Hip-Hop Thursday #2 - Grand Analog - Survival

February 01, 2018 by Blake Morneau in Reviews

The first great hip-hop of 2018 has landed in my ears courtesy of Grand Analog. Their latest, Survival EP, is a incredibly fine-crafted piece of hip-hop. As I get older I have less time to spend obsessively dissecting music – especially something like hip-hop that demands such a high degree of attention – my music needs to work equally well on my headphones as walking through the city or bumping on the speakers with a group of people, and few things lately have hit both sides like Survival. Starting your night off? “Ballad of the Beast” is going to get heads bobbing something fierce. At the height of the party and need something silky smooth and deeply groovy to get help peoples' hips moving? “Quiet Life” is going to be the thing you need. Ending your night and need something a little more gentle and pretty in your hip-hop? “Survival: The Levy” is sure to scratch that chilled-out itch.

As expected as a live-band oriented hip-hop group, the beats here are unfathomably lush, popping and dripping with the warmth that only a unified whole of moving parts can deliver. The flourishes of electronic music are used to great effect (As Grand Analog is want to do), pushing the groups trademark future old-school sound ever-gently forward. Good on the headphones, good on the dancefloor (As we discussed). The sequencing here is similarly deft – everything meticulously laid out, giving a strong sonic arc to an EP, something that often goes overlooked on such releases. The instrumental tracks here are indispensable little bridges, pulsing with depth and feeling. MC Odario Williams is as fly as ever, hitting each track with well-earned confidence. He's not here to overwhelm the ears with speed. Homie is here with that direct flow, giving his thoughtful, witty and clever wordplay raps space to breathe and be heard. Some incredible guest spots – including show-stealing spots from Posdnous of the mighty De La Soul (“Mutations”) and one of Canada's true treasures, Shad (“Ballad of the Beast”) – round things out and compliment Williams' lyrical stylings perfectly. (Special props to the basketball raps too, from both Odario and Shad. I feel like I don't get enough basketball references in my modern hip-hop.) It all adds up to making Survival the first gotta-get-in-ya rap release of the year. Go listen to it.

http://grandanalog.com BUY/STREAM/SAVE/DOWNLOAD EP: http://smarturl.it/survivalep Starring: Nathan Leppky Director: Odario Cinematographer: Jason S.C Grip/Camera Assistant: Daniel J. Dwyer ©2018 Grand Analog Music.

Survival is available on vinyl over at Grand Analog's site. Or digitally on bandcamp.

Lee 'Scratch' Perry & Subatomic Sound System, 04.11.17 - Capital Ballroom, Victoria, BC

November 05, 2017 by Blake Morneau in Reviews

For more than four decades Lee 'Scratch' Perry, the original Upsetter, has been pushing reggae into the cosmic depths, mining the mysteries in the veins of the heavy heart of dub. No amount of listening to the man's ridiculously vast catalogue can truly prepare the mind for witnessing the dark, colourful Upsetter dub live. Perry made his return to Victoria in top form, unbridled and confident as ever in the colourful, reckless weirdness that has has been the lifeblood of his career.

Touring in support of the recently released Super Age Returns to Conquer – a rerecording of the seminal Super Ape with his longtime touring band Subatomic Sound System – Perry led the audience on a spiralling journey of creative energy. I have a hard time with accents and often don't understand Perry on my headphones let alone in a live setting, but it doesn't really matter. His whole presence is so huge and mystical and immediate that you couldn't help but be sucked in, even if you only picked up one out of every two or three words he says. The sound of his voice, whatever it was doing, was almost hypnotic. When the more familiar refrains like “This is the Ape Man...” broke through out of the haze, the feeling was straight-up sublime.

