CHUURCH: Building a base with Lean Bass.

Chuurch has established themselves as one of the most forward-thinking acts in the ever-expanding world of bass music, playing massive numbers of shows and festivals around North America, winning over new fans (UUnion Members, as they've been appropriately dubbed) wherever they lay their beats. As the influence of religious institutions wanes as time goes by, and people find new places to commune, Chuurch may be one of the most aptly named acts in music right now. Their signature 'Lean Bass' is a yin-yang of dark/moody and fun/groovy. Chuurch's is a sound that bridges those gaps between light and dark, welcoming all listeners from wherever they may come from.

“I'm a hip-hop producer, I've produced for Snak the Ripper and a bunch of other cats, and Jeff's (Aka EviCtion) classically trained, he has a degree in jazz theory but he makes electronic music. That's the preface of how it starts. We get into the same room and we really just don't stop,” recalls Justin (aka Makemdef), of the genesis of Chuurch. “We lived in the same house for two years and a bit. We just moved out of there this summer. We went through a lot but the one thing we did was just make beats all the time. All the time. All the time. It's crazy. We had the cops at our house so many times from noise complaints,” he says with a laugh, as he's readying to board  a bus for a 15 hour ride to drop the grooves to the UUnion in and around the West Coast. “I figure in a year or 40 down the road, I'll be looking back at this laughing about those first 15 hour bus rides just to make it work. It's gotta go into the book, for sure.”

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Those years of living together, amassing a huge backlog of music and learning to work relentlessly with each is starting to pay off in spades, as the duo are always showing up to wherever they are called with new music, new sounds for the ever-hungry ears and hips of dance-floor goers. “We really love making beats. We have a new beat for every different festival, for every new show we played. We just walk around and think, 'What's the crowd like? Who are we playing for?' Whether it's East Coast, California, wherever it was, what kind of beat do we want to make? We just manifest it, just conjure it up. That's why we have so many beats. We just get carried away. We're both really hungry. We're both complete polar opposites in every spectrum with a similar goal and common denominator.”

Whatever differences the duo may have are entirely irrelevant as the two have found a musical synergy that eludes many throughout their travels. “At FozzyFest, I walk into the green room at the stage and Jeff is sitting there, first time I've seen him in over a month, and he doesn't even say 'Hi.' He just looks up with his headphones on, at his laptop, and just waves me over and hands me the headphones. He had taken the stuff I had sent him from point A to point B. We were working on this song right off the bat seeing each other. We exported it 18 minutes before we started and it was the first song of our set,” Justin drops with a casualness that belies the incredible musical feat he just described.

It's that respect for the art and dedication to new ideas – as well as just being really fucking good at making music – that is helping Chuurch build a strong, dedicated fanbase. “Me and him just do what we do 100%, same as you do what you do 100%. Same as of all of the people involved in making this whole scene economically sensible. That's what it takes, is ninjas. There's no small part to it when it comes to contributing to this. That's what it's all about. You can totally remind someone having a shitty day that it's all good, just those simple gestures, offering your own personal gifts. A person can just take it and run with it. That's what it's all about – building each other up so we can keep building the culture up.”

Keep up with all things CHUURCH over at their Facebook page and the UUnion Fanpage

PRESS RELEASE FROM PERFECT DRIVER By this time you may have heard a thing or two about the Calgary based duo, for instance, their Perfect Driver Podcast which was comprised 100% of their original material rated #1 on our list shortly after release. If you're not familiar, meet them now and know that they have us very excited with their official debut EP, aptly titled, Chuurch. I. Introduced to the guys via Flinch, I was given a large download package of unreleased original music. I opened it and was blown away by the quality and sheer quantity of tunes at my fingertips. Speaking with them on the phone a few days later I was equally pleased with their drive and attention to detail concerning the project. We both agreed to do something big together. Here it is! The 5 track selection lead by 'Let Me See Them Wrists' explores a wide gamut of house and bass music showcasing production versatility and floor-knowledge. You'll find something here that fits the club and festivals alike. Remaining mysterious and somewhat dark, one thing is sure. They know how to produce good records, and from my experience are loyal, humble dudes. Who could ask for anything more. Stay tuned for more Chuurch and tweet us if you're playing the tracks! Matthew Anthony Follow Chuurch Web - Chuurch.com Soundcloud - @chuurch Facebook - www.facebook.com/ChuurchMusic/ Twitter - twitter.com/chuurchmusic Instagram - www.instagram.com/chuurchmusic/ Follow Perfect Driver Music: Instagram - www.instagram.com/perfect_driver/ Facebook - www.facebook.com/PerfectDriverMusic Twitter - twitter.com/perfect_driver YouTube www.youtube.com/user/perfectdrivermusic Spotify play.spotify.com/user/perfectdrivermusic

Jimi Needles - Of synths, sounds and Jungle Strikes.

