ease. Flanked by a guitar player, BOUSADA was as animated as ever, in all his shirtless glory, punctuating his beat-making and singing with loud cries of joy. A musical facilitator of the highest order, the last portion of his set saw BOUSADA giving the spotlight to a stream of some of Victoria's finest vocalists (Including Doc Zoo and Danimal House of Illvis Freshly, Kady and Stevie from Leg-Up Program and the mighty Orilla) taking turns rapping and singing over his tunes. It feels like BOUSADA has been building something special in Victoria and Saturday night was a reminder of why this guy is such a Force of Musical Community. A spectacular night of groove and bass. Well-done everyone.

Lee 'Scratch' Perry & Subatomic Sound System, 04.11.17 - Capital Ballroom, Victoria, BC

For more than four decades Lee 'Scratch' Perry, the original Upsetter, has been pushing reggae into the cosmic depths, mining the mysteries in the veins of the heavy heart of dub. No amount of listening to the man's ridiculously vast catalogue can truly prepare the mind for witnessing the dark, colourful Upsetter dub live. Perry made his return to Victoria in top form, unbridled and confident as ever in the colourful, reckless weirdness that has has been the lifeblood of his career.

Touring in support of the recently released Super Age Returns to Conquer – a rerecording of the seminal Super Ape with his longtime touring band Subatomic Sound System – Perry led the audience on a spiralling journey of creative energy. I have a hard time with accents and often don't understand Perry on my headphones let alone in a live setting, but it doesn't really matter. His whole presence is so huge and mystical and immediate that you couldn't help but be sucked in, even if you only picked up one out of every two or three words he says. The sound of his voice, whatever it was doing, was almost hypnotic. When the more familiar refrains like “This is the Ape Man...” broke through out of the haze, the feeling was straight-up sublime.

While Perry is the centre of everything, the colour, the driving engine of the whole thing is the deeply hypnotic bass of the powerful Subatomic Sound System. The bass of dub is heartbeat bass, seemingly moving at the pace of blood, and there aren't many people I've heard lately harnessing that dub like SSS. When the show started with dropping the bass to deep, air-shaking frequencies and had the crowd hold their hands in the air to confirm that those bass vibes were indeed now in the air, I got real excited and there was no disappointment. For nearly two hours I couldn't stop moving even if I tried. Subatomic had control of my motor functions.

Helping the hypnotizing process along was the incredible saxophone work of Troy Shaka Simms. Weaving and supple, his sound floated around and above the heavy, earthy bass and complimented Perry perfectly. And within all of this relentless musical glory was the percussion of Jamaican legend Larry McDonald. Punctuating the wall of sound that Perry and Subatomic had built was McDonald's nimble and guttural riddims, splashing the space-out dub with the unmistakable rhythm of human life. Hands on drums is the most basic musical sound we know. It is embedded in our shared collective knowledge and way out there in the vast unknown of cosmos McDonald relayed that knowledge in a way that reminded me of a feeling I didn't I think I'd find all the way out there.

That was a fucking great show. I love dub reggae. Few sounds sooth my soul the way Lee Perry & Subatomic Sound System did last night.

#festivalseason - Victoria Ska & Reggae Fest XVII

I’ve lived in Victoria all of my life. The Victoria Ska & Reggae Festival has been around for the past 16 of these years and as it heads into its 17th year it remains my favourite week on the West Coast music calendar. People I don’t see for a year at a time reconvene from around the globe to the Festival, a cultural touchstone unlike anything else around it. In a world of boutique festivals, catering to a specific fanbase, Victoria Ska & Reggae was among the first, and it remains one of the strongest. With the main shows once again centralized right in the heart of my city’s beautiful Inner Harbour and night shows at various venues throughout the city, the Ska & Reggae Festival is a kind of love letter to the city as well as a celebration of the incredible strong culture, descended from another, way more famous island than our own.

Get full lineup, scheduling and ticket info at victoriaskafest.ca.

TOOTS and the MAYTALS

lo mejor de lo meor

The headliner of any festival obviously should be the biggest reason to check out said festival. Well, maybe it's not always the case but it often is and there might not be a bigger, more appropriate headliner than Toots and the Maytals. They've headlined the festival before, but this is different. For more than three years the legend, Toots Hibbert, has been off the road, after suffering the repercussions of some astoundingly dumb person hurling a bottle from a crowd and smashing the reggae pioneer in the head. It stands to reason that the fire and passion that Hibbert has demonstrated over his years of surviving in the notoriously cutthroat music business would manifest itself in a roaring return to the stage, full of a renewed determination. The last time Toots and the Maytals hit the Festival's now legendary stage in the heart of Victoria's Inner Harbour was a show for the ages, with the band running through hits and covers with the perfect balance of precision and looseness. Toots is one of the most important connections we still have to the roots of reggae culture, a culture that has seeped through the veins and into many corners of the modern musical landscape. Who knows how many more chances anyone has to see this titan of music.  

