2013, in review. Chapter 2 - Hannah Epperson

"Oh, it’s totally perverse. " -Hannah Epperson on competition in music. It is with this in mind that I have decided to forgo the traditional "Best Of" list to end the year. Instead I will bring an ongoing series of updates on the most memorable musical experiences of the year, be they concerts, records or even just songs. Today I bring you adopted Canadian Hannah Epperson, violin champion.

I first saw (And was slightly mesmerized by) Hannah Epperson open for and play with Morlove in April this past year. I missed her set at Rifflandia (Though I don't remember off the top of my head why) but got to talk to her in anticipation of that set that I missed. It was a big year for Epperson, who seems to be gaining all kind of momentum. This interview was one of my favourites from the many I conducted this year and, importantly, contains the quote that has guided this end-of-year series.

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Morlove gives me one of the most memorable and intimate concert experiences in recent memory.

From the opening notes of Morlove's incredible relationship study, "Skeleton,"  from their new album, Old Tomorrow, I was captivated. Unplugged and seemingly hanging in the ether, the group was in super-intimate mode with the venue amplifying the closeness of the music. This was the live equivalent of listening at home with the headphones on.


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