“I recently came to the realization that I've been Djing half of my life,” Jimi Needles – world-class DJ, producer and drummer for knock-out soul band Ephemerals – recalls, talking to me from home, shortly before leaving on a well-deserved holiday. “I had my CD decks first when I was 14. I bought really cheap CD decks and hated it, then got vinyl decks when I was 15 and restarted again. Not many people did that back then. You didn't touch Cds like that. It was all vinyl and then suddenly it was all Cds and I did the opposite. I've been djing full-time about half of my djing life. And only about the last four have been giving a real shit.” Four years is probably about the length of time that Needles has been on the radar of an ever-growing contingent of bassheads here on the Canadian west coast. His Needlewurk mixes are some of the most reliable I've found, able to keep all the members of the crew happy – no matter where they lay on the spectrum of bass music enjoyment. The good homie combines his incredible arsenal of sounds, tempos and feelings, with great taste in music and a penchant for juggling the best parts from an unyielding scope of genres.

It's been a year and half since the last time I've talked to Needles. It's been a fruitful time that has seen him touring relentlessly on his own and as the drummer for Ephemerals, the creation of the Jimi Needles Band and the beginning of the final stretch toward his long-awaited debut album. “I think I've become a worse DJ and a better producer since we last talked. I've sacrificed a bit of the Djing. In the past 18 months I've really collected a bunch of sounds that I will use for all of my tracks. Every producer has their signature thing, like Stickybuds has his signature bass. 'Oh yeah, that's a Stickybuds tune there.' Featurecast has got his signature boom-bap-shuffle-drums. You can't miss those. A. Skillz has own kits and stuff. I've done a lot of tracks that share the same synth,” says Needles. “The whole album is going to speak to that synth. It'll be the “Jimi Needles Sound.” Really moving away from bootleg stuff on the album to more original stuff. It's exciting. I've really learned to create space in tracks. When I was just bootlegging I would just go, “Let's just feature loads of stuff!” Never give it a breather. You kind of learn to add those spaces in.”

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Hello people of Earth! Meet K+Lab, your reigning Intergalactic Funk Champion!

In the few years I've been listening to K+Lab, I just plainly assumed that he was an alien – an intergalatic traveller with the funky secrets of the universe, merely stopping by Earth to enrich the funkless lives of our planets inhabitants.. His brand of sonic electronic goodness is impossibly heavy, thoroughly disorienting and frankly sounds like it came from another bloody dimension. But no, he's just a normal, albeit super-funky, dude from New Zealand. His performances are impossibly heavy forays into deep space funk, as he's up on the stage, funkifying unsuspecting crowds with his producer/DJ rig and the keytar that's become something of a signature.

“People really get excited when they see the keytar,” notes K+Lab. It was the same excitement that immediately gripped him when he first discovered this powerful part of his arsenal. “I was just walking down the street one day and I saw the keytar in a shop window. I walked past it then turned around and walked back and thought, 'Well, that's gotta be mine, now.' It chose me.” It was as simple as that. A warrior found his weapon and the rest, as they say, is history.

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5 Questions with Rags #7 Colin from Pigeon Hole (Bonus Interview included!)

The first time I saw Van. Island-bred ruffians Pigeon Hole was at Rifflandia some years ago (I wrote their write-up in the festival guide for their second appearance). The ferocity they attacked the near-empty crowd with was frankly astonishing and they’ve only gotten better. I’ve seen them blow up Shambhala, another Rifflandia and various other shows around here in Victoria and really, these guys have become assassins. I’ve been trying to find another reason to get ahold of Colin and get back on the Pigeon Hole train, and he’s a cool dude he was game for answering the 5 Questions.

 And this week, as a bonus, we have some extra discussion – the result of life taking a chunk out of both of us over the last couple of weeks and taking too long to get this done. See, this was going to be a piece for the Martlet in anticipation of their big headline show at Distrikt Nightclub this Thursday, but as the postponing went on for so long that we couldn’t make it online there in time, so rather than let the words get lost in the ether, I figured I’d at least get them out here.

 Get advance tickets for Pigeon Hole at Distrikt Nightclub this Thursday, Nov. 27.

1. If for some insane reason you were about to lose your vision and your hearing and you could only keep one, which would you keep and why?

Oooo…I’d keep vision. I’d be bummed not being able to hear music but i could still work on art and feel the bass at a rave.

2. What’s the first album you remember going out to buy with your own money and how old were you? What track from it, if any, lives on for you?

House of Pain’s Fine Malt Lyrics on cassette. I’m guessing I was like 12 or something? I’ve got it in a shoe box in my moms basement with all my other tapes. “Jump Around” is still the jam!!

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The Archives: Boots Riley is a traditionalist dragging things forward. And we're all the better for it.

Two nights before Barrack Obama's second Presidential election in Nov. 2012, I tracked down political activist, songwriter, public speaker, Coup frontman and all around bad muthafucka Boots Riley to talk about the latest Coup record, the instant classic Sorry To Bother You, the live Coup experience vs. the records and the impact of social media on political activism. It was the second time I've interviewed Riley and he remains one of the best, most open interviews I've ever done. If you're not fucking with the Coup you're fucking up. Mad respect to Boots, one of the most important brothers working in the game today. Great talk. Hope you enjoy reading it as much as I enjoyed having it.

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