5 Questions with Rags #51 - Craig Northey of The Odds

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The Odds have been a staple of Canadian for music for as long as I can remember. (At the time of this writing, I'm nearly 33, so take my memory for what you will.) If you grew up with any kind Canadian radio in the last 20 years you know the Odds, I promise. (This one, or This one, or perhaps This one, or maybe This one.) And if you don't know the Odds, you need to open your ears more because they are fucking awesome. They write witty, silly, intelligent, sometimes bizarre and always absurdly catchy rock tunes. As my life has slowly been draining itself of the more straight-ahead rock parts of my listening diet, the Odds have remained on rotation because they just make good, quality music. In anticipation of the band's return to my beloved Victoria on May 18, I caught up with vocalist and guitar player Craig Northey from Toronto as he prepared to tour, as a dummer (!), with Canadian supergroup The Transcanada Highwaymen to talk about funky ghosts, Bret 'The Hitman' Hart and Davey Jones' weight.

1. Do you remember the first album you bought with your own money?

I remember the first album that I got that was mine, and that was the Beatles' Hey Jude. The first album I bought with my own money could have been The Monkees' one with “99 Pounds” on it, but I can't remember the name. (Upon research, the album Craig is referring to is Changes.) “She was 99 pounds, some kinda dynamite,” which would be an eating disorder now. Davey Jones was a really little guy, so maybe that makes sense. Maybe he was 101 pounds.

2. If you could spend the day with anyone living or dead, who would it be and what would you do?

Oh my, that's a hard one. I think it would be driving around Toronto with Steven Page. Oh wait, I'm doing that! My life is fucking awesome! We're going to get tacos, and that's part of the day.

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5 Questions with Rags #50 - Mike Love

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It could be argued that with the rise of dancehall, reggae music has strayed a long way from its roots. Inarguably, a lot of the new reggae that has managed to make it into the popular consciousness has seemingly lost its way, preoccupied with nights on the dancefloor and the amounts of weed one is going to smoke. But this is reggae and there will always be people making compassionate, intelligent reggae music. At the forefront of the new Roots movement is Hawaiian reggae troubadour Mike Love. His music – released entirely independently through his label, Love Not War Records – is rooted in those traditional reggae/Rasta ideals, while doing entirely new things with sound via his looping-station, powerful voice and ever-changing live configuration. His is the reggae of Love, Peace, Justice and an unyielding admiration for the Earth that we all call home. His YouTube videos have garnered him a worldwide audience of peace-seekers looking for something a bit deeper from their music. Rags Music was lucky enough to catch up with the good homie for a chat before he makes his way up to our home on the Canadian west coast for the first time. If you get a chance to see this guy live, make sure you jump on it. Your ears and your soul will thank me.

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1. When's the last time you did something for the first time?

I think every day I try to do something new. It's one of the most important parts of life. Seeing new places, doing new things, experimenting with new things. Even when we're playing music we're always trying to do new stuff. There are some songs that we've played thousands of times and keeping them fresh, being able to keep playing them and be excited to play them, means trying new things all the time. That's life too. If you just do the same thing day in and day out, you become stagnant. Trying and learning new things is so important. I think that's what's what the system tries to get us doing, is having these routines and doing the same things every day.

2. Do you remember the first album you bought with your own money?

There was a couple. I think it was ...And Justice For All by Metallica and Bad by Michael Jackson. That was the first thing I got on tape. I had a cool older sister was into a lot of different stuff and I just sort of followed her.

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#festivalseason - Atmosphere Gathering - Eclectic grooves and community vibes.

Nestled right in the middle of beautiful, tiny Cumberland, BC in Comox Valley on Vancouver Island is one of BC's music festival gems, The Atmosphere Gathering. It's a place where community can flourish, a family-friendly camping festival that's quickly established itself as one of the most sonically diverse musical events this side of the Rockies. It seems like an oxymoron, but the Atmosphere Gathering is a laid-back rager – perfect for those who wanna dance in the day and get to bed at a reasonable hour, or those who wanna dance their faces off late into the night. If you're looking for the perfect cap for the summer festival season in BC, there aren't too many better choices than Atmosphere. Last week the festival released its first line-up announcement, featuring 20 acts, live and electronic, crossing genres but keeping its roots in rhythm and groove. There's a lot for a music-lover to get excited about but here are the first four acts that jumped out to my groove-seeking soul.

Atmosphere Gathering takes places Aug. 18-20 in Cumberland. Tickets and more lineup details HERE.