COMMUNITY

I've been covering the Victoria Ska & Reggae Festival in some form or another for five years now. I've come to know the people running it, even as they change over, and the deeper into this thing I've got, the bigger the rings of joy that surround this planet reveal themselves to be. I've met a gentleman from New Zealand who left his home to answer the call of the Festival, dedicating himself to spreading the culture through working with the all-important Street Team. A wonderful lady who left her home, promoting shows in Edmonton, to come to the coast and join the Board that helps keep the festival on track. The head of the Festival, who started it as a labour of love and has helped incubate the fledgling baby into the longest running festival of its kind in North America. Look around at any one of the many shows on the schedule and you'll find these people, among the countless others who volunteer year in and year out, dancing as hard (Or harder) than anyone in attendance. It's a lovely, warm feeling to know those behind the massive operation are doing it for their love of this powerful, important culture and ever uplifting music.

THAT FULL, JOYOUS LIVE BAND SOUND

Western Standard Time Ska Orchestra.

In its 17 years of existence the Victoria Ska & Reggae Festival has proven its commitment to the overwhelming power of the Live Band. Like moths to the light, it's nigh impossible for a music fan to not be pulled towards a group of talented musicians playing a soundtrack for getting down. Over the last few years I've delved deeply into the world of electronic music (A direct of reggae when you go back in time just a bit). As that DJ rabbit hole has deepened, so has my need to make regular stops in the land of live music. No matter how fun or funky any given night with a DJ might be, there is no substitute for the intimacy that a great group of live musicians can deliver. While the Ska & Reggae Fest does a great job bringing in choice selectors to augment each performance, the lineup from top to bottom is stuffed with that real, uncut LIVE MUSIC. This year bands like big-band ska-swing kings WESTERN STANDARD TIME SKA ORCHESTRA, New Zealand reggae rebels the BLACK SEEDS and Argentinian clown sensations ENTANGADOS promise to bring those live grooves you need to get your summer dance party on.

Entangados - Primero Lo Primero | DVD "Que Culiau!"10 Años | HD Contacto: entangados@gmail.com https://www.facebook.com/Entangados https://www.bandcamp.com/Entangados https://soundcloud.com/entangados https://www.youtube.com/user/Entangados Gracias a todos los que ayudaron a que este sueño exista en la vida real!! ----------------------------------------­­----------------------------------- Representante: Demian Escribano Gonzalez Córdoba, Argentina: (+549)351-3946339 Se agradece toda difusión y contacto. Luz en sus Vidas...*...

ILLVIS FRESHLY & FRIENDS

I've been writing about Illvis Freshly on and off for the last year because they're damned-near inescapable in these parts and for good reason. Their unique blend of heavy EDM grooves and playful west-coast party rap takes the infectious factor to new heights. I've been running into them, one by one, around our shared home here in Victoria and each dude has lit up at the mention of this upcoming set, on a bill with headliner Dub FX and Canadian reggae sensation Mikey Dangerous. I've heard rumours of the impending dance party they're itching to put on, gathering up a bunch of their friends – some of the most talented, exciting artists the city has to offer – for a super-duper, extra special, one-of-a-kind West Coast blowout.

A funky feel good track featuring cuts by DJ All Good and The Funkee Wadd, written and performed by Illvis Freshly, Mixed and Mastered by Matt. McKenzie AKA Scrumb. Check out the link below for the Zizo music video: https://www.youtube.com/watch?v=gyEfa2WkW9c Download for free on The Artist Union

CITY LIVIN’

I'm all for going to commune with my fellow music lovers in whatever field or small forest people want to set up a festival in but as I age through my 30s, the idea of being around the comforts of the a city is more appealing than ever. I love comfortable shit and there really is no replacement for crashing in a real, honest to God bed at the end of a night of dancing my face off. I don't care how comfortable of an air mattress you have, it's not a bed. Don't lie to yourself. Beyond my petty, selfish love of comfort, we have the far more important and serious issue of environmental impact. A festival that takes place in the heart of a city skips a lot of the problems with transportation of people, resources and equipment to some remote location. I'd really like to see someone break down what gets saved by holding an event in a location with an established infrastructure that is easily accessible by public transportation. With the proliferation of festivals in the last few years all over North America, as we continue to adopt the European model, the need for Festivals like this (Sled Island in Calgary, Levitation in Vancouver, Rifflandia again here in Victoria – to name a few) is ever more important.