#festivalseason - The Phillips Backyard Weekender brings the goods once again in year 5.

In a very short time, the Phillips Backyard Weekender has grown into a calendar-mark-worthy event in the Victoria summer. Over three days, the Weekender – hosted in the back lot of Phillips Brewery, the brightest jewel in world of Victoria beer – annually brings a lineup that stretches across a staggeringly vast array of genres and moods, bringing a little something for everyone, no matter where your tastes fall in the musical spectrum. This year was no different – with a newly added second stage (Dubbed the “Picnic-er”) packed with local talent, and a main stage that rarely experienced downtime, the Weekender was yet another feast for those with big musical appetites. There was a ton of tunes to take in and process, but here are the acts that made each pop and crack for this lover of groove.

Friday – Oddisee

I've been obsessed with The Iceberg, since its release in February of this year. It's one of the most thoughtful, precise and powerful records of any genre, not just hip-hop, that's come across my ears in some time. A new Oddisee album is always a welcome gift to the world, but the good homie really kicked it up a notch with The Iceberg and I to say I was excited to see these songs live would have been an understatement. Oddisee came to Victoria ready to go. The sound was fantastic, all of Oddisee's intensely thoughtful and precise raps were crystal clear – overcoming an all-too-common problem with live hip-hop shows. Audience interaction is and always should be a huge part of rap and Oddisee kept everyone engaged with the show having the crowd sing along with varied, and properly spaced out, singalongs, including Iceberg standout “Like Really.” (I've been singing “notlikereally” in a loop to myself for a week now.) With all that interaction there was very little asking us to throw our hands in the air. In fact, he only asked us to do it once, which is the correct number of times to instruct the crowd to throw their hands up.

“Hold It Back” and “Want To Be Free” pulsed and roared on that crisp soundsystem, Oddisee's nimble raps dancing around and through the beats. The rapid-fire rhymes of “Killing Time” from 2013's Tangible Dream were a welcome surprise, but the incredible sets highlight might have been a trap remix of “Want Something Done.” The track was a perfect display of Oddisee's immense talent as an MC, reworking lyrics originally set to a more classicist hip-hop beat and shifting them to perfectly fit a hyper-modern beat. Oddisee would be achieve Lord status in any era of hip-hop. We're incredibly lucky to have him working so prolifically right now, in our time. I talked with a number of people who were at the festival who pointed to the good homie as their “festival discovery” and the world is probably a little bit better of a place for it. A huge thank you to the folks behind the Weekender for bringing Oddisee to Victoria and giving him a proper introduction to the city I call home.

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#festivalseason - Once again, Tall Tree was a cornucopia of sonic delights and beautiful people.

In the eight years since its inception, Tall Tree Music Festival has built itself as paragon of musical diversity, bringing in acts spanning across genres and helping reinforce the sometimes shaky bridge between DJs/rave culture and live bands/rock festivals. Way up high in clouds on Brown's Mountain in Port Renfrew, BC, the people of Tall Tree have created a place where musical cultures stand proudly side by side, interacting with each other in a way that is wholly inspiring. Every year I make the trek up and down the mountain and every year I am refilled with musical Love and this year was no different. The entire three days up high was jam-packed with incredible music and grooves, a near-endless aural smorgasbord. Here are half a dozen (+1) acts, ranging an incredible sonic spectrum, that blew my overly critical ass away and left a dent on my eardrums.

Note: I think it's time that Tall Tree made Murge's “Tiny Dancer” rework the official festival anthem. It kind of already is, but let's make that official, okay everyone?

ASTROCOLOR

Astrocolor's latest EP Astrocolor IIwith its silky, smoky and incredibly smooth sound – has been indispensable listening since its release earlier this year. As I marched up to the top of the mountain at midnight on Saturday night, I wasn't sure exactly what to expect, apart from some smooth beats. What I and the rest of the packed Stump & Stone Stage got went way beyond just smooth beats. We were treated to a ridiculously fun, engaging and endlessly musical set a group guys clearly doing what they love. Playing cuts from both Eps (Including standouts from II “Push Too Hard” <feat. Fox Glove> and “Figure It Out) and stuff I haven't heard before, the group dazzled everyone in hearing radius with their uber-colourful dreamscape funk. The love that Astrocolor radiated from the stage was quickly absorbed by the crowd – like the music was water and the audience was a jubilant ShamWow – and blasted back at the group with incredible force. As I wandered back and forth through the crowd I overhead such comments as “This is incredible.” “What is this?!” “This isn't what I expected.” And every one of those statements I overheard was delivered with palpable joy and wonder. If you like any or all of the following: dancing, fun, colours, smooth funk, disco, house or jazz, you should 100% be trying to track down the next Astrocolor show near you.