Applecat

I had heard and seen the name Applecat popping up at events all over the West Coast, until I finally got the chance to see her incredible set at Rifflandia 2016, here in Victoria. I hadn't heard anything like it and I don't think I have since. It was an enthralling set of dense, earthy bass music that at the time I couldn't describe. Frankly, I still don't think I can do her music justice. It needs to be experienced. All the Soundcloud tags say “dubstep” but her music is more atmospheric, theatrical and sexy than any dubstep I've ever heard. It's impossibly deep and shadowy sounding music – I imagine that if smoke pouring through a keyhole could make music, it would sound like Applecat. The worldbeat flourishes she uses to pepper her music help her beats stand out, leap out of the speakers with an intensely unique flavour.

Pleased to have been invited to play Rifflandia Festival 2016 big love to the venue, the dancers, atomique productions and everyone involved. T'was one hell of a time. *tracklisting to follow shortly*

Slynk

I've lost count of how many times I've seen Slynk. I've also lost count of the number of times I've been utterly impressed with Slynk. (Take this, for example, from the first ever time I saw him rock the party.) Over the last few years he's evolved from his Ghetto Funk roots, adding more and more influences and weapons into his arsenal. Just stroll through and sample his already ridiculous output from 2017 – a hard hitting drum 'n' bass track “People Get Up” (w/ Granular Sumo), a straight-up old-school hip-hop track “So Cool” (w/ Illvis Freshly), the ultra-slick nu-disco groover “Disco Operator,” to name just a few – and you'll get a glimpse of the scope of the good homie's many talents. On any given night a Slynk set will traverse a staggering array of genres, but it'll always be funky and bouncier than a trampoline. There's a strong possibility of this being the most straight-up fun set at Atmosphere this year. Do not miss this.

I'm a disco operator. Talkbox hype! Download Free Here: http://hypeddit.com/track/sc/mj26d4 WAV & FLAC: https://slynk.bandcamp.com/album/disco-operator

CloZee

Hands down, CloZee is the most exciting glitch-hop producer on planet Earth right now. Her tracks and mixes are sure-fire body-movers, across the board. The French producer is an expert at mining for the deepest of grooves. There are few DJ sets I've seen that have engaged me so quickly and easily. Watching her engage with the music as she moves and sways behind her midi-board, pounding out those groovy, thumping, tribal beats is something indescribably special. Her debut performance at the legendary electronic-Mecca Shambhala was the most captivating thing I saw at the festival last year, a set that I've been sending to anyone who will listen. Pick an EP, a single, a mix...it doesn't matter. If it's got CloZee's name on it, either your body is swaying or your head is bobbing. If you listen to CloZee, you will move.

Here is my set at Shambhala 2016, on The Grove stage. To play at this festival was like a dream! Thank you so much everyone who came party with us and who made this moment one of the highlights of my tour. Also thanks to the amazing artists featured in this mix! <3 Free download! - Dropbox: https://db.tt/eNmxMWz5 - Toneden: https://www.toneden.io/clozee/post/clozee-shambhala-2016-mix-the-grove TRACKLIST: CloZee - Entering The Grove ** (00:00) CloZee - Apsara Calling (04:08) CloZee - Diabólico (07:10) Zephyr - Camouflage (mashup with Weval - Intro) (11:34) Maximus MMC & FAB - Switching Lanes (13:55) CloZee - On The Riverbank (17:13) Axel Thesleff - Red Sun (18:28) Jumo - Aléa (20:12) DROELOE - Arazu (22:08) Otist Reading - When I Need To (CloZee Remix) (23:38) VOLO - Moai (25:53) CharlesTheFirst - Versicolor (27:00) TBBT - Drummer Boi (CloZee Remix) (28:43) Deft x Tehbis x Touchy Subject - Sesame Street (32:07) Technimatic - Cold Shoulder (CloZee Remix) ** (34:00) Ratatat - Loud Pipes (CloZee Remix) (36:37) Ibrahim Maalouf - Maeva In The Wonderland (CloZee Remix 2.0) ** (40:56) CloZee - Revolution (AMB Remix) (43:38) CloZee - Revolution (45:53) Barbatuques - Baiana (CloZee Remix) (48:11) CloZee - Inner Peace (50:45) CloZee - Koto (52: 21) CloZee - Red Forest (56:04) Technimatic - The Evening Loop (CloZee Remix) (57:52) Ivy Lab - Ubane (1:00:40) Skrude - Raw (1:02:00) Creaky Jackals - Take It Low (1:03:00) Subp Yao - Sum Sum (feat. dOOp) (1:04:18) Zeke Beats - Meltdown (1:05:32) Secret Recipe - Interstellar Symphonies (CloZee Remix) (1:07:09) Jumo - Désert (edit) (1:08:54) CloZee - ID ** (1:09:50) Axel Thesleff - Bad Karma (1:12:27) CloZee - The Path To Heaven (CharlesTheFirst Remix) (1:14:03) CloZee - The Path To Heaven (1:15:24) CloZinger - Sinking (1:17:32) CloZinger - Kara Sou (1:19:29) Copycat - ITSUM (1:21:10) LiL FiSH & CloZinger - Ghina (1:22:06) CloZee - Release Your Fear ** (1:25:05) O R I O N - Aeviternal (1:27:00) ROBOTEK - The Good Part (CloZee Remix) (1:28:27) CloZee & VOLO - Soul Search (1:30:56) ** = unreleased Original picture used for artwork: http://www.joffreyphoto.com