While Perry is the centre of everything, the colour, the driving engine of the whole thing is the deeply hypnotic bass of the powerful Subatomic Sound System. The bass of dub is heartbeat bass, seemingly moving at the pace of blood, and there aren't many people I've heard lately harnessing that dub like SSS. When the show started with dropping the bass to deep, air-shaking frequencies and had the crowd hold their hands in the air to confirm that those bass vibes were indeed now in the air, I got real excited and there was no disappointment. For nearly two hours I couldn't stop moving even if I tried. Subatomic had control of my motor functions.

Helping the hypnotizing process along was the incredible saxophone work of Troy Shaka Simms. Weaving and supple, his sound floated around and above the heavy, earthy bass and complimented Perry perfectly. And within all of this relentless musical glory was the percussion of Jamaican legend Larry McDonald. Punctuating the wall of sound that Perry and Subatomic had built was McDonald's nimble and guttural riddims, splashing the space-out dub with the unmistakable rhythm of human life. Hands on drums is the most basic musical sound we know. It is embedded in our shared collective knowledge and way out there in the vast unknown of cosmos McDonald relayed that knowledge in a way that reminded me of a feeling I didn't I think I'd find all the way out there.

That was a fucking great show. I love dub reggae. Few sounds sooth my soul the way Lee Perry & Subatomic Sound System did last night.

#festivalseason - Atmosphere Gathering 2017 might have been the most joyful festival of the year.

August 30, 2017 by Blake Morneau in Reviews

The people behind the Atmosphere Gathering have built something truly special and unique in the increasingly large and saturated festival world. In the heart of Vancouver Island, nestled in the midst of the Comox Valley, they've built a festival that is part folk festival, part rave ala Bass Coast or Shambhala, part yoga/health/body festival ala Blessed Coast, an interactive arts festival – the breadth of art contained in the relatively small park is astonishing. And on top of everything, Atmosphere Gathering is all-ages to boot. Maybe more than ever in my life, I thoroughly enjoyed the presence of children, running around oblivious to everything but the immediate need for more fun, more dancing. Their energy was absolutely infectious and helped to power me through an incredible weekend in the soft, grassy embrace of Cumberland's Village Park.

The creative spirit of that youthful energy was on display everywhere you turned in the small, but never crowded (!!!) area. Paintings were on-going works of art, changing each time you passed by. The Elixir Temple was dispensing all variety of remarkably healthy beverages, created with a seemingly-endless array of fruits, veggies and spices. People of all-ages, suited up in a harness to help them climb safely, piled milk crates impossibly high throughout the day. There was a misting station that looked like an octopus! A strong selection of local vendors brought their most colourful and creative wares. And the musical performers all brought their best stuff, delivering some of the finest sets I've seen this summer in by far the most intimate festival environment I've experienced. Each provided highlights that hold up to anything else I've seen this year. These are some of those highlights.

#festivalseason - 20 years in, Shambhala is as memorable and magical as ever.

August 28, 2017 by Blake Morneau in Reviews

Every year I step onto the Salmo River Ranch for Shambhala (This was my fifth consecutive year) I'm amazed and inspired. It's not just all the great music – though the amount of high-quality, incredibly creative music is near-baffling – but how Shambhala brings the best out of everyone involved. The organizers seemingly outdo themselves every year with new instalments, a keen eye for talent and various tweaks, small and large, to the well-oiled machine that is Shambhala. The Djs, visual artists, dancers, hoopers, etc, all bring their A-games, bringing out their finest beats, strokes and moves to the funky proceedings. And my fellow attendees – their willingness to let the weirdest parts of themselves shine and bathe in bass makes me smile. Seeing all the little pieces of oddness people have found for themselves, the novelty we all gift to each other as we traverse the four days on the farm, is unlike anything my imagination can come close to. I am astounded every year and this year was no different. Please Shambhala, Shambhalovelies, please don't ever stop astounding me.

EVERYONE HAD TO DEAL WITH THE FIRES. WELL DONE, EVERYONE.

