#festivalseason - "Tall Tree was *pretty* fun. I guess," he said sarcastically.

The setting of a festival is of the utmost importance. Think of all the memorable festival experiences you've had and how each festival's setting added, morphed or amplified the music in a way that you couldn't predict. Maybe you made it through the wasteland of Bonnaroo, or soothed yourself in Old Man Rivs at Shambhala, or felt the cozy community of Atmosphere Gathering or <insert your amazing festival memory here>. No matter what memory of your surroundings you have, it's probably a safe bet that you didn't wake up to this every morning. Welcome to Brown's Mountain.

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#festivalseason - Victoria Ska & Reggae Fest XVII

I’ve lived in Victoria all of my life. The Victoria Ska & Reggae Festival has been around for the past 16 of these years and as it heads into its 17th year it remains my favourite week on the West Coast music calendar. People I don’t see for a year at a time reconvene from around the globe to the Festival, a cultural touchstone unlike anything else around it. In a world of boutique festivals, catering to a specific fanbase, Victoria Ska & Reggae was among the first, and it remains one of the strongest. With the main shows once again centralized right in the heart of my city’s beautiful Inner Harbour and night shows at various venues throughout the city, the Ska & Reggae Festival is a kind of love letter to the city as well as a celebration of the incredible strong culture, descended from another, way more famous island than our own.

Get full lineup, scheduling and ticket info at victoriaskafest.ca.

TOOTS and the MAYTALS

lo mejor de lo meor

The headliner of any festival obviously should be the biggest reason to check out said festival. Well, maybe it's not always the case but it often is and there might not be a bigger, more appropriate headliner than Toots and the Maytals. They've headlined the festival before, but this is different. For more than three years the legend, Toots Hibbert, has been off the road, after suffering the repercussions of some astoundingly dumb person hurling a bottle from a crowd and smashing the reggae pioneer in the head. It stands to reason that the fire and passion that Hibbert has demonstrated over his years of surviving in the notoriously cutthroat music business would manifest itself in a roaring return to the stage, full of a renewed determination. The last time Toots and the Maytals hit the Festival's now legendary stage in the heart of Victoria's Inner Harbour was a show for the ages, with the band running through hits and covers with the perfect balance of precision and looseness. Toots is one of the most important connections we still have to the roots of reggae culture, a culture that has seeped through the veins and into many corners of the modern musical landscape. Who knows how many more chances anyone has to see this titan of music.  

COMMUNITY

I've been covering the Victoria Ska & Reggae Festival in some form or another for five years now. I've come to know the people running it, even as they change over, and the deeper into this thing I've got, the bigger the rings of joy that surround this planet reveal themselves to be. I've met a gentleman from New Zealand who left his home to answer the call of the Festival, dedicating himself to spreading the culture through working with the all-important Street Team. A wonderful lady who left her home, promoting shows in Edmonton, to come to the coast and join the Board that helps keep the festival on track. The head of the Festival, who started it as a labour of love and has helped incubate the fledgling baby into the longest running festival of its kind in North America. Look around at any one of the many shows on the schedule and you'll find these people, among the countless others who volunteer year in and year out, dancing as hard (Or harder) than anyone in attendance. It's a lovely, warm feeling to know those behind the massive operation are doing it for their love of this powerful, important culture and ever uplifting music.

THAT FULL, JOYOUS LIVE BAND SOUND

Western Standard Time Ska Orchestra.

Western Standard Time Ska Orchestra.

In its 17 years of existence the Victoria Ska & Reggae Festival has proven its commitment to the overwhelming power of the Live Band. Like moths to the light, it's nigh impossible for a music fan to not be pulled towards a group of talented musicians playing a soundtrack for getting down. Over the last few years I've delved deeply into the world of electronic music (A direct of reggae when you go back in time just a bit). As that DJ rabbit hole has deepened, so has my need to make regular stops in the land of live music. No matter how fun or funky any given night with a DJ might be, there is no substitute for the intimacy that a great group of live musicians can deliver. While the Ska & Reggae Fest does a great job bringing in choice selectors to augment each performance, the lineup from top to bottom is stuffed with that real, uncut LIVE MUSIC. This year bands like big-band ska-swing kings WESTERN STANDARD TIME SKA ORCHESTRA, New Zealand reggae rebels the BLACK SEEDS and Argentinian clown sensations ENTANGADOS promise to bring those live grooves you need to get your summer dance party on.