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5 Questions with Rags #52b - Illvis Freshly (Jesus and Danimal)

If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally taken hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we are now in the midst Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness – having already smashed up audiences at Victoria Ska & Reggae Fest, Tall Tree, KAMP Festival with more to come, including a stop at Legend's Valley in August. In part B of the first ever 2-part entry into the live questions, we get down with the charismatic MC duo Danimal and Jesus.

Check Part A with Doyle and Phil here!

1. Do you remember the first album you bought with your own money?

Danimal: It was basically my own money because I facilitated it happening and got my mom to pay my friend. I got Jam by Michael Jackson. He had a Columbia House CD thing and I wanted one.

Do you still listen to it?

D: Not routinely. But there are times. You can't go out and not hear Michael Jackson, so, sort of.

Jesus: This is pretty tough because when I first started getting music I'd listen to the radio with my tape player and tape songs. I was sneaky like that. In terms of tapes, the first tape I can remember buying and having in my hand is Beastie Boys' License to Ill. It's the first one I can think of that I went out and bought because I wanted to hear all of the tracks.

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Let's all take a few minutes to appreciate Chali 2na. (And listen to some of his finest guest spots.)

Chali 2na makes his near-annual Victoria appearance this Friday (June 30) and an appearance from the Verbal Herman Munster is always a reason to look back at why and how this giant of hip-hop has remained such an unmissable act wherever he appears. Ask me on any given day for my top 3 Mcs and Chali 2na will be somewhere on that list. Obviously the beginning is Jurassic 5, but it's his never-ending stream of consistently great, inventive solo work and guest appearances that has made him such a mainstay on the headphones and stereos in my life. As much as any MC on the planet, 2na has kept up with modern sounds in the ever-shifting hip-hop landscape, never hollowly imitating them but always taking the pieces that suit his sound and style, making them his own. More impressive than almost anything he's done, is his willingness to embrace EDM, in all of its forms. His ubiquitous presence in electronic music has kept him at the forefront of the genre and his status as a hip-hop legend has helped introduced new music fans to the roots of the music that helped spawn all of this. It's a logical progression and one that I'm shocked more rappers haven't leaned into. But luckily for everyone who likes those real goods, Chali 2na remains everywhere, smothering everything he touches with that good, classic hip-hop flavour. Now I'll take a look back at a dozen of the homies best, most diverse tracks and appearances (Or at least my favourites) to present a mere glimpse of the versatility of one of the GOATs.

I listen to the whole of Hip-Hop. I don’t segregate between it because I know and understand where it all was spawned and I give everybody their space to be an artist, where a lot of fans are probably like “What?! You listen to Snoop Dogg?!” But yeah, I listen to it all...I feel like I’ve done a lot Hip-Hop wise and now it’s a journey through music more than it is just Hip-Hop. Changing the band and all that, I’m just trying to tap into music. If it’s good music, I’m just trying to be a part of it.” - Chali 2na, interview with Rags Music, 2014

N.A.S.A – There's a Party feat. George Clinton and Chali 2na

This might be an odd one to start this list off, but it made its way onto a lot of my playlists after Chali explained to me the significance of the song. “You know, to be perfectly honest, it’s not one of my best guest appearances, but the fact that he is who is… I did a song called ‘There’s a Party' on the NASA album, ‘Spirit of Apollo’, a song with George Clinton and I’m so proud of that. Just the experience of doing that song with him is just priceless, you can’t trade that for the world. Like I said, it may not be one of my best songs but it’s definitely a milestone for me.”

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5 Questions with Rags #52a - Illvis Freshly (Phil and Doyle)

If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally takes hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we enter Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness, including summer kick-off shows at two of BC's premier festivals, Victoria Ska & Reggae Fest and Tall Tree. We got a lot to cover here, in fact so much to cover that this interview is TWO PARTS, so let's get after it and get this thing started. In part one of this monstrous 5 Questions we get down with Phil and Doyle, the non-verbal duo that gives Illvis Freshly their distinct live-electronic hip-hop sound.

1. Do you remember the first album you bought with your own money?

Doyle: Oh yeah, Bush – Sixteen Stone.

Favourite song?

D: “Come Down.”

When's the last time you listened to the album?

D: I heard “Machinehead” on the radio the other day and thought, “This is the first fucking CD I ever bought.” Apparently it was a hit 20 years ago, like '96. Gavin Rossdale, he's a handsome man.

Phil: My first album was Sum 41 – All Killer No Filler.

And the last time you listened to it?

P: I listen to it once a week. It's on my phone.

What's your favourite track?

P: “Handle This.” I'm younger than these guys so when I was 10 buying my first album, that was the album for a kid like me.

D: That was a little later than Bush, yeah.

P: They had to change their name to Bush X after awhile right?

D: It was Bush X actually when I bought it.

(Danimal): There was another band called Bush so they had to add the X. The other band stopped being a band so they got to drop the X then. They were still called Bush overseas.

I think I remember listening to Bush with you in Grade 7, Doyle. Didn't you do a project on one of those songs?

D: Yeah, I did “Glycerine.”

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