Good For Grapes - Folk with a bottom-end. (Lucky Bar, December 13, 2013)

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Let’s start this off with a little confession: I wasn’t prepared to see Good for Grapes. It had been a busy build-up I hate admitting I don’t know things and this hatred forces me to research, to get my ears ready for any new musical experiences I’m about to take in. I like to have context and maybe a passing knowledge of the lyrical content of the songs. I just wasn’t up to it this week. With the long, drawn-out death of my Grandmother at hand, my mind had been nowhere near music of any kind and the thought of going to see these guys wasn’t particularly exciting. It wasn’t a personal thing, I just wasn’t ready to process new music. No matter where my mind was, I told myself I wasn’t going to pass up seeing a new BC band that I’d heard some rumblings about. This was the only song I’d heard. (Though I didn’t remember it until I saw them play it.)

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2013, in review. Chapter 2 - Hannah Epperson

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"Oh, it’s totally perverse. " -Hannah Epperson on competition in music. It is with this in mind that I have decided to forgo the traditional "Best Of" list to end the year. Instead I will bring an ongoing series of updates on the most memorable musical experiences of the year, be they concerts, records or even just songs. Today I bring you adopted Canadian Hannah Epperson, violin champion.

I first saw (And was slightly mesmerized by) Hannah Epperson open for and play with Morlove in April this past year. I missed her set at Rifflandia (Though I don't remember off the top of my head why) but got to talk to her in anticipation of that set that I missed. It was a big year for Epperson, who seems to be gaining all kind of momentum. This interview was one of my favourites from the many I conducted this year and, importantly, contains the quote that has guided this end-of-year series.

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2013, in review. Chapter 1 - The Stepkids

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"Oh, it’s totally perverse. " -Hannah Epperson on competition in music. It is with this in mind that I have decided to forgo the traditional "Best Of" list to end the year. Instead I will bring an ongoing series of updates on the most memorable musical experiences of the year, be they concerts, records or even just songs. Today I bring you California psychedelic dudes and Stones Throw artists, the Stepkids.

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Ha Ha Tonka, Bloodshot Records and my vacation.

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I love record labels. When you find a good one that shares an aesthetic you enjoy it can be a magical thing. You can just lap up everything they release and know that they're basically never going to let you down. Let's hear it for Fat Possum and Ghetto Funk!

A couple of years ago I discovered Scott H. Biram and the label that puts out his records, Bloodshot Records. These guys just keep putting out great, gritty alt-country that seems to never miss the mark. Lydia Loveless comes to mind. Really, check her out. 

The latest alt-country dudes that they have turned me on to go by the moniker Ha Ha Tonka, and let me tell you, brothers and sisters, these guys are the real deal. Their new album Lessons  is not to be missed. It winds and grinds, jumping down the dusty backroads that only the best can navigate. This is already turning into a giant cliché and I haven't even started to really talk about the record. All I'll say from here is that if you like good, honest songwriting and hard rocking guitars, you should be listening to Ha Ha Tonka. Really, just do it.  (And while dope-ass beards are present, there are some clean faces to balance it out. Love it)

Here's a video of the group playing the title track off Lessons. 

Live at The Backyard Barbeque Festival, May 25th, 2013 HA HA TONKA: "Lessons". Music © Ha Ha Tonka http://www.hahatonkamusic.com/

As for me, I will be MIA for the next five weeks as I satiate my wanderlust and go off adventuring half-way around the world. I will have tales of music, love and wonder when I get back. Sit tight. I won't be long. I love you all. 

The Rifflandia Journal - Days 1 & 2

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Rifflandia is one of the high points of music calender every year in Victoria, It is a powerhouse that has grown in size and profile each year and this year was no different. I was there to cover it for the Martlet and while one of my round-ups was printed, this log, taken from my voice recorder was supposed to run in installments afterward but due to high levels of busy-ness around the Martlet, it sort of fell by the wayside. Rifflandia was a super fun experience (If not as stellar musically as some previous years) and I'm happy to have Rags Music as a means of sharing it with you all here. Relive the glory. Do it.

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