5 Questions with Rags #7 Colin from Pigeon Hole (Bonus Interview included!)

The first time I saw Van. Island-bred ruffians Pigeon Hole was at Rifflandia some years ago (I wrote their write-up in the festival guide for their second appearance). The ferocity they attacked the near-empty crowd with was frankly astonishing and they’ve only gotten better. I’ve seen them blow up Shambhala, another Rifflandia and various other shows around here in Victoria and really, these guys have become assassins. I’ve been trying to find another reason to get ahold of Colin and get back on the Pigeon Hole train, and he’s a cool dude he was game for answering the 5 Questions.

 And this week, as a bonus, we have some extra discussion – the result of life taking a chunk out of both of us over the last couple of weeks and taking too long to get this done. See, this was going to be a piece for the Martlet in anticipation of their big headline show at Distrikt Nightclub this Thursday, but as the postponing went on for so long that we couldn’t make it online there in time, so rather than let the words get lost in the ether, I figured I’d at least get them out here.

 Get advance tickets for Pigeon Hole at Distrikt Nightclub this Thursday, Nov. 27.

1. If for some insane reason you were about to lose your vision and your hearing and you could only keep one, which would you keep and why?

Oooo…I’d keep vision. I’d be bummed not being able to hear music but i could still work on art and feel the bass at a rave.

2. What’s the first album you remember going out to buy with your own money and how old were you? What track from it, if any, lives on for you?

House of Pain’s Fine Malt Lyrics on cassette. I’m guessing I was like 12 or something? I’ve got it in a shoe box in my moms basement with all my other tapes. “Jump Around” is still the jam!!

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The Archives: Boots Riley is a traditionalist dragging things forward. And we're all the better for it.

Two nights before Barrack Obama's second Presidential election in Nov. 2012, I tracked down political activist, songwriter, public speaker, Coup frontman and all around bad muthafucka Boots Riley to talk about the latest Coup record, the instant classic Sorry To Bother You, the live Coup experience vs. the records and the impact of social media on political activism. It was the second time I've interviewed Riley and he remains one of the best, most open interviews I've ever done. If you're not fucking with the Coup you're fucking up. Mad respect to Boots, one of the most important brothers working in the game today. Great talk. Hope you enjoy reading it as much as I enjoyed having it.

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Odario Williams is much less Thunderous than Grand Analog's music, but no less awesome.

Canadian hip-hop is in the middle of a revolution. The sound coming out of the Great White North is literate, fluid and thumping. It is the sound of a generation that grew up on the pure, uncut goods from down South and decided to tread a path all its own but laden with respect for the tradition of not just hip-hop music but hip-hop culture as a whole. Few acts out there are going as strong as Grand Analog. It was awhile between records, but Modern Thunder was worth the wait. A few months ago I got ahold of Odario while he was doing some recording in Toronto to talk about what makes Canadian hip-hop unique, the greatness of Saukrates and how Catalyst makes him laugh. Much respect to one of the protectors of Canadian Hip-Hop culture, Odario Williams. 

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I talk with Five Alarm Funk's resident Animal, Tayo Branston. Also, it's wicked!

Five Alarm Funk has been a West Coast institution for nearly a decade. Their Empire of Funk may be based on the quiet, slow coast of Canada, but they're slowly marching on the rest of the world, establishing a New World Order of Fun. I was there to witness one of their highpoints of Glorious Fun at Shambhala where they destroyed the Amphitheatre (Formerly the Rock Pit) and made my good friend and Guide to the Cosmos, Hingle McCringleberry, admit to their live-band greatness. Fuck yeah. Anyways, I was supposed to talk to frontman and guy who surprisingly isn't Animal from the Muppets, Tayo Brantson whilst at the festival but I was unable to make it. But luckily we managed to hook up on the phone a little more than a month later and talked about that missed opportunity, the grueling nature of the F.A.F.'s tour schedule and the dangers of spilling on oneself.

This week Five Alarm Funk celebrates 10 years of funking the hell out of fans in Victoria at Sugar Nightclub. Read this, get amped and then get some tickets here. 

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Slynk, your older brother's favourite DJ. The unedited interview.

This past summer I ventured to my first Shambhala Music Festival and ran into the force that is known as Ghetto Funk and one of their biggest ambassadors, Slynk. Built on a real organic-sounding foundation funk, soul and hip-hop, Slynk became one of my entry points into the world of electronic music. It's a rabbit-hole I sometimes regret going through, not for the music but just because of the sheer immensity of the hole. I don't think it will ever end now, fuck it. In any case, Slynk came through my hometown Victoria last month (December) for an epic night with Featurecast and Neon Steve and I took the opportunity to get ahold of him for a little talk. Read it up. We chat about his musical beginnings, his love of his adopted Vancouver and the fellow DJs that get the thumbs up from the man himself. Big ups to Slynk for bringing funk to the people and, less importantly, taking some time to talk some words at me. Respect.

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