Entangados - Primero Lo Primero | DVD "Que Culiau!"10 Años | HD Contacto: entangados@gmail.com https://www.facebook.com/Entangados https://www.bandcamp.com/Entangados https://soundcloud.com/entangados https://www.youtube.com/user/Entangados Gracias a todos los que ayudaron a que este sueño exista en la vida real!! ----------------------------------------­­----------------------------------- Representante: Demian Escribano Gonzalez Córdoba, Argentina: (+549)351-3946339 Se agradece toda difusión y contacto. Luz en sus Vidas...*...

ILLVIS FRESHLY & FRIENDS

I've been writing about Illvis Freshly on and off for the last year because they're damned-near inescapable in these parts and for good reason. Their unique blend of heavy EDM grooves and playful west-coast party rap takes the infectious factor to new heights. I've been running into them, one by one, around our shared home here in Victoria and each dude has lit up at the mention of this upcoming set, on a bill with headliner Dub FX and Canadian reggae sensation Mikey Dangerous. I've heard rumours of the impending dance party they're itching to put on, gathering up a bunch of their friends – some of the most talented, exciting artists the city has to offer – for a super-duper, extra special, one-of-a-kind West Coast blowout.

A funky feel good track featuring cuts by DJ All Good and The Funkee Wadd, written and performed by Illvis Freshly, Mixed and Mastered by Matt. McKenzie AKA Scrumb. Check out the link below for the Zizo music video: https://www.youtube.com/watch?v=gyEfa2WkW9c Download for free on The Artist Union

CITY LIVIN’

I'm all for going to commune with my fellow music lovers in whatever field or small forest people want to set up a festival in but as I age through my 30s, the idea of being around the comforts of the a city is more appealing than ever. I love comfortable shit and there really is no replacement for crashing in a real, honest to God bed at the end of a night of dancing my face off. I don't care how comfortable of an air mattress you have, it's not a bed. Don't lie to yourself. Beyond my petty, selfish love of comfort, we have the far more important and serious issue of environmental impact. A festival that takes place in the heart of a city skips a lot of the problems with transportation of people, resources and equipment to some remote location. I'd really like to see someone break down what gets saved by holding an event in a location with an established infrastructure that is easily accessible by public transportation. With the proliferation of festivals in the last few years all over North America, as we continue to adopt the European model, the need for Festivals like this (Sled Island in Calgary, Levitation in Vancouver, Rifflandia again here in Victoria – to name a few) is ever more important.

#festivalseason - Five Acts You Gotta See at Tall Tree 2016

Celebrating its 7th birthday this year, Tall Tree has become one of the highlights of the West Coast festival calendar, bringing together the best musical offerings from the Coast and beyond, giving equal highlight to live instrumentation and DJ music. Their set-up of two stages at each performance area – so a DJ can start right away in a proper booth as soon as the live band has finished and vice versa – is a perfect way to keep the celebration going non-stop, and frankly something I’m surprised I haven’t seen more often. Nestled up on the top of Brown's Mountain in Port Renfrew, BC, Tall Tree caters to those festival goers looking for the huge party vibes of the biggest festivals but don't want to have to deal with the crushing onslaught of huge crowds. The smaller-than-usual head count makes sure that if you do things right, there will be almost no strangers left around you by the end of the weekend. I’m here to help you find the best grooves while you're up there, partying in the clouds.

Grab tickets and check day-by-day performance schedule over at the Tall Tree site!

jackLNDN. Photo courtesy of Nate Vogel Photography.

jackLNDN. Photo courtesy of Nate Vogel Photography.

