5 Questions with Rags #52b - Illvis Freshly (Jesus and Danimal)

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If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally taken hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we are now in the midst Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness – having already smashed up audiences at Victoria Ska & Reggae Fest, Tall Tree, KAMP Festival with more to come, including a stop at Legend's Valley in August. In part B of the first ever 2-part entry into the live questions, we get down with the charismatic MC duo Danimal and Jesus.

Check Part A with Doyle and Phil here!

1. Do you remember the first album you bought with your own money?

Danimal: It was basically my own money because I facilitated it happening and got my mom to pay my friend. I got Jam by Michael Jackson. He had a Columbia House CD thing and I wanted one.

Do you still listen to it?

D: Not routinely. But there are times. You can't go out and not hear Michael Jackson, so, sort of.

Jesus: This is pretty tough because when I first started getting music I'd listen to the radio with my tape player and tape songs. I was sneaky like that. In terms of tapes, the first tape I can remember buying and having in my hand is Beastie Boys' License to Ill. It's the first one I can think of that I went out and bought because I wanted to hear all of the tracks.

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5 Questions with Rags #52a - Illvis Freshly (Phil and Doyle)

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If you've been paying attention to West Coast music at all in the last couple years, you've probably seen the Illvis Freshly around. Legit: They're pretty inescapable and it's easy to see why. Their heavy-hitting, ultra-fun, partyrific electronic rap songs are sure-fire ear-crushers, made for those days and nights with all the friends. As the summer finally takes hold of us all, Illvis Freshly's music is even more relevant, assured to keep you moving in time with all this glorious weather. And as we enter Festival Season, they're bound to show up in your face and plug your ear holes up with funky rap goodness, including summer kick-off shows at two of BC's premier festivals, Victoria Ska & Reggae Fest and Tall Tree. We got a lot to cover here, in fact so much to cover that this interview is TWO PARTS, so let's get after it and get this thing started. In part one of this monstrous 5 Questions we get down with Phil and Doyle, the non-verbal duo that gives Illvis Freshly their distinct live-electronic hip-hop sound.

1. Do you remember the first album you bought with your own money?

Doyle: Oh yeah, Bush – Sixteen Stone.

Favourite song?

D: “Come Down.”

When's the last time you listened to the album?

D: I heard “Machinehead” on the radio the other day and thought, “This is the first fucking CD I ever bought.” Apparently it was a hit 20 years ago, like '96. Gavin Rossdale, he's a handsome man.

Phil: My first album was Sum 41 – All Killer No Filler.

And the last time you listened to it?

P: I listen to it once a week. It's on my phone.

What's your favourite track?

P: “Handle This.” I'm younger than these guys so when I was 10 buying my first album, that was the album for a kid like me.

D: That was a little later than Bush, yeah.

P: They had to change their name to Bush X after awhile right?

D: It was Bush X actually when I bought it.

(Danimal): There was another band called Bush so they had to add the X. The other band stopped being a band so they got to drop the X then. They were still called Bush overseas.

I think I remember listening to Bush with you in Grade 7, Doyle. Didn't you do a project on one of those songs?

D: Yeah, I did “Glycerine.”

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5 Questions with Rags #51 - Craig Northey of The Odds

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The Odds have been a staple of Canadian for music for as long as I can remember. (At the time of this writing, I'm nearly 33, so take my memory for what you will.) If you grew up with any kind Canadian radio in the last 20 years you know the Odds, I promise. (This one, or This one, or perhaps This one, or maybe This one.) And if you don't know the Odds, you need to open your ears more because they are fucking awesome. They write witty, silly, intelligent, sometimes bizarre and always absurdly catchy rock tunes. As my life has slowly been draining itself of the more straight-ahead rock parts of my listening diet, the Odds have remained on rotation because they just make good, quality music. In anticipation of the band's return to my beloved Victoria on May 18, I caught up with vocalist and guitar player Craig Northey from Toronto as he prepared to tour, as a dummer (!), with Canadian supergroup The Transcanada Highwaymen to talk about funky ghosts, Bret 'The Hitman' Hart and Davey Jones' weight.

1. Do you remember the first album you bought with your own money?

I remember the first album that I got that was mine, and that was the Beatles' Hey Jude. The first album I bought with my own money could have been The Monkees' one with “99 Pounds” on it, but I can't remember the name. (Upon research, the album Craig is referring to is Changes.) “She was 99 pounds, some kinda dynamite,” which would be an eating disorder now. Davey Jones was a really little guy, so maybe that makes sense. Maybe he was 101 pounds.

