Hip-Hop Thursday #2 - Grand Analog - Survival

The first great hip-hop of 2018 has landed in my ears courtesy of Grand Analog. Their latest, Survival EP, is a incredibly fine-crafted piece of hip-hop. As I get older I have less time to spend obsessively dissecting music – especially something like hip-hop that demands such a high degree of attention – my music needs to work equally well on my headphones as walking through the city or bumping on the speakers with a group of people, and few things lately have hit both sides like Survival. Starting your night off? “Ballad of the Beast” is going to get heads bobbing something fierce. At the height of the party and need something silky smooth and deeply groovy to get help peoples' hips moving? “Quiet Life” is going to be the thing you need. Ending your night and need something a little more gentle and pretty in your hip-hop? “Survival: The Levy” is sure to scratch that chilled-out itch.

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As expected as a live-band oriented hip-hop group, the beats here are unfathomably lush, popping and dripping with the warmth that only a unified whole of moving parts can deliver. The flourishes of electronic music are used to great effect (As Grand Analog is want to do), pushing the groups trademark future old-school sound ever-gently forward. Good on the headphones, good on the dancefloor (As we discussed). The sequencing here is similarly deft – everything meticulously laid out, giving a strong sonic arc to an EP, something that often goes overlooked on such releases. The instrumental tracks here are indispensable little bridges, pulsing with depth and feeling. MC Odario Williams is as fly as ever, hitting each track with well-earned confidence. He's not here to overwhelm the ears with speed. Homie is here with that direct flow, giving his thoughtful, witty and clever wordplay raps space to breathe and be heard. Some incredible guest spots – including show-stealing spots from Posdnous of the mighty De La Soul (“Mutations”) and one of Canada's true treasures, Shad (“Ballad of the Beast”) – round things out and compliment Williams' lyrical stylings perfectly. (Special props to the basketball raps too, from both Odario and Shad. I feel like I don't get enough basketball references in my modern hip-hop.) It all adds up to making Survival the first gotta-get-in-ya rap release of the year. Go listen to it.

http://grandanalog.com BUY/STREAM/SAVE/DOWNLOAD EP: http://smarturl.it/survivalep Starring: Nathan Leppky Director: Odario Cinematographer: Jason S.C Grip/Camera Assistant: Daniel J. Dwyer ©2018 Grand Analog Music.

Survival is available on vinyl over at Grand Analog's site. Or digitally on bandcamp.

Odario Williams is much less Thunderous than Grand Analog's music, but no less awesome.

Canadian hip-hop is in the middle of a revolution. The sound coming out of the Great White North is literate, fluid and thumping. It is the sound of a generation that grew up on the pure, uncut goods from down South and decided to tread a path all its own but laden with respect for the tradition of not just hip-hop music but hip-hop culture as a whole. Few acts out there are going as strong as Grand Analog. It was awhile between records, but Modern Thunder was worth the wait. A few months ago I got ahold of Odario while he was doing some recording in Toronto to talk about what makes Canadian hip-hop unique, the greatness of Saukrates and how Catalyst makes him laugh. Much respect to one of the protectors of Canadian Hip-Hop culture, Odario Williams. 

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2013, in review. - Pigeon Hole

"Oh, it’s totally perverse. " -Hannah Epperson on competition in music. It is with this in mind that I have decided to forgo the traditional "Best Of" list to end the year. Instead I will bring an ongoing series of updates on the most memorable musical experiences of the year, be they concerts, records or even just songs. Today I bring you my year with Pigeon Hole, maybe the best hip-hop I've heard from my homeland of Vancouver Island.

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A few years ago I was at Philip’s Brewery during Rifflandia, (The music-hipster Super Bowl that has become Victoria’s biggest festival) awaiting super-nice guitar champion Tommy Guerrero. Before Guerrero came out and treated us to a set of Burgandy-level class, my brother and I watched the entirety of Pigeon Hole’s set. All we knew going in was that they were affiliated with Sweatshop Union – a good start. We were mystified by what we saw from Marmalade and Dusty Melo. They weren’t necessarily good or bad, but their bravado was through the roof. It didn’t seem to matter if they were good or bad anyway, Pigeon Hole was going to force us to like them, whether we chose to or not.

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Shad teams up with Skratch Bastid and Saukrates(!) to continue dominating Canadian Hip-Hop.

The joy I get knowing that Shad, the most consistently awesome rapper working in Canada today, has teamed up with hella cool dude Skratch Bastid cannot be overstated. Though I'm a fan of awesome beats, no doubt, I don't know shit about the art of DJing but the moment I heard the Bastid split the difference between Black Sabbath's "Iron Man" and Dead Prez' "Hip-Hop" I knew he was a pretty fucking stellar DJ. I don't remember much about the rest of that night (Except that K'naan destroyed and played the still-good version of "Wavin' Flag") but that moment always stood with me. So when he and Shad teamed up for The Spring Up EP I thought it was a one-time thing. Boy am I glad I was wrong.

"Stylin'," the first single from Shad's upcoming joint, Flying Colours, is another damned fine slice of intelligent, graceful Hip-Hop. The duo even got Canada's reigning musical Swiss Army Knife, Saukrates, for some chill vocals on the hook. If this is any indication of what's to come Flying Colours  is set to be another winner. As if there was any doubt. Check the fresh new video out and see for yourself. Don't worry, if the smile on your face gets so big it starts to hurt or your head bobs so hard you think it's going to fall off, just hit the 'pause' button and take a couple deep breaths...