JackLNDN

Tall Tree is a music festival dedicated to the best music the West Coast has to offer, but the self-described “electric disco man” is from half way around the world, hailing from the city that gave him his name. Any fans of dancing should be thrilled that the folks at Tall Tree made an exception for the reigning champion of happy house music. I stumbled into his set at last year's Shambhala Music Festival and fell instantly in love. It's nigh impossible to listen to the sweet disco that JackLNDN plays and remain in a bad mood. He gets the body and soul moving.

SNE005 - Out now on Ultra! Vocals: JackLNDN www.facebook.com/jackLNDN www.twitter.com/jackLNDN @jackLNDN MMXV

Shad

When talking about this lineup after it was first announced and mentioning Shad, I had two different people respond with, “The guy from CBC?!” This is unacceptable. Shad is an affable, competent radio host but brother might be one of the finest rappers Canada has ever produced. With each subsequent album, EP or guest appearance, Shad further cements his place among not only our most important rappers, but as one one of our country's most important and accessible artists. If this was a just world, we'd all be bumping Shad's deeply thoughtful, fun, positive raps from every speaker available. At a festival that doesn't feature a large amount of hip-hop, the chance to see such a top-flight talent can't be missed.

Shad: http://www.shadk.com DJ T.LO: http://www.soundcloud.com/tlomusic Download (MP3): http://bit.ly/1nenkGT

Kytami. Photo by Cassie O'Neil.

Kytami. Photo by Cassie O'Neil.

Kytami

If you're like me – living on the west coast, consuming an endless diet of live music – you've probably seen Kytami more than once. I've lost count of the number of times I've seen the violin phenom and I've also lost count of the number of times I've been impressed with her mastery of that strange, scary instrument. And if you haven't had the privilege of seeing her high energy, violin-laced EDM barrage, you're in for a real treat. In the last couple of years Kytami has ascended to seemingly peak power, delivering drum 'n' bass ('n' violin) so tasty and powerful that even I, famous non-lover of drum 'n' bass, can't help but dance my face off to.

Single from album to be released early 2016 www.kytami.com www.facebook.com/kytami Produced by Phonik Ops and Beatsmith www.facebook.com/phonikops www.facebook.com/djbeatsmith

Bousada

Whether he's pounding beats or growing beets, Bousada is all about using the energy around him to create strong communal vibes and go-for-broke dance parties. A current activist and former farmer, Victoria transplant Graeme Bousada has carved a place for himself in the West Coast music scene in a very short amount of time. His performances are joyous dance parties that get grooves pounding deeply and asses shaking furiously. Bousada himself dances with impressive vigour as he pounds out his organic electronic beats manually, bridging the gap between performer and audience, fostering the sense of community that comes with the best live music.

www.bousadamusic.com

Moontricks

The idea of sex at a music festival makes me cringe. The heat, the sweat, the dirt...I could go on. But, my weird neurosis aside, you can't go wrong with music built for sex at a music festival and if there's an act at this year's Tall Tree making sexier music than Moontricks, I have failed to see it on the lineup. The duo's ultra groovy funk-for-romantics beats are melded together with live guitars and harmonica that help ground the music and give the proceedings a real organic feeling that makes Moontricks accessible to both electronic fans and those who are still in the Realm of the Live Band. Find your lover, platonic life partner or even a willing stranger to share in the hip-winding joy that Moontricks is sure to deliver.

BANDCAMP: bit.ly/homebcamp BEATPORT: bit.ly/homebpt iTUNES: bit.ly/homepitunes SPOTIFY: bit.ly/homespfy --------- Westwood Recordings is proud to present the debut release from Moontricks. Having taken the westcoast festival circuit by storm this summer, the duo comprised of producer NOG and guitarist/banjo player Sean Rodman, have redefined the link between live and electronic music. Their patented Moontrickery is a welcome addition to the Westwood roster and we couldn’t be more excited to bring their signature sound to the masses. Soulful instrumentation, effortless grooves, and deep basslines have become a Moontricks trademark across their debut 5-track “Home EP". Special guests MC Dash and producer Metaphoracle also join the record for two special collabs and guaranteed maximum vibes.