2. If you could spend the day with anyone living or dead, who would it be and what would you do?

Oh my, that's a hard one. I think it would be driving around Toronto with Steven Page. Oh wait, I'm doing that! My life is fucking awesome! We're going to get tacos, and that's part of the day.

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5 Questions with Rags #50 - Mike Love

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It could be argued that with the rise of dancehall, reggae music has strayed a long way from its roots. Inarguably, a lot of the new reggae that has managed to make it into the popular consciousness has seemingly lost its way, preoccupied with nights on the dancefloor and the amounts of weed one is going to smoke. But this is reggae and there will always be people making compassionate, intelligent reggae music. At the forefront of the new Roots movement is Hawaiian reggae troubadour Mike Love. His music – released entirely independently through his label, Love Not War Records – is rooted in those traditional reggae/Rasta ideals, while doing entirely new things with sound via his looping-station, powerful voice and ever-changing live configuration. His is the reggae of Love, Peace, Justice and an unyielding admiration for the Earth that we all call home. His YouTube videos have garnered him a worldwide audience of peace-seekers looking for something a bit deeper from their music. Rags Music was lucky enough to catch up with the good homie for a chat before he makes his way up to our home on the Canadian west coast for the first time. If you get a chance to see this guy live, make sure you jump on it. Your ears and your soul will thank me.

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1. When's the last time you did something for the first time?

I think every day I try to do something new. It's one of the most important parts of life. Seeing new places, doing new things, experimenting with new things. Even when we're playing music we're always trying to do new stuff. There are some songs that we've played thousands of times and keeping them fresh, being able to keep playing them and be excited to play them, means trying new things all the time. That's life too. If you just do the same thing day in and day out, you become stagnant. Trying and learning new things is so important. I think that's what's what the system tries to get us doing, is having these routines and doing the same things every day.

2. Do you remember the first album you bought with your own money?

There was a couple. I think it was ...And Justice For All by Metallica and Bad by Michael Jackson. That was the first thing I got on tape. I had a cool older sister was into a lot of different stuff and I just sort of followed her.

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5 Questions with Rags #49 - The Harpoonist & The Axe Murderer (Shawn Hall, The Harpoonist)

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The Harpoonist & The Axe Murderer have been the most exciting, innovative west coast blues act for awhile now. The need to have my face blasted off overtakes me fairly often, and these two cats have been a go-to since I first got the stellar A Real Fine Mess into my ears a few years ago. A few months ago I caught the video for “Forever Fool,” (Which is amazing and you watch it now) the first single from their latest album, Apocalipstick. That's also when I found out the title for the their new album, Apocalipstick. What was that title?! What was happening to this bad-ass blues band that I loved so much?! Then I listened to the album and sweet Jesus, it's the most perfect title for maybe the duo's most bad-ass record yet.

“I used to fool around with this line that said, 'She kept me up all night in a post-apocalipstick, she held me in her fingers like a chicken in a chopstick.'” says Shawn Hall, the Harpoonist, talking to me from Regina, a brief stop in the band's current tour. “Matt [Rogers, The Axe Murderer] came up with the name for the record. It's like the inescapable grip of road life, the grip of that style of relationship people can have – the toxicity, the skin-deepness of that kind of allure,” explains Hall. “It's open to a lot of interpretation but that was where Apocalipstick stemmed from. You think about what's going on what whores we are for attention on such a minute level of detail, then moving on to the next thing. This vast, vacant consumption of everything.” Apocalipstick is a goddamned burner, their finest album yet. And that's saying a lot.

“We've been working on it forever. It's not a dinner party record. We don't fucking care. I hadn't listened to it for a bit until we got it on vinyl and I was like, 'Holy shit, that sounds wild!' I totally forgot.” With the release of a new record comes a new tour, and this one is unlike anything the band has done. “We're just making sure we can really bring it. Being able to bring these new songs on the road with a second drummer is unreal. People are just used to hearing Matt play the drums with feet and now they can hear Matt with his feet plus the drummer behind him who's also playing bass synth with his left hand, and singing backups. You can't join our band and just play one instrument. You gotta be able to do the whole thing!”

1. What's your best memory of an elementary or high school teacher?

The best memory I have is when I was 19, my grade 8 school teacher sat down next to me at the Alma Combo in Toronto. I was watching Albert Collins, the blues guitar legend. Right after my teacher sat down next to me, the Black Crowes, the fucking Black Crowes at the peek of their heyday, sat down next to me at an empty table. That wasn't a teaching moment, but it was a pretty unique experience.

2. Do you remember the first album you bought with your own money?

The first album I bought with my own money was the soundtrack to Stayin' Alive. Stayin' Alive was not Saturday Night Fever, but it was the sequel. And it was horrible.

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