Odario Williams is much less Thunderous than Grand Analog's music, but no less awesome.

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Canadian hip-hop is in the middle of a revolution. The sound coming out of the Great White North is literate, fluid and thumping. It is the sound of a generation that grew up on the pure, uncut goods from down South and decided to tread a path all its own but laden with respect for the tradition of not just hip-hop music but hip-hop culture as a whole. Few acts out there are going as strong as Grand Analog. It was awhile between records, but Modern Thunder was worth the wait. A few months ago I got ahold of Odario while he was doing some recording in Toronto to talk about what makes Canadian hip-hop unique, the greatness of Saukrates and how Catalyst makes him laugh. Much respect to one of the protectors of Canadian Hip-Hop culture, Odario Williams. 

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I talk with Five Alarm Funk's resident Animal, Tayo Branston. Also, it's wicked!

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Five Alarm Funk has been a West Coast institution for nearly a decade. Their Empire of Funk may be based on the quiet, slow coast of Canada, but they're slowly marching on the rest of the world, establishing a New World Order of Fun. I was there to witness one of their highpoints of Glorious Fun at Shambhala where they destroyed the Amphitheatre (Formerly the Rock Pit) and made my good friend and Guide to the Cosmos, Hingle McCringleberry, admit to their live-band greatness. Fuck yeah. Anyways, I was supposed to talk to frontman and guy who surprisingly isn't Animal from the Muppets, Tayo Brantson whilst at the festival but I was unable to make it. But luckily we managed to hook up on the phone a little more than a month later and talked about that missed opportunity, the grueling nature of the F.A.F.'s tour schedule and the dangers of spilling on oneself.

This week Five Alarm Funk celebrates 10 years of funking the hell out of fans in Victoria at Sugar Nightclub. Read this, get amped and then get some tickets here. 

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Slynk, your older brother's favourite DJ. The unedited interview.

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This past summer I ventured to my first Shambhala Music Festival and ran into the force that is known as Ghetto Funk and one of their biggest ambassadors, Slynk. Built on a real organic-sounding foundation funk, soul and hip-hop, Slynk became one of my entry points into the world of electronic music. It's a rabbit-hole I sometimes regret going through, not for the music but just because of the sheer immensity of the hole. I don't think it will ever end now, fuck it. In any case, Slynk came through my hometown Victoria last month (December) for an epic night with Featurecast and Neon Steve and I took the opportunity to get ahold of him for a little talk. Read it up. We chat about his musical beginnings, his love of his adopted Vancouver and the fellow DJs that get the thumbs up from the man himself. Big ups to Slynk for bringing funk to the people and, less importantly, taking some time to talk some words at me. Respect.

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2013, in review. Chapter 2 - Hannah Epperson

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"Oh, it’s totally perverse. " -Hannah Epperson on competition in music. It is with this in mind that I have decided to forgo the traditional "Best Of" list to end the year. Instead I will bring an ongoing series of updates on the most memorable musical experiences of the year, be they concerts, records or even just songs. Today I bring you adopted Canadian Hannah Epperson, violin champion.

I first saw (And was slightly mesmerized by) Hannah Epperson open for and play with Morlove in April this past year. I missed her set at Rifflandia (Though I don't remember off the top of my head why) but got to talk to her in anticipation of that set that I missed. It was a big year for Epperson, who seems to be gaining all kind of momentum. This interview was one of my favourites from the many I conducted this year and, importantly, contains the quote that has guided this end-of-year series.

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Hawksley Workman and I chat for a third time. I love Hawksley Workman.

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My friends, it's been a little while since you've heard from me. I've been busy preparing and executing my plans in and around the Rifflandia festival. It's the biggest week of music in Victoria every year (Though I still contend that the Victoria Ska Fest is the BEST week) and it's always a mightily distracting thing. But here I am with a delicious interview for you with my favourite guy to talk to and all-around dreamboat, Hawksley Workman.   I conducted my this interview, my third with Workman, in preparation for writing his profile in the Rifflandia guidebook. The 600+ word article I wrote ended up getting cut down to somewhere around 175, so the amount not in there is mighty. We talk about his involvement in and the creation of supergroup Mounties, using art to deal bridge emotions and machismo, the best sounding venue in Victoria and how he crippled me emotionally with "Piano Blink."

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