5 Questions with Rags #37 - DJ Kwe

A few weeks ago, I had no earthly idea who DJ Kwe was. I stumbled upon her music because of an assignment for the Rifflandia festival here in Victoria, at which DJ Kwe will be performing twice (!), but I’m here tell you, this half-breed beat maker is someone you should be watching out for. Her audio story telling is unlike anything you’ve ever heard, full of foraged nature sounds and original ideas with a nod to the past, and from what I’ve heard, her DJ sets are not to be missed. I can’t officially verify that because I won’t be able to catch her until Rifflandia (Sept. 15-18) but egads, I’m ready for this! Until then, enjoy this wonderful installment of the 5 Questions in which we discuss the glory of double cassette collections, the struggles that face female DJs and the premier of the new questions about ghosts!

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1. Do you remember the first album you bought with your own money?

It was in grade 4, I bought a double cassette, album…with my yellow Sony walkman back then with the snap-over part so everyone knew you had a real walkman…So I bought an 80’s greatest hits. It had “Electric Avenue” and “Jenny.” For the money that I had and to buy a double cassette, which was pretty big news back then, that was my first music investment. I actually had to take the time to remember because buying my first music vs. buying my first record vs. buying my first CD, they’re all times in my life that I have to revisit because music represents memories for anyone.

Do you remember the first record you bought specifically for DJing?

Masters at Work – Love and Happiness. That song, I can’t get over it. It should be a world anthem.

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5 Questions with Rags #36 - Michael Goldwasser, aka GOLDSWAGGER

If you’ve been keeping up with reggae in the last decade, you’ve probably come across the name Michael Goldwasser. One of the founders of Easy Star Records and architects all of those wonderful Easy Star All Stars records everyone loves so much (Radiodread, Dub Side of the Moon, Thrillah, Sgt. Pepper’s Lonely Hearts Dub Band), Goldwasser is one of the most knowledgable and passionate musicians I’ve come across in my years of writing and learning about music. He taught me about reggae is, within itself, a Jewish music. But it’s not just reggae music the dude knows. He knows his funk, his groove. That love of deep groove has birthed his latest creation, GOLDSWAGGER. This stuff is straight harddiscofunk fire, slathered in wet, sticky soul. Recorded properly, with live instruments and real musicians.

1. Do you remember the first album you bought with your own money?

I can’t say it was 100% my own money, but it was the first album I ever chose to buy…I’ve never done this before or since, but I ordered this album from a television ad. It was called Living In These Star Warz. It was music inspired by Star Wars. In my imagination as a little kid, I somehow thought it was going to be STAR WARS. But really, what it turned out to be – man, I wish I could find this album. Maybe it’s at my parents’ house, but it’s not in my record collection – but it turned out to be songs inspired by Star Wars. There was a song called “A Respirator for Darth Vader.” It was kind of “Another One Bites the Dust” vibe, but with a lot of heavy breathing. There was a song called “Chewie the Rookie Wookie,” that I still remember. And the theme song, the title track, “Living in These Star Warz.” I thought it was so cool – music that I love and Star Wars.

The first single I bought was “It’s Still Rock and Roll to Me” by Billy Joel which is kind of hilarious because I don’t really listen to rock ‘n’ roll or care about it as a genre. I knew that song because my sister liked Billy Joel and she had all the albums so I would hear it in the house. But I also had a counselor at my day camp who loved that song and used to make all the campers in my group sing it all the time. That’s the power of music. They say if you can get someone to hear a song 10 times they’ll think that they like it, whether they do or not. That’s why you have recording companies paying to have songs on the radio. I don’t know why but I remember thinking that I had to buy the record and I bought the ’45 single of “It’s Still Rock and Roll to Me.”

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