There have been many stories about the Sunday cancellation/evacuation/cancellation of the evacuation. The good homies at Betty & Kora just put out a great breakdown of the timeline and events of the whole thing. There's nothing more to be said on the matter. However, what is becoming more interesting to me is hearing stories from attendees of how different people and camps came together and dealt with the impending chaos in their own ways. My campmates sat down Saturday afternoon for a very well moderated meeting that included a time to share our favourite moments of the first couple of days of Shambhala, in an effort to keep spirits high. This is when we found that two of our Sham-fam had got engaged on Friday night! In the same spot at the Pagoda where two other members of the fam had had their wedding ceremony a couple of years earlier. I'm sure we would have found out soon enough, but to discover this beautiful thing in the midst of what kind of felt like impending doom was a deeply moving moment. One that I'm sure no one who experienced it will forget anytime soon.

THE RIVER OF SMOKE

This is an untouched photo of the river on Thursday, in the midst of what would prove to be the worst bout of wildfire smoke all weekend. It's burned into my head forever now – the relentless partiers continuing unabated in front of what looks like the bloody apocalypse. At this moment it felt like the smoke would never let up, that this is just how life was going to be, gasping for fresh air in between dance moves. Obviously it wasn't like that, crisp air wasn't that far away, but it's a pretty good summation of the most challenging parts of this Shambhala20.

#festivalseason - The Phillips Backyard Weekender brings the goods once again in year 5.

July 17, 2017 by Blake Morneau in Reviews

In a very short time, the Phillips Backyard Weekender has grown into a calendar-mark-worthy event in the Victoria summer. Over three days, the Weekender – hosted in the back lot of Phillips Brewery, the brightest jewel in world of Victoria beer – annually brings a lineup that stretches across a staggeringly vast array of genres and moods, bringing a little something for everyone, no matter where your tastes fall in the musical spectrum. This year was no different – with a newly added second stage (Dubbed the “Picnic-er”) packed with local talent, and a main stage that rarely experienced downtime, the Weekender was yet another feast for those with big musical appetites. There was a ton of tunes to take in and process, but here are the acts that made each pop and crack for this lover of groove.

Friday – Oddisee

I've been obsessed with The Iceberg, since its release in February of this year. It's one of the most thoughtful, precise and powerful records of any genre, not just hip-hop, that's come across my ears in some time. A new Oddisee album is always a welcome gift to the world, but the good homie really kicked it up a notch with The Iceberg and I to say I was excited to see these songs live would have been an understatement. Oddisee came to Victoria ready to go. The sound was fantastic, all of Oddisee's intensely thoughtful and precise raps were crystal clear – overcoming an all-too-common problem with live hip-hop shows. Audience interaction is and always should be a huge part of rap and Oddisee kept everyone engaged with the show having the crowd sing along with varied, and properly spaced out, singalongs, including Iceberg standout “Like Really.” (I've been singing “notlikereally” in a loop to myself for a week now.) With all that interaction there was very little asking us to throw our hands in the air. In fact, he only asked us to do it once, which is the correct number of times to instruct the crowd to throw their hands up.

“Hold It Back” and “Want To Be Free” pulsed and roared on that crisp soundsystem, Oddisee's nimble raps dancing around and through the beats. The rapid-fire rhymes of “Killing Time” from 2013's Tangible Dream were a welcome surprise, but the incredible sets highlight might have been a trap remix of “Want Something Done.” The track was a perfect display of Oddisee's immense talent as an MC, reworking lyrics originally set to a more classicist hip-hop beat and shifting them to perfectly fit a hyper-modern beat. Oddisee would be achieve Lord status in any era of hip-hop. We're incredibly lucky to have him working so prolifically right now, in our time. I talked with a number of people who were at the festival who pointed to the good homie as their “festival discovery” and the world is probably a little bit better of a place for it. A huge thank you to the folks behind the Weekender for bringing Oddisee to Victoria and giving him a proper introduction to the city I call home.