Astrocolor

In life and in music, I am a big supporter aggressive weirdness. Hence, I'm a big supporter of Astrocolor. I mean, how many times do you become aware of a band because they put out an album of all-original Christmas music? A Christmas album that sounds great at any time of year? What even is that? The Victoria outfit makes live, vibrant yet atmospheric dance music, perfect for those of us who enjoy the rhythms of electronic music but the engagement that comes from watching a live band. This is an enormously talented group of cats together making utterly unique, completely enthralling and ridiculously slick dance music.

Hello people of Earth! Meet K+Lab, your reigning Intergalactic Funk Champion!

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In the few years I've been listening to K+Lab, I just plainly assumed that he was an alien – an intergalatic traveller with the funky secrets of the universe, merely stopping by Earth to enrich the funkless lives of our planets inhabitants.. His brand of sonic electronic goodness is impossibly heavy, thoroughly disorienting and frankly sounds like it came from another bloody dimension. But no, he's just a normal, albeit super-funky, dude from New Zealand. His performances are impossibly heavy forays into deep space funk, as he's up on the stage, funkifying unsuspecting crowds with his producer/DJ rig and the keytar that's become something of a signature.

“People really get excited when they see the keytar,” notes K+Lab. It was the same excitement that immediately gripped him when he first discovered this powerful part of his arsenal. “I was just walking down the street one day and I saw the keytar in a shop window. I walked past it then turned around and walked back and thought, 'Well, that's gotta be mine, now.' It chose me.” It was as simple as that. A warrior found his weapon and the rest, as they say, is history.

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5 Questions with Rags #49 - The Harpoonist & The Axe Murderer (Shawn Hall, The Harpoonist)

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The Harpoonist & The Axe Murderer have been the most exciting, innovative west coast blues act for awhile now. The need to have my face blasted off overtakes me fairly often, and these two cats have been a go-to since I first got the stellar A Real Fine Mess into my ears a few years ago. A few months ago I caught the video for “Forever Fool,” (Which is amazing and you watch it now) the first single from their latest album, Apocalipstick. That's also when I found out the title for the their new album, Apocalipstick. What was that title?! What was happening to this bad-ass blues band that I loved so much?! Then I listened to the album and sweet Jesus, it's the most perfect title for maybe the duo's most bad-ass record yet.

“I used to fool around with this line that said, 'She kept me up all night in a post-apocalipstick, she held me in her fingers like a chicken in a chopstick.'” says Shawn Hall, the Harpoonist, talking to me from Regina, a brief stop in the band's current tour. “Matt [Rogers, The Axe Murderer] came up with the name for the record. It's like the inescapable grip of road life, the grip of that style of relationship people can have – the toxicity, the skin-deepness of that kind of allure,” explains Hall. “It's open to a lot of interpretation but that was where Apocalipstick stemmed from. You think about what's going on what whores we are for attention on such a minute level of detail, then moving on to the next thing. This vast, vacant consumption of everything.” Apocalipstick is a goddamned burner, their finest album yet. And that's saying a lot.

“We've been working on it forever. It's not a dinner party record. We don't fucking care. I hadn't listened to it for a bit until we got it on vinyl and I was like, 'Holy shit, that sounds wild!' I totally forgot.” With the release of a new record comes a new tour, and this one is unlike anything the band has done. “We're just making sure we can really bring it. Being able to bring these new songs on the road with a second drummer is unreal. People are just used to hearing Matt play the drums with feet and now they can hear Matt with his feet plus the drummer behind him who's also playing bass synth with his left hand, and singing backups. You can't join our band and just play one instrument. You gotta be able to do the whole thing!”

1. What's your best memory of an elementary or high school teacher?

The best memory I have is when I was 19, my grade 8 school teacher sat down next to me at the Alma Combo in Toronto. I was watching Albert Collins, the blues guitar legend. Right after my teacher sat down next to me, the Black Crowes, the fucking Black Crowes at the peek of their heyday, sat down next to me at an empty table. That wasn't a teaching moment, but it was a pretty unique experience.

2. Do you remember the first album you bought with your own money?

The first album I bought with my own money was the soundtrack to Stayin' Alive. Stayin' Alive was not Saturday Night Fever, but it was the sequel. And it was horrible.

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